June Wraps

In June we lost Joel Schumacher & Sir Ian Holm but the month wasn't all bad. The weather was beautiful, we got a new Spike Lee joint, and we survived another month of this very bad no good worst and quite movie-bereft year. Here are a dozen highlights from the month that was...

• Da 5 Bloods reviewed
• 200 Oldest Living Screen Stars a mega list. Appreciate 'em while they're here
• Spain's Mistake when they passed over Talk to Her
• King of Staten Island reviewed
• His & Hers Oscars - the 8 times both Supporting statues went to the same movie
• Janet Leigh in Psycho let's get her out of the shower
• The Furniture: Safe social distancing with Todd Haynes & Julianne Moore
• Viola's First Breakthrough before Doubt, a triple
• Disclosure Trans Lives on Screen reviewed
• Curio: Movie Loving Masks if it can't be fashion, make it film!

most discussed
• Ten Best Picture Nominees again!
• Smackdown 2002 those merry murderesses of Chicago...and an even merrier panel

Next Up...
Tomorrow we're turning the blog over to lyricis Tom Mizer (The Marvelous Mrs Maisel) for a special guest blog movie-musical loving day. Then we're on to The Smackdown of 1957 so watch Peyton Place and Witness for a Prosecution won'cha?

Also in July
We'll celebrate Yul Brynner's Centennial, do a retrospective of the 1991 film year, and at the end of the month the 1991 Smackdown + the Emmy nominations hit.

The Gesture: Merrit Wever in "Unbelievable"

Having long been fascinated by gestural movements in acting, we thought we'd try a series on it.  - Ed. 

by Nathaniel R

There is no one working like Merrit Wever. She's so real, so in the moment onscreen, that you can sometimes flash to one of her scenes like its pulled from you own very human memory. No matter how outlandish (Run) or specific (Unbelievable) her situation, you're in the space with her, living it, no cameras in sight. Queen of naturalism!

Take this diner sequence from Unbelievable...

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What did you see this week?

I miss going to the movie theater so much that I ache sometimes. This week inbetween work and stress and social-distanced social activities (sigh), I finished Normal People and Love Victor. Then I made time for Hannah Gadsby's Douglas which was brilliant. Somehow she nailed the very tough follow-up expectations set by Nanette -- I'm still giggling hours later about "Karen's handful" and women's hobbies during the Renaissance.

Finally we screened Eurovision Song Contest: The Story of Fire Saga. Regarding the latter, my best friend and I had heard great things but save Rachel McAdam's usual magnetism and Dan "I've got range!" Stevens' pompous hilarity as a seductive Russian pop star, it was dreadful. About 40 minutes too long (no really), predictable at every turn, with death rattle pacing, and Will Ferrell continuing to be the least funny of the successful comic film stars.

What did you see this week? 

Landmark gay adult film Passing Strangers (1974), restored

by Nathaniel R

If you use movies for time travel, as we often suggest people should given that they're cheaper than time machines, you could do worse than renting the restored 1974 porn Passing Strangers.  The site Pink Label.TV, which is queer owned and operated, and specializes in ethical and niche adult queer indie fare is currently hosting a restored print. It's the latest restoration for the work of the trailblazing filmmaker Arthur J Bressan Jr. Bressan also made the landmark gay drama Buddies (1981) and the documentary Gay USA  (1977) which Glenn recently raved about. His earlier porn, Passing Strangers, emerged during that brief heyday in the 1970s when mainstream media was taking porn seriously -- think Deep Throat and Behind the Green Door's blockbuster box office.

More, but definitely NSFW, after the jump...

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Loving "Love, Victor"

by Nathaniel R

Is this what good fan-fiction is like? In the first awkward episode of Love, Victor... and, again in the eighth "very special" cringe-worthy episode, and, fiiine, in scattered bits inbetween in virtually all episodes, the new Hulu series perpetually draws attention to the fact that it's inspired by the motion picture Love, Simon (2018). That said it wisely positions itself as a sequel, rather than a remake.

Instead of writing to a mysterious gay schoolmate online as Simon did in the first mainstream wide release gay romcom, Victor writes to Simon himself, inspired by his story and perpetually sliding into his DMs asking for advice...

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