Mandatory Spider-Man Posting

Is Nicholas Hammond busy?As you undoubtedly have heard, Marvel/Disney closed a deal with Sony last night and now Spider-Man goes totally bi. He'll be splitting his time between two giant corporate overlords in Sony & Disney. Spider-Man's solo franchise will continue at Sony without Andrew Garfield who will finally be freed to make the movies he was meant to make after breaking through in The Social Network (2010). Cue: roughly 8 million extremely obnoxious internet articles about the casting of the new Spider-Man. I'm steeling myself: It will be so much worse than that hideous landfill phenomenon of infinite speculative Doctor Strange casting thinkpieces.

As for the new Spider-Man --  I swear to god if they start with the origin story again I will never stop puking web fluids. Everyone knows it, dumbasses. It'd be like demanding that each Biblical epic start with a two hour Adam & Eve prologue. Peter Parker will get his next solo film on July 28th, 2017 but first he'll debut over in Marvel's Cinematic Universe. The prevailing rumor is that that's within the context of Captain America: Civil War (due May 6th, 2016) which is also the film that will introduce Chadwick Boseman's Black Panther. That film is getting crowded so one hopes they don't lose the title character in a sea of universe-building agenda.

May 6th, 2016 is a tight turnaround. The ink is still drying on the contract and presumably Sony and Marvel and Disney (that's a lot of executives to please) will all have to agree on a new direction, and a new actor, and that actor's pay scale over multiple films in both supporting and leading roles for seven years (the longest you can book an actor for). And they'll have to do that this summer since Civil War will have to start filming soon to make its release date; visual effects pictures don't come together as quick as Clint Eastwood movies.

For presumably non-competitive corporate appeasement reasons, this Spider-Man deal is pushing most of the post Civil War movies previously slated back about four months.

Curio: Keaton and Moore's Vintage Features

Alexa here with some pre-Oscar nostalgia. As many of you know, I have quite the magazine stash in my basement: stacks of old issues that allow me to trace my various pop culture obsessions through the years. In 1989, 16-year-old me was crushing hard on Michael Keaton and was very excited about his upcoming turn as Batman. And then, in 2002, I was excitedly anticipating the adaptation of one of my favorite books, The Shipping News, starring Julianne Moore.  Hence these issues of Rolling Stone and Movieline were found in the piles.

I thought a little interview nostalgia was in order for these two arguable (yes, Redmayne) Best Actor and Best Actress frontrunners. After the jump, some excerpts...

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Beauty vs. Beast: Evil Julianne & Evil Eddie

Jason is out of town so it falls on me to complete his Beauty vs. Beast duties this week. I cycled through so many possibilities before I succumbed to this fact: I spend at least 15 minutes of every day lately fantasizing that off camera  Julianne Moore and Eddie Redmaybe are reenacting mother/son Savage Grace sequences at all of their awards season campaign stops. In addition to being the frontrunners for Best Actress and Best Actor they also are the primary villains of two of this weekend's big poorly reviewed would be blockbusters that busted no blocks. So a twofer today, Savage Grace's psychotic beauty and murderous beast and Jupiter Ascending and The Seventh Son's Beauties who are also both Beasts.

Two Gingers, Twice. You've Got Two Votes. Go! 

poll by twiigs.com

poll by twiigs.com

You have one week to vote starting now!

LAST WEEK
Last time we looked to Groundhog Day and discovered we had more wintriness to endure. The battle of Phil Connor vs. Punxsutawney Phi is apparently doomed to repeat itself forever; you couldn't decide resulting in the second 50/50 split in this series history (the first and only other time was the Black Swan episode) 

Brookesboy summed up your wishywashiness this cycle

I started voting for little Phil because he's got better hair. But it was only a shadow of a doubt. Gotta go with Bill.

Looking Down the Road: So This Is Goodbye

Manuel here, braving a sick day bringing you a short and sweet recap from this week's SanFran shenanigans. Even if this week’s episode of Looking hadn’t ended with one of my favorite college-throwback songs I overplayed during many a heartbreak (that entire EP is to die for!), “Looking Down the Road” would have easily become my favorite season 2 episode so far. I wish I weren't so indisposed otherwise I rattle off an endless valentine to this episode which saw itself resetting (or re-directing) our three main leads lives with Dom and Lynn's relationship seemingly at an end, Kevin and Patrick's affair finally buckling under its own platonic weight and Agustin landing a job alongside Eddie at the trans center.

More...

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Belated Thoughts on This Weekend's Unintentional Selma / Birth of a Nation Confluence

We're Living History Right Now

 I meant to post something this over the weekend but kept freezing from indecision and confusions about what to write. If you were offline this weekend, you might have missed that one of the most important films of all time, Birth of a Nation (1915) hit its Centennial anniversary. As you know we love to celebrate centennials at TFE but how to even deal with that one? Hideously racist though it was and is, D.W. Griffith's blockbuster informed and shaped much of this artform, the movies, that we all love today. I first saw it in an Introduction to Film type class in my freshman year of college and as creepy as it was to see the lovely crucial silent superstar Lillian Gish used as a pawn to trump up its racial hatred as she is saved from a rapist (a white actor in blackface) by the Klu Klux Klan, it was also startling to see what a technical and narrative leap it was in terms of early cinema.

And the exact same weekend that that film, which has long been a (deserved) target of the NAACP was hitting 100*, The NAACP was holding their annual Image Awards. Selma won big at  (but let's pretend that bizarre director snub -- the guy who made The Equalizer beat Ava DuVernay? -- didn't happen. But the NAACP hasn't been the only group cheering Selma on. It's been enjoying a very healthy if unspectacular box office as a Best Picture Oscar nominee, Ava received a historic Folden Globe nomination late last year, and her films Original Song "Glory," also Oscar nominated, was performed at the Grammys yesterday.

At first I was all... this is such a gross coincidence and I'll just send people to fine articles at the New York Post and Vulture.  But then I realized how beautiful the juxtaposition was in terms of progress.

100 years of tumultuous history have passed between those two films and when the smoke clears we see that America has come a long long way. These battles for basic human dignity and equality are never fully won of course (Black History is hardly the only history plagued with civil rights violations and demonization of "the other") and you have to keep fighting them. But for all the nostalgia the past can bring to people, sometimes the now is vastly preferrable.

'Selma' beauties enjoying their big NAACP night

And, wouldn't you know it... Martin Luther King Jr said it best himself.

The arc of the moral universe is long, but it bends towards justice

* There are different dates online for when Birth of a Nation premiered. Wikipedia says February 8th, the bulk of internet articles about its Centennial appeared on February 7th, but a lot of articles on the film mention a March 3rd premiere.