Review: The Sense of an Ending

by Lynn Lee 

Elliptical and enigmatic, The Sense of an Ending has the quality of a mystery, but one that raises more questions than it answers.  That is, without a doubt, fully intentional.  It’s a film that’s designed to make you go “hmm,” not “aha,” and there’s something admirable about how studiously it avoids going for an obvious narrative or emotional knockout punch.  But by the same token, there’s something a little unsatisfying about it, too.

Based on the Booker Prize-winning novella by Julian Barnes, the film centers on an aging Londoner, Tony Webster (Jim Broadbent), who, upon being notified of an unexpected legacy, finds himself revisiting his memories of an incident from his youth and eventually coming to grips with the fact that he’s never fully acknowledged or even recognized the truth of what really happened...

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On this day: Vivien's Oscar, Kevin's Bacon, Carter's Write-Down

On this day in showbiz history

The Story of Miss Lonelyheart from Péter Lichter on Vimeo.

1913/1914 Did you know that Detective Doyle (Wendell Corey) and Miss Lonelyhearts (Judith Evelyn) from Rear Window shared a birthday? Now you do! (Uff, I love Rear Window so much)
1942 Rings on Her Finger, a screwball comedy starring Henry Fonda and Gene Tierney opens in theaters
1948 Gentleman's Agreement wins Best Picture at the 1947 Oscars but the enduring statues from that year are surely Edmund Gwenn's Supporting Actor win as Kris Kringle in Miracle on 34th Street and the Cinematography and Art Direction wins for the astounding Black Narcissus. What a picture! 
1952 Vivien Leigh wins her second Best Actress prize at the 1951 Oscars for A Streetcar Named Desire. Absent from the ceremony, Greer Garson accepts for Vivien...

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Open Thread

What's on your cinematic mind as this new week begins? 

Beauty and the Box Office. Plus Iron Fist.

What did you see this weekend besides Emma Watson twirling in that yellow gown?   Disney spent $160 million making the movie and probably another huge chunk of millions promoting it but they were rewarded with stacks and stacks of gold. It nearly became the top grossing movie of the year (thus far) in a single weekend! 

Since I'd already seen the Disney musical, I spent the weekend with a revisit of Grease 2 (more on that soon) as well as some DVR catch up (I will miss you when you're gone Real O'Neals - especially you Martha Plimpton and Matt Oberg). And yes I also tried with Iron Fist but it became white noise in the background as it was too dull to focus sole attention on. Identity politics aside, Finn Jones + the script are the biggest problems as there is so much filler and the hero is the least likeable character on the show, insufferably selfish and quite dumb. Shut up about your chi already, we get it! I found myself actually rooting for the douchey pseudo brother Ward Beachum (Tom Pelphrey). The Netflix series only comes alive when it focuses on side characters, whether they're good (Jessica Henwick as Colleen Wing), evil (Wai Ching Ho reprising her delicious Daredevil villain Madame Gao) or somewhere on the what-are-they-up-to spectrum (the always reliable David Wenham as Harold Meachum) 

TOP WIDE 
01 Beauty & The Beast $170 NEW Review
02 Kong Skull Island $28.8 (cum. $110.1)  Review
03 Logan $17.5 (cum. $184) Review
04 Get Out $13.2 (cum. $133.1) Review
05 The Shack $6.1 (cum. $42.6) 

TOP LIMITED 
01 The Sense of an Ending $475K (cum. $527K) 282 theaters Interview
02 Badrinath Ki Dulhania $420K (cum. $1.5) 156 theaters
03 A United Kingdom $320K (cum. $3.1) 257 theaters 
04 Kedi $275K (cum. $1.4) 120 theaters  Review 
05 The Last Word $191K (cum. $345K) 94 theaters
06 T2: Trainspotting $180K NEW 5 theaters
07 Personal Shopper $158K (cum. $269K) 35 theaters Review
08 The Salesman $105K (cum. $2.2) 72 theaters  Review, Interview 
09 Song to Song $53K NEW 4 theaters
10 Land of Mine $41K (cum. $245K) 38 theaters Interview

Review: Disney's recreation of "Beauty and the Beast"

This review was previously published in Nathaniel's column at Towleroad

Tale as old as time
True as it can be

You wouldn’t think that ‘tales as old as time’ would need so much retelling but they do. Certain properties never go away or are open to constant reinterpretation like the Shakespeare oeuvre or, well, fairy tales. A cursory bit of research reveals that there have been at least a dozen feature films or TV series from various countries based on Beauty and the Beast tale.

If you have never existed before today, here’s what you need to know: A cruel prince is cursed and transformed into a beast. If the Beast doesn’t learn to love and be loved in return by the time the last petal on a magic rose falls, the curse will become permanent. Enter a beautiful girl who could be the one to break the spell...

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