A League of Their Own, Pt 3: Winning the War but Losing the Game

25th Anniversary Four-Part Mini Series Event

In Part 1 we met a slew of talented female ball players as they escaped the doldrums of their lives to join the All American Girl's Baseball League during World War II. In Part 2 we got invested in their funny personalities and rivalries and watched as former star and booze hound Jimmy Dugan slowly rose to the challenge of actually managing them. When we left off, the girls were warned that the league might be closing just as its begun unless they could generate more publicity and sell more tickets.

The Peaches are in love wih the game already. They step up when they're asked to give it everything they got...

Part 3 by Jazz Tangcay (on loan from Awards Daily)

1:01:55 ...time to see some ball. Kit pitches and we cut to Dottie displaying her catching skills spilt style. It’s an absolutely amazing shot of Geena Davis and much like Jimmy’s reaction, you’re sitting there, jaw open, thinking wow. “What the hell was that?” Jimmy asks. Don’t we all want to know how she did that? 

Dottie even makes the cover of Life magazine

1.03:00 After a quick church prayer, and another quip from Jimmy, “God knows we have a game,” Hans Zimmer’s score starts up 🎵

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C O N S I D E R - Favorites of 2017, 2nd Qtr

THE YEAR'S FIRST HALF IS OVER! But rather than wait for this "halfway mark" for year in review listicles we started at the end of the 1st quarter so you'll have to combine those lists (movies / actresses / actors) with the highlights from your host's April through June screenings for a complete "halfway mark" take. Got it? Unlike many critics orgs and the Oscars, The Film Experience believes that moviegoing is a 12 month long activity and each month can hold worthy efforts.  Here are 4 or 5 highlights of what we've seen the past three months per Oscar category in alpha order. How will they measure up to what's still to come?

Key movies I regret missing this quarter: Beatriz at Dinner, Hero, Gifted, Manifesto, and Their Finest

PICTURE and/or DIRECTOR and/or SCREENPLAY
(i couldn't decide which to cut so this first grouped selection is 6 wide)

BABY DRIVER (Edgar Wright)
THE BIG SICK (Michael Showalter)
THE LOVERS (Azazel Jacobs)
LOST CITY OF Z (James Gray)
THE WEDDING PLAN (Rama Burshtein)
WONDER WOMAN (Patty Jenkins)

Lots more after the jump...

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Bonne Fête, Bujold.

by Seán McGovern

Today we celebrate the 75th birthday of Québécoise actress Genevieve Bujold, one of the lesser-lauded Francophone talents. Apart from having a wonderful name to pronounce (dinner with Geneviève Bujold and René Auberjonois, perhaps?), she has more than 70 films under her belt. Instead of doing a retrospective of an actresses who not all of us might know or appreciate, consider this an introduction to some of her greatest work, including Anne of a Thousand Days, Dead Ringers and of course, not Star Trek: Voyager.

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The Many Delights of "Okja"

Chris here. Have you caught up to Okja on Netflix yet, readers?

The Cannes competition title arrived on the streaming platform this week (and a tiny sampling of theatres), becoming one of its boldest and best pieces of original programming. Bong Joon-ho's satire of the factory farming industry and consumer culture is a stunning blend of tones and ideas, from absurd comedy to tense thriller to heartwarming fable. At its heart, it is truly about a girl and her pet.

Okja is quite a feast for audiences, bursting with delights both unexpected and well-anticipated. The film has naturally proven somewhat divisive already, as anything so go-for-broke typically can be. But let's grant some hosannas for a film of many high points...

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Young and Hungry Susan Hayward

HAYWARD CENTENNIAL FINALE

by Nathaniel R

Oscar buffs might be the only people who still regularly talk about Susan Hayward but her Oscar record was impressive enough to warrant that conversation. Five nominations with one win, all in the Best Actress category, is not nothing. In fact, her record is a match with Audrey Hepburn and Anne Bancroft and another Susan (Sarandon). But when I first got interested in Susan Hayward before I'd seen any of her films, what drew me in was the abundant hysteria within the posters, titles, and taglines for her movies. Or to quote Rupert Everett in My Best Friend's Wedding:

The misery. The exquisite tragedy. The Susan Hayward of it all!"

She lived (onscreen at least) for exclamation points so it's fitting then that her Oscar win came from I Want to Live! (1958). But to close out our celebration counterintuitively in reverse, let's end with a film from when Hayward was a young and hungry actress without much pull...

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