John Boorman on His Oscar Experience

Jose here. Earlier this week I had the opportunity to sit down with legendary director John Boorman (Deliverance, Point Blank, The Tailor of Panama) in order to talk about his new film Queen and Country a sequel to his Oscar nominated Hope and Glory. Besides being a notoriously versatile director Mr. Boorman is also quite the cinephile, with a profound knowledge of silent cinema and obscure noirs, this led our conversation to stray into the topic of the Academy Awards...

John Boorman directs 'Deliverance' (L) 'Hope and Glory' (R)

You’ve been nominated for Best Director twice for Deliverance and Hope and Glory, can you share some of your memories about going to the Oscars?

First of all, it’s incredibly boring, because you leave the hotel at 2 in the afternoon and the show goes on until 11 at night, and you sit in the audience more often than not watching the commercials, or at least the gaps the commercials create. It’s very wearing! (laughs) I didn’t go when I was nominated for Deliverance, I went when I was nominated for Hope & Glory, I’d been nominated as producer, director and screenwriter. I was delighted that the film was nominated, but I didn’t win in any of the categories, and it makes you feel like such a failure (laughs).

You keep yourself active as an Academy member?

Yes, I see them all and vote, but the ones I vote for never win (laughs).

What were some of your favorites in the Oscar race this year?

In the Oscars this year, in the Foreign Language category, there are three films Leviathan, Ida and Timbuktu, and there are no three films in any other category that match up to these at all. I saw them recently and felt so proud to be a filmmaker! But what does their quality say about the other films? Quite good films even, like The Theory of Everything and Birdman and so on? There’s something calculating about these films, it’s a calculation that somehow the system brings up because of the way films are made. Scripts are supervised by studios and you feel these films have been overcooked, there’s something slightly contrived about them. They’re looking over their shoulder a little bit.

Queen and Country, Boorman's final film, is now playing in select theaters.

Calvin

I've never seen purple underwear before, Calvin."

Great Moments in Screen Come-Ons #201
Lea Thompson in Back to the Future (1985) 

Tim's Toons: Animated also-rans

Tim here. In his official Oscar predictions today, Nathaniel left out Best Animated Feature, but no matter. By this point, you'd have to hunt a while to find anybody predicting a winner other than How to Train Your Dragon 2, with a few Big Hero 6 holdouts just trying to pretend that things will be interesting. (Me, I'm thinking that we're about to see an unexpected explosion of write-in votes to make sure that Mr. Peabody & Sherman can finally get its due).

That level of predictability almost always ends up settling into this particular race (last year was an exception), which can make it hard, sometimes, to recall that the category has had a purpose beyond annually recognizing that yep, Pixar sure does make some pretty fine movies. So instead of prepping for Oscar weekend by celebrating winners, I want to pay tribute to some losers. The beautiful likes of The Tale of the Princess Kaguya and Song of the Sea are (probably) about the join the 36 films to have so far been nominated for the Best Animated Feature Oscar and lost out, and that's some fine company to be in. Here are some of my personal favorites.

The Triplets of Belleville (2003; lost to Finding Nemo)
Even after 11 years, the jazzy "Bellville Rendez-vous" remains one of the most memorable original songs in 21st Century filmmaking (it also lost a competitive Oscar). It's a brilliant component of a movie that I'm generally inclined to regard with fetishistic adoration, and will start recommending to people on even the slightest pretext. Like this one, for example. It's one of the most essential animated features of the last 15 years, easily, combining warped slapstick humor with an elegiac sense of melancholy, expressed in a scratchy graphic style that turns everyone into a grotesque caricature while given all of them full, vibrant personalities. Not bad for a film with less than a dozen spoken words in its entire running time.

Persepolis (2007; lost to Ratatouille)
Marjane Satrapi's adaptation of her own graphic novel memoir is a little redundant, perhaps. But taken on its own terms, this story of life during the Iranian Revolution, told in soft lines and crisp black-and-white, is terrific animated cinema both aesthetically and politically. Overtly feminist stories and animation for an appreciative adult audience are both rare, combining them is rarer, and using it all in the service of putting a human face to life in Iran that doesn't pander or beg for special pleading makes this one as bold as any animated film I can ever name. And yet it's so sardonic and brisk that it never feels capital-I Important in a boring way. A total success that deserves infinitely more attention than it's ever received in the U.S.

Kung Fu Panda (2008; lost to WALL·E)
When the first How to Train Your Dragon came out in 2010, it was greeted with critical hosannas as the movie that finally proved that DreamWorks Animation could make a movie that as every bit as good as its best competition. But then, the studio had already proven that with this brightly-colored, poppy tribute to Asian landscape paintings and schlocky '70s kung-fu movies. It's silly as hell, and the jokes have all the smirking anachronism of DreamWorks at its worst. But it's also funny and disarmingly sweet, and the company's fixation on all-celebrity voice casting never worked out as well as it did here, with Jack Black, Angelina Jolie, Dustin Hoffman, and Ian McShane among the many familiar faces we don't see.

The Princess and the Frog (2009; lost to Up)
The financial success of the following year's Tangled immediately swallowed up the small splash made by Disney's first-ever animated feature centered on an African-American protagonist. And then the behemoth of 2013's Frozen left it almost totally forgotten as the first attempt in a generation to make a classic Disney Princess musical. Neither of which is at all a fair fate for an earnest attempt at correcting the company's long history of representational yuckiness with a warm suite of Randy Newman songs, top-notch voice acting, and beautifully old-school 2-D animation. It's a sop to the studio's fans, sure, but as a fan, I am greatly pleased to have it in my life even now, far more than either of its bigger successors.

What are your favorite nominees to have missed on on the Best Animated Feature Oscar?

Long Day's Journey Into Link

All Oscars All The Time
Big Group they've taken that 'Oscar Dresses infographic' that was so successful a year ago and updated and expanded it with interactivity
AV Club wants the Oscars to add these 11 categories. I say Nay! to most of these. The Academy nixed two of these very recently (Best Casting and Title Design) when they were proposed again
David Poland thinks "preferential balloting" makes virtually anything possible in this tight Best Picture race and seems to expect a true spread the wealth night (as do I)
Gurus of Gold the full charts in all categories
The Atlantic Joe Reid on the lack of connection between Best Picture & Best Actress
Vox tries to explain all the confusing Oscar categories - not who will win but the category definitions themselves
THR Mo'Nique believes she was blackballed after her Oscar win for Precious for not playing the game and being "difficult". Hollywood is so frustrating. Who cares if she's difficult. That's one of the best performances of all time. Doesn't anyone wanna try bottling lightning again?
The Wrap, truly jumping the gun, proposed 20 actors of color and 5 directors for all 25 of the major Oscar nominations for next year's race from films like Creed, Silence, Nina, Lila & Eve, and Crimson Peak

More Movies
Keith Gow reviews The Last Five Years and he's much more satisfied with it than I am. One of my friends who is much more critical of modern movie musicals than I also loved it. I am definitely ready for a second look.
GMA Jeremy Jordan and Jason Robert Brown perform a Last Five Years number on morning TV
Empire 8 secrets from the set of Nightcrawler
Dissolve on Neil Blomkamp's plans to direct another Aliens sequel. Sigourney Weaver is planning to return as Ripley. So exciting if we really do get a sixtysomething action heroine but I'm not holding my breath since Ridley Scott is working on a Prometheus sequel, too
Interview amazing new photoshoot of Kristen Stewart who really turned it out as an actress this past year. More please
First Showing yes it's true Pirates of the Caribbean 5 has started production (Noooooooo) with Javier Bardem wasting more of his time and YA stars Kaya Scoledario and Brenton Thwaites joining the cast
The Film Stage Xavier Dolan in the new trailer for Elephant Song - he's just acting this time
Details Calum Marsh looks at The Breakfast Club 30 years on 
In Contention looks at some of the tougher to call races
THR Brutally Honest Ballot of an Oscar voter from the PR branch - these things are always a mix of cringeworthy and/or interesting revealing quotes
THR Brutally Honest Ballot #2 - this one loves Theory of Everything and admires Boyhood 

New Mad Men Trailer! "The Final Episodes"

Because of this people are speculating that the final episodes take place in 1976. People are silly. It's not like that show to jump 7 years. And Matthew Weiner said he always wanted to make a show about the decade of the 1960s and he's always been willing to be anachronistic about music. The movies on the other hand, they're usually right on schedule so I wish I knew what year the final episodes took place in so as to study that year's movies. I want to see Don Draper in a movie theater one last time. Pretty please! 

Monty waiting for more cakeOff Cinema
Wisdom Nation screw motivation, seek discipline
Billboard Madonna speaks, makes journo drink shots
BuzzFeed Trans model recreates Adam Levine's famous never-nude shot 
Towleroad Lady Gaga is engaged to her actor boyfriend Taylor Kinney (The Other Women / Chicago Fire) 
Playbill the great Victoria Clark (The Light in the Piazza)  is doing a diary of her out of town tryouts of Gigi, a reworking of the Oscar winning musical
AutoStraddle "50 Shades of Grey Cats". Monty made me include that one. He's breathing very loudly right behind my chair as I type this, surely plotting my murder for the recent vet visit. FTR he is also upset that Jennifer Aniston didn't get nominated for Cake because he was hoping for more edible swag.

Awards Season Dichotomy: Easy Calls & Tough Choices

With time rapidly running out until we get to Oscar - we're just 3 days away - I'm afraid there's no time left for obsessive predictive postings and chart updates. So as a final predictive wrap up, we illustrate one of the conundrums of awards season via Oscar Predictions and our own Film Bitch Awards. With Oscar it seems categories often become either truly easy calls or are just impossible to figure. For the conscientous voter, personal ballots are never easy calls. They're another matter entirely.

To quote the witch Ursula who is not good and not nice but just right:

Life's full of tough choices, in'n't it?

Speaking of personal choices, if you haven't yet voted on the polls on each chart page, go and do that. I'll announce the Reader's Choice this Saturday before the Oscars.

OSCAR PREDICTIONS

Isn't it weird how things just line up for Oscar's  "duh" calls for predictions each year-- even if there's no appreciable difference in quality or the quality actually goes another way? So as recap. Here are the final predictions. Later today I'm doing a piece for Towleroad where you can read further thoughts on all of this if you haven't got enough of it right here. I also urge you to check out the Gurus of Gold chart at Movie City News to see what the general consensus is versus where I and maybe you if you predict at home, fall.

THE EASIEST CALLS
Actress  Julianne Moore, Still Alice (just discussed)
Supporting Actor J.K. Simmons, Whiplash (a press favorite all year)
Supporting Actress Patricia Arquette, Boyhood 
Production Design / Costume Design -Stockhausen & Canonero for Grand Budapest Hotel 
Cinematography Emmanuel Lubeski - Birdman 

SEEMINGLY EASY CALLS BUT THESE CATEGORIES ARE KNOWN FOR UPSETS
Foreign Film -Ida
Documentary  - Citizen Four
Makeup - Grand Budapest Hotel 

SLIGHTLY MORE COMPLICATED CALLS
Actor - Eddie Redmayne, Theory of Everything I understand some are arguing for a Cooper stealth win or a Keaton triumph with Birdman surging but I'm sticking by my original prediction. Oscar has always been deeply fascinated by mimicry and by men playing characters with physical challenges.

TRULY DIFFICULT CALLS
Picture/Director I'm going with a Boyhood/Birdman split though any combo or double from either makes sense. It's all terribly mystifying (Discussed on the podcast)
Visual Effects Interstellar (though I'm not confident)
Editing Whiplash (though Boyhood seems just as likely)
Original Screenplay Grand Budapest (or will it be Birdman?)
Adapted Screenplay Imitation Game (with an outside shot for Whiplash)
Doc Short Glenn thinks Crisis Hotline. I'm going with Joanna
Live Action Short The Phone Call
Animation Short Tim thinks Feast or The Dam Keeper. I'm going with The Bigger Picture
Score Theory of Everything
Sound Mixing Whiplash
Sound Editing American Sniper

And that's it for predictions. I look forward to being completely wrong this year. I love the volatile years most. Punditry is no fun when it's too easy.

FILM BITCH AWARDS

As for my own annual prizes with their own rich history... those are still in progress and much fussed over though the Oscar Correlative categories are all fully complete.

4 nominations for NIGHTCRAWLERNATHANIEL'S BALLOT - ALWAYS TOUGH CHOICES
PAGE 1 - Picture, Director, Screenplay, Animated (complete)
PAGE 2 - Acting (newly completed!)
PAGE 3 - Visuals (newly completed!)
PAGE 4 - Aurals and Oscar-Parallel Tally (newly completed with love for The Homesman, Gone Girl, Begin Again and more...) 

...and the extra "fun" categories are still in progress though there's a little something on each page now to whet your appetite.

PAGE 5 - Extras (new kudos for Pride, Love is Strange & Selma)
PAGE 6 - Character Prizes 
PAGE 7 - Scene Work