Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

Follow TFE on Substackd

Powered by Squarespace
Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe

Entries in Lisa Cholodenko (9)

Friday
Jul162021

1998: Patricia Clarkson in "High Art"

We're revisiting the 1998 film year in the lead up to the next Supporting Actress Smackdown. As always Nick Taylor will suggest a few alternates to Oscar's ballot.

Unlike my last two companion pieces for 1998, which opened with well-deserved grousing about the meager recognition Velvet Goldmine and Beloved received from audiences and industry professionals alike, I actually feel pretty good about how High Art was received on the indie circuit. No, it didn’t get any notices from Oscar, but five nominations at the Independent Spirit Awards, with Ally Sheedy deservedly winning their Lead Actress prize, is a damn good run for any film, to say nothing of how well its reputation has grown since it debuted. But surely the best thing to come from High Art’s success is giving us Patricia Clarkson, Character Actress Extraordinaire™. Her highwire turn as the perpetually soused, washed-up German actress Greta earned Clarkson a handful of runner-up citations from critics groups who would go on to throw prizes at her for the first half of the ‘00s. The remarkable career that High Art made possible for Clarkson gives her performance a wonderful afterglow, and the fact that it still holds up as one of her best turns makes it even more glorious . . . .

Click to read more ...

Friday
Jul312020

10th Anniversary: The Kids Are All Right

by Deborah Lipp

In the second year of Oscar’s expanded, ten-nominee slate for Best Picture, the change proved its worth. The occassion was the nomination of The Kids are All Right, a film of such perfection that there can be no doubt of its worthiness, yet who could have imagined its inclusion? In 2010, we definitely weren’t ready for a queer picture to win, and ten years later, it seems like we’re still not ready for a female-centric film to win. But inclusion is victory, and anyone who watched The Kids are All Right solely because it was nominated was also a winner.

The Kids are All Right is an intimate and human movie. Everything and everyone here has skin that is fully lived-in, fully human, and perfectly, adorably messy...

Click to read more ...

Tuesday
Jun052018

Showbiz History: AIDS Movies, Reese & Ryan, and the Orient Express 

by Nathaniel R

Murder on the Orient Express (2017)

Happy June 5th, especially if it's your birthday. Is it your birthday? Do speak up this month if you're a Gemini please. Here's what was happening on this day in history as it relates to our favorite topic: showbiz.

1883 The first Orient Express leaves Paris. The train ride becomes mythologized in multiple pop culture works.

1953 Producer Kathleen Kennedy born in Berkeley. Currently rules the Star Wars franchise with a director-firing iron will. 

Lisa Cholodenko with her two time muse Frances McDormand (Olive Kitteridge, Laurel Canyon)

1963 John Profumo resigns his post in the House of Commons due to an affair with an alleged prostitute. There's an underdiscussed movie about this called Scandal (1989). 

← 1964 Happy 54th birthday to undervalued writer/director Lisa Cholodenko born in Los Angeles on this day in history. She goes on to make two bonafide lesbian classics (High Art, The Kids Are All Right)...

Click to read more ...

Wednesday
Nov042015

Topic Du Jour: Female Directors

If you haven't read Vulture's list of 100 female directors Hollywood could be hiring you should. It's a great 'shut your mouth' argument for those suits that hilariously say 'well, we would hire female directors if there were any!' Bless Kyle Buchanan for spearheading this -- though I hope he had interns helping.  Naturally there will be passionate responses. Diversity arguments will always promote some degree of snark -- see Anthony Mackie's recent comments about the Black Panther movie's search for a director -- and nitpicking, including here.

But we nitpick with love.

David Poland argues that "strategy," not shaming, is what's required and that statistics and math won't help. He neglects to detail the strategy though. As for myself I (mostly) love the list and think it's important that a wake up call like this is out there -- what did happen to Laverne herself, Penny Marshall, who directed so many huge hits in the 80s and 90s? It's smart to make the list far reaching and extensive but some of the people are not reasonable for an argument either because their careers have been over for so long or because...wait for it... they aren't good directors. (Obviously there are many bad directors with penises who get lots of work. But we'd like them to find other jobs, too!)  

Click to read more ...

Monday
Nov102014

LGBT News Roundup

Hello all, Manuel here with a number of LGBT-related news to kick off your Monday.

- Let’s start with the pretty. Love these images of the Looking boys for their OUT100 spread. The magazine named the HBO series TV show of the year. HBO's been busy hosting their Artists Series where they invited some select lucky few to visit the set, keeping social media abreast of what the boys are up to. Check it out:  #LookingForPatrick #LookingForAgustin #LookingForDom

Oh and look, a teaser trailer for season 2!

Speaking of HBO (1), they’re going ahead on the provocatively titled series Bros Before Hos which centers on a queer black man and well, his brothers. The show is from the team behind Red Tails and, more recently, Dear White People. The show, they state, aims to "reflect the growing diversity of the American experience." You can check out a rough cut of the pitch of the show at the link.

Speaking of HBO (2), did anyone catch Olive Kitteridge last week with the wonderful Frances McDormand? I’ll have to wait a bit since I don’t have that premium channel, but you can catch up with out director Lisa Cholodenko over at Interview in their newest podcast.

- Kiss Me, Kill Me - an Alfred Hitchcock/Agatha Christie-style "Who-done-it" set in a little town called West Hollywood - successfully fulfilled its Kickstarter campaign this past week. This should be great news for those of us who want more Gale Harold, Tom Lenk & RuPaul’s Drag Race's Willam in our lives.

- In more horrific news, screenings of Switzerland’s official submission for the Best Foreign Language Film, The Circle in Kiev’s Cinema Zhovten theater ended in flames after the theater was set on fire. Proof that while we've come a long way, there's plenty more work to be done.

- And lastly, in case you missed it, here's the first official photo of Zachary Quinto and James Franco as a gay couple in Michael. I say "official" because if you've been following those two on Instagram, they've been giving us plenty of behind-the-scenes looks at the film adaptation of the New York Times Magazine article, “My Ex-Gay Best Friend.” Here's how the couple they portray are described in the piece:

“Many young gay men looked up to [Michael]. He and his boyfriend at the time, Ben, who also worked at the magazine [XY], made a handsome pair — but their appeal went deeper. On weekends we would go to raves together, and I would watch as gay boys gravitated toward the couple. Michael and Ben seemed unburdened (by shame, by self-doubt) and unapologetically pursued what the writer Paul Monette called the uniquely gay experience of “flagrant joy.” But unlike some of our friends who rode the flagrant joy train all the way to rehab, Michael and Ben rarely seemed out of control. There was a balance — a wisdom — to their quest for intense, authentic experience. Together they seemed to have figured out how to be young, gay and happy.”

Do Franco & Quinto fit the bill? Are you counting the days until we see Patrick and Dom again? Are you as excited that even as 2014 is shaping up to be a strong and diverse year for LGBT cinema (what with Pride, The Skeleton Twins, 52 Tuesdays, The Normal Heart, Love is Strange, The Circle, Yves Saint-Laurent, and Lilting among others) we already have three fascinating LGBT projects (Michael, Carol, and Freeheld) to look forward to in 2015?