Let's give "Brave" its due.

alternate poster by Greg Ruthby Eurocheese

Pixar managed to sneak a film about motherhood into their canon by disguising it as their princess movie, and I have always wondered if that’s part of the reason it doesn’t get its due when we are discussing Pixar’s best films. Merida, our frizzy-haired princess, is nothing like her Disney counterparts. She takes after her father, a fun-loving, loud mouthed ruffian who loves his exaggerated stories. Merida wants a world of adventure, and she despises being held back from it because of her gender.

This leads to inevitable conflict with her mother Elinor, a queen saddled with a boisterous husband, a rebellious daughter and triplets that spend the entire film causing havoc. Let’s be honest – this could easily have been the stock mother character, side-eyeing all the shenanigans and cleaning up everyone’s messes. Elinor is smarter than that, though...

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In Defense of Streep's first Best Actress nomination

Before we close the book on our big 1981 event we thought we'd discuss a few of the leading ladies of the year. Please welcome guest contributor Gabriel Mayora !

In 1981, Meryl Streep was a breakout star, a buzzy and reputable theater actress who in only four years since making the transition from Broadway to Hollywood had garnered an Emmy for a hit miniseries and two back-to-back Best Supporting Actress Oscar nominations in ’78 and ’79 (both for Best Picture winners), winning the second time. It was time for her to turn into a full-fledged leading lady. Enter Karel Reisz’s The French Lieutenant’s Woman, the film that marks Streep’s first Best Actress nomination. Over the decades, this performance has gained a reputation for belonging in the “overrated” category. Was this nomination more of a symbolic gesture to solidify her status as Hollywood’s new leading star or appreciation of the performance itself?

A key scene in the last 10 minutes of the movie makes a convincing argument for why voters would have felt genuinely compelled to single out Streep’s dual turn among the top five lead performances of 1981...

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Tweetweek Quickie

I would see this movie so many times and nominate it for ALL the Film Bitch Awards.

Marriage Story but it’s Kermit and Miss Piggy

— Ray Lewis (@RayLewis1997) May 5, 2020

Co-sign.

Films with credits at the beginning >>> Films with credits at the end.

— David Jenkins (@daveyjenkins) May 6, 2020

 After the jump: Glenn Close, The Never Ending Story goofing, Interview with the Vampire, Bruce Campbell's new look, Logan Lerman in the pool, and more...

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A Mother's Day conversation between Zainab Jah (Farewell Amor) and Jayme Lawson (The Batman)

by Murtada Elfadl

Jayme Lawson and Zainab Jah play daughter and mother in "Farewell Amor"

In celebration of Mother’s Day I recently moderated a conversation over Zoom between actors Zainab Jah and Jayme Lawson. We'll be sharing it with you in three installments. For the first dispatch Jah and Lawson talked about their performances as mother and daughter in the Sundance 2020 film Farewell Amor, written and directed by Ekwa Msangi, and their favourite mother/daughter relationships at the movies.

Jah has previously appeared in TV shows like Homeland and Deep State but is best known for the Broadway play Eclipsed co-starring Lupita Nyong’o. Lawson is a newcomer and a recent graduate of Julliard who appeared last season in The Public Theater's production of For Colored Girls. She recently booked a major role in an upcoming film that you may have heard of, The Batman (2021)... 

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Smackdown '81: Elizabeth, Joan, Melinda, Maureen, and Jane Fonda

Welcome back to the Supporting Actress Smackdown, a summer festival in which we investigate Oscar vintages from years past. This time around it's 1981 in which an estranged daughter, an unhappy socialite, a guilt-ridden Catholic, a political radical, and a scandalous young beauty gather for our viewing pleasure.

1981's Supporting Actress nominations made room for a two-time winner (Jane Fonda, On Golden Pond) with a very personal project, an actor's actor in a star-driven historical epic (Maureen Stapleton, Reds),  two sturdy characters in 'issues' pictures of very different kinds (Melinda Dillon, Absence of Malice  and Joan Hackett in Only When I Laugh) and a rapidly rising starlet (Elizabeth McGovern, Ragtime) who had made a big film debut the year prior in 1980's Best Picture winner Ordinary People. 

THIS MONTH'S PANELISTS    

Here to talk about these five nominated turns and the movies and Oscars of 1981 are, in alphabetical order: writer/director Eric Blume, actor Donna Lynne Champlin (Crazy Ex Girlfriend), actor Sean Maguire (Once Upon a Time, The Magicians), festival programmer Amir Soltani, and critic Boyd Van Hoeij (The Hollywood Reporter). And, as ever, your host at The Film Experience, Nathaniel R. 

Let's begin...

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