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The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

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Monday
Feb012021

Nathaniel's Top Twenty (Plus) of 2020

by Nathaniel R

Swallow, one of 2020's twenty best

Dementia, toxic masculinity, mental illness, economic inequality, nationalism, and racism were impossible to miss in 2020. And for once I'm not even referring to the soulless depravity of the GOP! Those were also recurring themes in world cinema this past film year. The silver lining is this: difficult topics and trying times can make for great art. This past year's best films were hardly a cheerful lot, but the best filmmakers know how to incorporate tonal variety to keep their movies three-dimensional and lively with ideas, moods, and unforgettable scenes.

The following movies greatly enriched a very tough year. Whether you already love them or are yet to discover them I wish you the best film experiences with these...

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Monday
Feb012021

Sundance Review: Summer of Soul (...Or When The Revolution Could No Be Televised)

by Murtada Elfadl

1969 is remembered for many events, among them Woodstock. But that same year another concert event just as momentous took place in New York City, The Harlem Cultural Festival. It had a killer set of performers -  Stevie Wonder, Nina Simone, Sly & The Family Stone to name just a few. Yet until a few days ago I bet you didn't even know it had happened. I certainly didn’t until I saw Summer of Soul (...Or When The Revolution Could No Be Televised), Ahmir “Questlove” Thompson’s joyous documentary which premiered on the opening night of Sundance 2021.

A good music documentary needs good music and Summer of Soul has that in spades...

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Monday
Feb012021

Carol Channing Centennial: A Thoroughly Wacky Nomination

by Cláudio Alves

Carol Channing was a force of nature. The actress electrified the Broadway stages, originating such famous roles as Lorelei in Gentlemen Prefer Blondes and the titular character in Hello, Dolly!, but the husky-voiced sensation with a mega-wat smile went on to find success in front of cameras too. Whether acting or just being herself, there's effervescent energy to Channing's screen presence, a frenetic joy that made her both a camp icon and an entertainment powerhouse whose fame persists to this day, long after her heyday and even her death. Throughout her legendary career, Channing won four Tony Awards, a place in the Grammy Hall of Fame, a Golden Globe, and even an Oscar nomination. Since we're all a bit Oscar-obsessed around here, the star's centennial celebration feels like a good time to reminisce about that achievement, its inherent weirdness, and wacky charm…

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Monday
Feb012021

Gay Best Friend: George Hanson (Paul Rudd) in The Object of My Affection (1998)

Series by Christopher James looking at the 'Gay Best Friend' trope

Doesn't it look like these two crazy, beautiful kids would make a cute couple? Think again.Another week, another 1998 comedy about the relationship between a woman and her gay best friend starring a cast member of Friends. You have to love a specific subgenre. While Lisa Kudrow and Martin Donovan traveled across the country to find Christina Ricci in The Opposite of Sex, Jennifer Aniston stayed in New York in a more familiar genre -- the romantic comedy.

As the title The Object of My Affection suggests, Aniston falls in love. Unfortunately for her, the titular role is her new gay best friend, a first grade teacher played by a baby-faced, charming Paul Rudd. Wendy Wasserstein’s adaptation of the Stephen McCauley book of the same name uses genre tropes to sand some of the thorny elements of the premise. Yet, this not-always-perfect movie gives a really interesting look at a codependent friends who love each other, but also hold each other back...

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Monday
Feb012021

Oscars: 238 eligible documentaries — but what will make the shortlist?

By Glenn Dunks

18 of the staggering 238 hopefuls in Best Documentary Feature

Yes, you read that right. Two-hundred and thirty-eight (238!) films have qualified for this year’s Best Documentary Feature category. That’s up from the previous record number of submissions, a lowly and pathetic 170 in 2017. Pfft. From Acasă, My Home (which we reviewed here just last week) to Zappa, the full list is available on the Academy’s website.

This incredible high figure can of course be partly explained by the extended eligibility period. After all, documentaries are among the only breed of movie that doesn’t necessarily get slotted in seasons; there’s always new, great content getting released every week either through theatrical or digital platforms...

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