Paolo here. I am the bearer of bad news. Apparently there are Blue Valentine' haters out there, two of whom are close writer friends of mine. One of these friends has repeatedly criticized the movie through Twitter, especially its director Derek Cianfrance's melodramatic tendencies.
At first I disagreed with this minor yet tolerably vocal crowd, since that movie evinces hard-hitting, unquestionable emotions. I finally admit that yes, its saturated colours do evoke a hispter version of a Todd Haynes picture (nothing wrong with that!). And as it pains me to write this, Young Dean's (Ryan Gosling) appearance and actions are reminiscent of the cartoony, blinding spark on a boyband member's smile.
Maybe it's Cianfrance's new movie, The Place Beyond the Pines, that allowed me come to terms with the director's melodrama leanings. This release is being sold as an epic crime drama and sure, it delivers on that regard; a movie with a masculine cast gets slapped and labelled with a masculine genre. I normally take most movies at face value but I'll share with you how I see this movie. One that features a handsome man from the wrong side of the tracks, dysfunctional families, rapid aging and time lapses, and the revelation of a secret identity.
We're watching a fucking soap opera, people. Revenge with Boys.