How Had I Never Seen... "Splash"

by Cláudio Alves 

From time to time, there's talk of creating new Oscar categories. Just this year, Brad Pitt spoke about the need to give stunt coordinators some love and appreciation during his acceptance speech. Maybe he's right, maybe there should be a stunts category. Another arguably necessary addition is a casting award that reflects that job's importance in creating the movies we love – it's much more crucial than original songs, for instance. Casting is not just a matter of hiring good actors, but the challenge of getting the right people for the right roles. It's knowing how to capitalize on a star's persona and energy, the performer's fame, the tonal register they bring and the audience's perception of them. In the right circumstances, a limited actor can be a better choice than a consummate thespian with a greater range.

Ron Howard's delightful Splash (available on Disney+) is a pertinent example of the importance of good casting for a movie's success, humor, and dramatic functionality. With different performers, it probably wouldn't work half as well as it does…

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Toshiro Mifune @ 100: Stray Dog

Team Experience will be celebrating the Centennial of Japan's great movie star Toshiro Mifune for the next five nights. Here's Lynn Lee...

It’s impossible to think of Toshiro Mifune without thinking of Akira Kurosawa—and vice versa.  Their partnership was unparalleled in its cinematic impact, spanning 16 films between 1948 and 1965 that included stone-cold classics like Rashomon, Seven Samurai, Throne of Blood, The Hidden Fortress, and Yojimbo.  While Mifune and Kurosawa did significant work independent of each other, it’s not exaggerating to say they made each other; both men would acknowledge as much even after their falling out.  In Mifune, Kurosawa found the perfect player to convey the outsize emotions and imposing physical presence of his most memorable protagonists—typically men of strong passions and even stronger will, whether turned to honorable or horrible ends...

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Review: The Hunt (2020)

by Tony Ruggio

Blumhouse’s much-ballyhooed American political satire has finally seen the light of day after postponement due to a mass shooting last August, only to meet an unprecedented global pandemic this spring. With multiplexes closed nationwide, it’s one of a few major motion pictures to release early on VOD. Eschewing anything resembling subtlety or a desire to make a cogent point, The Hunt is a glib quasi-horror romp designed to prod and provoke, but dips into irrelevance by trying too hard for that sweet spot of zeitgeist...

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Desperately Seeking Link

THR Insightful piece about experimentation of studios and Hollywood's post-coronavirus future
Vulture "are the celebrities okay?" a funny piece about the bizarre social media of stars during quarantine
Awards Daily Contagion (2011) reframed
Boy Culture a huge celebration of Madonna's "Vogue" as it turns 30

More after the jump including showbiz obituaries, Marvel's What If?, and the cinema of 1962...

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The first Oscars I lived through

by Cláudio Alves

Throughout my life, I've always had trouble remembering numerical data, be it phone numbers or birthdays. Curiously enough, that never stopped me from being able to memorize movie's release years or various tidbits of Oscar trivia. That's why I started associating Best Picture winners to people's ages, to remember them. Some people have astrology; I have the Oscars. For instance, my sisters are Terms of Endearment, Dances with Wolves and Gladiator and my parents are West Side Story and The Sound of Music.

Although, maybe I shouldn't have chosen such a systemsince I've always detested my Best Picture, which won the Oscar precisely 25 years ago today. It was none other than 1994's maudlin hymn to political passivity and dumb luck known as Forrest Gump…

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