My Miyazaki Ranking: Part Three – Self-Portraits

by Cláudio Alves

One way or another, artists can't help but put some part of themselves into their work. It might not be obvious or a direct expression of character. It might not even be conscious on their part. However, it's there for those willing to see, from works by the most self-effacing hacks to world-renowned auteurs. Hayao Miyazaki is no different, though he's sometimes prone to underselling just how personal some of his pictures can be. Of course, there's no denying the introspection happening in his most recent "last films," and not even the director has tried to distance The Wind Rises or The Boy and the Heron from such interpretations. But there's more self-portraiture in his filmography than just those late-career triumphs. I'd say there's a lot of Miyazaki in a little witch who loved to fly…

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National Pet Week: "Jiji" from Kiki's Delivery Service

Team Experience is celebrating pets at the movies (and in our homes) for a couple more days. Here's Cláudio Alves...

Me and Maggie

In my family, the history of our pets tends to be linked to a sense of loss. Through my early childhood, we had two dogs, a beautiful Cocker Spaniel called Gigi and an English Setter by the name of Minnie. Gigi had been my mother's dog and she, unfortunately, died while I was still very young, but Minnie was born the same year as me and we grew up together. That is until she got sick when I was nine, cancer quickly making the lively companion become lethargic and in constant pain. She was put down before the suffering continued and I was heartbroken. Seeing that, my mom, who had a lifelong distrust for cats due to some unfortunate experiences as a child, put her bad feelings aside and decided to adopt an adorable little kitten I had grown fond of in the weeks before Minnie's passing…

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