Jean Arthur on Criterion

by Cláudio Alves

Charming and witty, Jean Arthur was one of the great actresses of Hollywood's Golden Age. While nowadays she's most famous for her comedic works, Arthur wasn't constricted to only humorous movies, being able to play everything from melodramas to crime pictures. Still, it's easy to see why her comedy talents are her calling card to this day. The actress was able to bring the manic, unstable energy of screwball comedy to all of her movies, imbuing them with an electrifying unpredictability. Like a black hole can bend light, so did Arthur bend the tone of every film she was in, making projects bow to the power of her screen presence and helping them become better, more complicated cinema in the process.

Her filmography is full of greatness. The Criterion Channel is celebrating her enviable resume with a new collection of 16 of her films available to stream. Here are some major highlights from that sterling selection…

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Amazing Sondheim Celebration, 'Take Me to the World'

by Nathaniel R

Meryl will drink to that! (and she did not disappoint for Sondheim's 90th)ICYMI last night (and thousands did since it started over an hour late!) make sure to watch the Sondheim birthday celebration concert benefitting ASTEP (Artists Striving to End Poverty). While it's reductive to cite favourite moments because the concert was chalk full of life-affirming, ear-pleasuring, moving music and delicate or funny performances, we've had to share a few notes after the jump.

But honestly we loved it all. It doubled as not just a tribute to the world's greatest living musical theater composer but as a melancholy collective longing for the return of Broadway which originally housed most of those tremendous songs...

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Emmy Watch: Supporting Actress Drama Contenders

by Abe Fried-Tanzer

Can Fiona Shaw return despite heaps of competition?

Our Emmy punditry continues with Best Supporting Actress in a Drama Series. There’s a lot to unpack in this very crowded race. A full two-thirds of last year’s nominees won’t be back because they all starred on the now-ended Game of Thrones.

Count on defending champ Julia Garner (Ozark) to return, especially since the latest season of her show recently premiered to great acclaim (she may also be joined by costar Janet McTeer). I’m not sure the same will be true for Fiona Shaw (Killing Eve), since her role isn’t at all central and it’s not yet known if the show will be as well-received by Emmy voters as it was for its second season. Theoretically, that leaves four and maybe even five spots wide open, but that doesn’t take into account the many previously nominated actresses on shows returning from a season off the air and newly back in contention…

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In defense of "The Artist"

by Cláudio Alves

For Oscar obsessives, it's no news that to win big at the Academy Awards can be a curse rather than a blessing. The reigning champions are more discussed and overtly scrutinized than the defeated, their triumph like sweet nectar, attracting the bees of discontentment, resentment, and retroactive bashing. The tides of time can also make an atypical choice seem like a perfunctory one. Notice how some of our strangest Oscar champions of recent vintage have gained the fame of being boring winners when they're anything but. You might not like The Shape of Water, for instance, but a love story between a mute woman and a fish-man is not your run of the mill Best Picture winner.

The same can be said about The Artist, a romantic tale with comedic overtones that, in 2012, became the first silent film to win the Oscars' top honor since 1928…

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The Linkhouse

• Film Doctor ten notes on the beginning of Psycho (1960)
• The Guardian we love hero Abigail Disney who continues to fight the good fight against the company that makes her one of the 1% - she's now criticizing Disney for laying off workers while protecting executive bonuses of more than 1 billion dollars:

That’d pay for three months’ salary to frontline workers,. And it’s going to people who have already been collecting egregious bonuses for years. Dividends aren’t all bad, given the number of fixed-income folks who rely on them. But still 80% of shares are owned by the wealthiest 10%. Pay the people who make the magic happen with respect and dignity they have more than earned from you. This company must do better.”

"Curated" tv binges, Ghibli backgrounds for your zoom sessions, a sad cut from The Lighthouse, and a new ageist threat for film and tv production after the jump...

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