Best Supporting Actor: Is double-dipping the new trend?

by Cláudio Alves

For decades, it wasn't unusual to see two thespians from the same film nominated for Best Supporting Actress, but the same couldn't be said about its brother category. That was until recently when double-dipping in Supporting Actor became fashionable. 

It started in 2017, with Three Billboards Outside Ebbing, Missouri's Sam Rockwell and Woody Harrelson. In 2019, it was Joe Pesci and Al Pacino for The Irishman, and then Daniel Kaluuya and LaKeit Stanfield for Judas and the Black Messiah in 2020. The following year, Jesse Plemons and Kodi Smit-McPhee did the honors for The Power of the Dog, while, in 2022, The Banshees of Inisherin got in with Brendan Gleeson and Barry Keoghan. For comparison, in the same period, Supporting Actress only had two such cases, with The Favourite and last year's Everything Everywhere All At Once. Now, the question is whether the trend will continue at the 96th Academy Awards…

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This isn't your mother's "Mean Girls"

by Cláudio Alves

Maybe this trailer deserves the "Yes, No, Maybe So" treatment, but why do all that work when the answer is a resounding NO? Though the musical of Mean Girls isn't an especially well-regarded Broadway property, there was some hope regarding its transfer to the screen. That was before it kept getting delayed until landing on the dumping ground of January 2024. Everything's pointing to it being a disaster, and the first trailer only accentuates those doubts rather than dispelling them. And no, it's not just because it's so eager to make the original audience for Tina Fey's teen comedy feel as old as Methuselah…

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My best IMAX Experience

by Cláudio Alves

As a last hurrah, Oppenheimer has been back on IMAX screens since last week, allowing interested audiences to revisit it in the format before the film comes to streaming on November 21st. Enjoy your last chance to see Cillian Murphy's bronzed pores projected sky high, closeups galore for titanic portraiture, faces the size of monuments. Indeed, this year, because of Nolan's blockbuster biopic, it seems like big screen superiority has been more discussed than usual, with cyclical discourse about the latest pictures to shine bright on IMAX. So much so that it got me thinking about my best experiences with the giant screens…

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I wish I liked "Bottoms"

by Cláudio Alves

It could be a matter of bad taste or intransigence on my part, or the rare contrarian streak rearing its ugly head. Whatever the case or cause, it seems like there's always one major queer film per year I end up despising while the rest of the world falls over itself in praise. Last year, Bros was the foremost example, and I found myself at odds with people whose perspective I respect. In 2023, the honor falls on Bottoms, Emma Seligman's studio-backed follow-up to Shiva Baby's indie success, a sophomore feature that hits the proverbial slump right on. And yet, I feel like I should have loved it. At the very least, I wish I did…

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Gotham Awards 2023: What to make of "Reality" in Best Feature?

by Nick Taylor

By far the most surprising nomination from this year’s Gotham nominees was the lone nomination for Reality in the Best Feature category. Not the most obscure film cited, not in any way a quality assessment, not even an anomaly for the Gothams. Hell, The Rider won Best Feature in 2018 with no other nominations to its name (if we don’t count their 20-film Audience Award lineup). But who saw Reality coming, after a positive but wholly unremarkable critical response when it premiered in the US all the way back in May? Who had this on their bingo card, and could they share their guess on this week’s lottery numbers with me?

I’ll be spending November giving full reviews to some Gotham nominees that have yet to receive full coverage on The Film Experience. This was not the first title I watched, but the sheer mystification of its appearance gave it a tantalizing aura. And now that I’ve seen it for myself, my mystification at its Best Feature nomination only grows...

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