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The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

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Friday
May082020

National Pet Week: "Maggie" from The River Wild

Team Experience has been celebrating pets at the movies (and in our homes) all week. We'll wrap up Sunday. Here's Ginny O'Keefe... 

The best kind of pet in any movie is a loyal one. And it doesn’t hurt if the pet is cute. Also, a sprinkle of badassery is always welcome. All that is nicely packaged in a yellow Labrador retriever named Maggie in 1994’s rafting/crime adventure film The River Wild. For those who haven’t seen this Streep vs. Bacon gem, Meryl plays rafting expert Gail who is forced to take two criminals (John C. Reilly and Kevin Bacon) down a dangerous river all the while trying to protect her son, Rourke (Joseph Mazzello), and husband Tom (David Straithairn). Along for the trip is Maggie. From the get-go, Maggie is sweet, bubbly and you can tell she loves her humans deeply. She’s also good at digging up dead bodies in the woods (spoiler). Overall, she’s a good girl. But when s**t hits the fan, then we see how great of a girl she is...

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Friday
May082020

Ryan Murphy's "Hollywood" Episodes 3 and 4

by Eric Blume

I think we're getting ahead of ourselves, it's just a screen test.

We’ll wrap up our coverage of Ryan Murphy’s Hollywood very soon.  Before I turn it over to Claudio for a wrap on the last three episodes, let’s do our Good/Bad/Ugly look at Episodes 3 and "Outlaws" and four "(Screen) Tests" after the jump...

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Thursday
May072020

National Pet Week: "Jiji" from Kiki's Delivery Service

Team Experience is celebrating pets at the movies (and in our homes) for a couple more days. Here's Cláudio Alves...

Me and Maggie

In my family, the history of our pets tends to be linked to a sense of loss. Through my early childhood, we had two dogs, a beautiful Cocker Spaniel called Gigi and an English Setter by the name of Minnie. Gigi had been my mother's dog and she, unfortunately, died while I was still very young, but Minnie was born the same year as me and we grew up together. That is until she got sick when I was nine, cancer quickly making the lively companion become lethargic and in constant pain. She was put down before the suffering continued and I was heartbroken. Seeing that, my mom, who had a lifelong distrust for cats due to some unfortunate experiences as a child, put her bad feelings aside and decided to adopt an adorable little kitten I had grown fond of in the weeks before Minnie's passing…

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Thursday
May072020

1981: Modern Romance

Please welcome new contributor Nick Taylor who is providing us with extra Supporting Actress supplemental pleasure inbetween the Smackdown events...

Modern Romance (1981) begins with its main couple breaking up in a diner. Or rather, Robert Cole (actor/writer/director Albert Brooks) has decided to break up with his girlfriend Mary Harvard (Kathryn Harrold), because something in his life has felt off lately. He thinks it’s their relationship. She’s justifiably annoyed with this, particularly since they spend a lot of time breaking up and getting back together, and barely believes him when he says they’re not coming back from this. The only time Robert seems hesitant about ending it (this time) is when she says something that reignites his paranoia, making him think she won’t mind them splitting and is already having an affair. Mary leaves the building so quickly she doesn’t even have the chance to ask to get her order to go, then tells Robert to drop dead and gets in her car. 

This scene lays out their relationship pretty concisely, though it’s not immediately obvious how Kathryn Harrold’s performance is responsible for its effectiveness. Modern Romance never feels clearer or more insightful than when Mary and Robert are together, in no small part because it has more to say about toxic relationships than it does about shitty men...

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Thursday
May072020

Emmy Watch: Contenders for "Limited Series" 

by Abe Fried-Tanzer

We’re turning today to a new category of Emmy races: limited series and TV movies. Limited series is an entirely different ballgame, though changing rules and eligibility make this category just as fascinating as any. For instance, Big Little Lies, which won this prize three years ago, is now a potential contender for Best Drama Series. A number of shows featuring different storylines and characters each season, including American Crime Story, Fargo, and Genius, continue to be nominated, though all three of their latest iterations won’t premiere until after this season ends as a result of delays in filming and postproduction. American Horror Story earned four bids here before its eighth season got reclassified as a regular series with overarching threads. With no high-profile returning shows eligible this year, we have a whole slew of new contenders… 

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