Links

The Carpetbagger on the rising red carpet revolt. No more 'who are you wearing?' no more Mani-cams?... 
Lainey Gossip ... but not everyone is okay with this. Here's an angry report on Nicole Kidman at the Grammys
Playbill Anna Kendrick will perform at the Oscars but they're not saying what. My guess is that they're doing a 50th anniversary Sound of Music tribute -- I just hope they make Best Actress Julie Andrews a part of it somehow.
Vimeo "Life Inside Jabba the Hutt"
EW longform goes 'sex lies and fifty shades of grey' 
Film School Rejects allows for the non-story silliness of imagining Ava DuVernay directing a superhero movie
Hubpages how Franklin became the first black Peanuts comic strip character
Pajiba on the relatable marital awkwardness of HBO's Together starring Melanie Lynskey and Mark Duplass
AV Club remembers Jeff Bridges and Karen Allen in Starman (1984). It's a goodie

Wachowski World
Hitfix Motion Captured The Wachowskis interviewed on the insanity of Jupiter Ascending, Wizard of Oz and Brazil as influences and more
Variety thinks that Jupiter Ascending failed because it was too original 
Hollywood Elsewhere ...but Jeff Wells thinks it failed for the opposite reason 

LGBT Interest
Gawker Rich Juzwiak is brilliant as usual - a must read on Lance Bass's "masculine" Reality TV wedding
Women in Hollywood Lionsgate won the bidding war for Julianne Moore and Ellen Page drama Freeheld 
In Contention redemption might be coming for the much maligned 54 (1998) with Mark Christopher's directors cut? I remember loving his Alkali, Iowa short which first won him attention but the version of 54 that hit theaters was weak. The new version which is said to contain 40 minutes (!!!) of unseen footage and excise 30 minutes of studio-forced reshoots premieres at Berlinale tomorrow!

Living For Love & Skimming Through Grammys

Annie takes us to church, then puts a spell on usWith Taylor Swift's cheekily titled "1989" the music world's best-seller of 2014, and a least half of all movie franchises with their roots firmly embedded in the "me" decade is pop culture forever frozen in 80s amber? We hardly needed another reminder that the 1980s are still roaring but what were the chances that the two best performances of the Grammy's would come from Annie Lennox and Madonna?

I don't ask this as someone with significant ties to loving the 1980s (though I am someone like that) but from genuine surprise. It's not that there aren't great performers that are very now but they all seemed conspicuously absent last night or visibly subdued within the long procession of funureal ballads the Grammys showcased. Hell, even Pharell's boppy "Happy" which memorably gave us Streep shimmying and Nyong'o jumping to her feet at the Oscars last year, was performed with 'everything is not awesome' minor key ominousness.

After the jump movie & Oscar related Grammy stuff and big wins. But first a few words on Madonna and the delicious deep red new video from the undeposed Queen of Pop.

Click to read more ...

'Nobody's Baby,' But Everyone's Cover Girl

Another wave of Scarlett Johansson mania is nearly upon us courtesy of The Age of Ultron. Here she is very late seventies/early eighties styled for W magazine's spring issue

Photography by Mert Alas

As a child in New York, Johansson was fascinated with every aspect of show business. “I had a big imagination,” she said. “I particularly loved Judy Garland, and, to me, she did it all. For as long as I can remember, I wanted to be an actor. And I wanted to do everything. When you’re a kid, they send you on a lot of commercial auditions, and I was terrible at selling things. I never got those parts. I remember crying in the subway, and my mom said, ‘Look—let’s forget it. Do something else.’ And I replied, ‘No. You can’t take this away from me. I want to be an actor!’ Waiting for the B train, I had my come-to-Jesus moment.”

So Johansson (and her mother, who became her manager) decided she would audition only for films. In addition to a precocious mix of sexy and cute, even as a girl, Johansson had a trump card: her deep, slightly hoarse, smoky speaking voice. 

This new W magazine profile is by Lynn Hirschberg and Scarlett shares that the black hair in Under the Skin was her idea. A good one! Strangely the photos for this article aren't up despite a link saying they are.

Podcast: Jupiter Etcetera

Remember us? It's been a month. How did that happen? Nathaniel, Nick, Katey and Joe are finally reunited. We had intended to talk Oscar nominations but we're so far past Nomination Morning that the conversation has a mind of its own and just goes where it may. Nathaniel keeps trying to bring up Nightcrawler and Ben Affleck, Amy Adams, Magic Mike and Djimon Hounsou's agent work there way into the conversation, too.

[42 Minutes]
00:01 We're back. DGA Awards & Birdman
10:54 Eddie Redmayne vs Michael Keaton vs Bradley Cooper
19:30 Original Song: Selma, The LEGO Movie
23:11 Beyond the Lights & Gugu Mbatha-Raw
27:20 Seventh Son & Jupiter Ascending 

This IMAX showing of Seventh Son begins in 5 minutes pic.twitter.com/QJzXS4eNCK

— Nathaniel Rogers (@nathanielr) February 6, 2015

REFERENCED IN THIS PODCAST
American Sniper Conversation from the podcast "Fighting in the War Room" 

Please to enjoy and continue the rambling conversation in the comments. You can listen at the bottom of the post or download from iTunes. 

Jupiter Ascending & More

Box Office: Jupiter Descending

Amir  bringing you the weekend’s box office news. While awards season was in full swing this weekend with the DGA, BAFTAs and Grammys, Spongebob: Sponge Out of Water swept in and wiped off its competition while entering the top five best selling February releases of all time. This is one those films that totally slid below the radar for me; then again, the Venn diagram of people who care about this film and people who care about DGAs and BAFTAs is two separate circles. The weekend’s far buzzier title for cinephiles was Jupiter Ascending, the new visualeffectsapalooza from the Wachowski siblings. It is predictably visually stunning with incoherent plotting and confusing editing etc. etc. Like Cloud Atlas, this was mostly a failure, financially speaking, and you have to wonder how long it will be before they stop getting bankrolled for their strange visions. Finally, Julianne Moore and Jeff Bridges’ Seventh Son also bombed, but Universal, having predicted the dreadful critical response, made the very smart decision of opening it internationally a few weeks ago, so they’ve already made up the costs elsewhere.

TOP TEN
01 THE SPONGEBOB MOVIE $56 NEW
02 AMERICAN SNIPER $24.1 (cum. $282.2) 
03 JUPITER ASCENDING $19 NEW 
04 THE SEVENTH SON $7.1 NEW  
05 PADDINGTON  $5.3 (cum. $57.2)
06 PROJECT ALMANAC  $5.3 (cum. $15.7)
07 THE IMITATION GAME $4.8 (cum. $74.7) 
08 THE WEDDING RINGER $4.8 (cum. $55.1)
09 BLACK OR WHITE $4.5 (cum. $13.1)
10 THE BOY NEXT DOOR $4.1(cum. $30.8)

American Sniper slipped to number 2 on the list but is now firmly the third best film of 2014, still with a reasonable shot at becoming first. Not that being the box office champ necessarily helps its chances with winning the Oscar though – the last time the box office champ (among the nominees) won the Oscar was Slumdog Millionaire in 2008. The Imitation Game is the second best selling best picture nominee and will remain so, given it is still going strong at the theatres. Here is an interesting stat in case you love meaningless stats: the second best selling film is the most likely winner of the Academy award in recent years. Of the thirteen winners this century, five came second in financial terms. Those horrendous “honor the man, honor the film” ads might pay off after all.

I don't think I've ever hated a modern Oscar campaign tactic as much as this one. (h/t @raysubers) pic.twitter.com/atOAIEUxAZ

— Mark Harris (@MarkHarrisNYC) February 3, 2015

I haven’t been catching up with recent releases at the theatres, but have been rewatching all of Iranian auteur Dariush Mehrjui’s films because of my upcoming introduction of his film, Hamoun, at TIFF, which you should attend if you’re in or around Toronto!

What have you been watching?