Beauty vs Beast: Follow That Bird

Jason from MNPP here, delicately fondling every cane in sight in honor of the birth of one of my favorite all-time scene-stealers, Mr. Peter Lorre, who was born on in this day in the year 1904. I, like many of you, probably first knew Lorre without actually knowing him, via his animated likeness always popping up for a quick n creepy gag in Looney Tunes; funny enough my mom wasn't rushing to show me Fritz Lang's masterpiece M as a child. But once I did see M... wowza. And Casablanca. Double wowza! And Hitchcock's original The Man Who Knew Too Much -- wowza squared! And on and on... but for today's "Beauty vs Beast" let's pit him against that other favorite of the Looney Tunes animators, his co-star in John Huston's 1941 classic noir The Maltese Falcon...

PREVIOUSLY I'm sure some of you are still wearing your Nicole Kidman party hats - the celebration never ends! - but let's take stock of last week's Moulin Rouge competition oh right shocker Nicole Kidman won. She took 58% of your vote over poor suffering Ewan. But y'all were torn. Said Sawyer:

"The Hardest One Ever. As usual, it's Nicole by a nose."

The Furniture: A Humble Palace of Moral Struggle in David and Bathsheba

"The Furniture" a weekly series on Production Design by Daniel Walber 

The 1951 box office was topped by Quo Vadis, a sword-and-sandal epic with thumping Christian overtones that cost well over $7 million. Crowds flocked to see Peter Ustinov’s Nero fiddle over the burning wreckage of Rome. And when the Academy Awards came around, the film picked up eight nominations.

Nevertheless, this is not column about Quo Vadis. If you scan a bit lower on the list of 1951’s biggest moneymakers, you’ll find David and Bathsheba. Next to Nero’s gold, it seems minor. It grossed less and scored fewer Oscar nominations. But it makes up for this deficit in sparkle with its unique character, intimate drama in a biblical package. The Oscar nominated production design, sprung from a much lower budget, illustrates that as much as anything else...

Click to read more ...

Ask Nathaniel

A word from your host: Hi y'all. I know this summer has been a bit light on my contributions to The Film Experience (thanks to the team for picking up some of my slack) but a bright shiny future hopefully awaits.

I have exciting news! I have been accepted into the annual Eugene O'Neill National Critics Institute. The fellowship is a two week gig starting in July. I'm not sure what to expect but I'm honored. My plan is to emerge from it like a beautiful butterfly artistically rejuvenated and ready for a bit more summer silliness before diving headfirst into fall film & awards season.

We recently did a three part Q&A (bam-bam-bam) but give me more Qs and I'll throw up at least one batch of As before my trip next week.

xo, Nathaniel

Beauty Break: Catwomen

Mmmm, Loveliness circa 2003.

Podcast: My Cousin Wonder Woman, The Beguiled

Well, that was quite a hiatus. The podcast is back though we might be a bit slow to rev up to weekly again and please excuse all our airconditioners and fans running in the background. We're melting here in NYC.

In this episode Nathaniel reunites with Joe and Nick to catch up and talk five newish movies.

Index (40 minutes)
00:01 "What's this lady for?" (Part 1)
02:20 The Beguiled
08:25 My Cousin Rachel
13:50 Wonder Woman
29:30 Beatriz at Dinner
33:30 It Comes at Night (*spoilers*)
37:45 "What's this lady for?" (Part 2)

Best Question I've ever been asked by a 3 1/2 year-old: "What's this lady for?" Where to even begin? #nicolekidman #babysitting #guncle

A post shared by Nathaniel R (@nathaniel_tfe) on Jun 24, 2017 at 9:14pm PDT

 

You can listen to the podcast here at the bottom of the post or download from iTunes. 

Continue the conversations in the comments, won't you? 

My Cousin Wonder Woman