Review: Blinded By The Light

by Chris Feil

Bend It Like Beckham director Gurinder Chadha brings us another earnest and heartwarming delight with Blinded By The Light, a true story of a Pakistani teenager transported out of his British suburb by the music of Bruce Springsteen. Javed (played by charming newcomer Viveik Kalra) is an outsider inside and outside his home: he can’t abide his father’s rigid cultural expectations and struggles to be taken seriously as writer in a white-dominated community. But the film also speaks to the political and economic concerns of its time period, depicting a lower-middle class world oppressed by Thatcher and the ensuing racist resurgence and capitalistic dominance.

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Doc Corner: 'What You Gonna Do When the World's on Fire?'

By Glenn Dunks

The streets of New Orleans are the setting for US-based Italian-born Roberto Minervini’s latest examination of the American south. If nothing else, his newest documentary sports the year’s best title. It’s a title that asks a question that many of us have probably asked ourselves, from seats of privilege. 

The title actually comes from a slave-era spiritual, which only further highlights the tragic ways that African Americans have been inflicted by the force of racism across all of its forms for centuries. The contemporary age of Trump is sadly not unique and so there is a particular irony to be found in the answer to the titular question. For many the answer is whatever they need to do to get by. Whether that be protest, go to work, trawl the streets for teenage kicks, or rehearse for Mardi Gras. For most without the agency of privilege, when the world is on fire it’s just a struggle to not get burnt...

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Review: Dora and the Lost City of Gold

by Tony Ruggio

Dora the Explorer was after my time, a cartoon for young children that came around long after my Saturday morning cartoon days were over. And yet, despite being one completely uninitiated and cynical thirtysomething, I found Dora and the Lost City of Gold to be a charming delight. Aged up from the show, Dora’s now a teenager who has spent many of her formative years in the jungle with a pair of well-meaning archeologist parents (Michael Peña, Eva Longoria). Thrust into high school in Los Angeles, she’s an odd duck and beacon of positivity amid the cynical squalor of American modernity. Suck out all pretension and she’s simply the smartest, kindest person in the room. 

Isabella Moner is a bright-eyed, exuberant presence as Dora, always ready to sing or swing into a grand adventure...

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Review: GLOW (Season 3)

By Spencer Coile 

Despite its criminal underperformance at the Emmys this year (only scoring 5 nominations), the second season of GLOW was a marvelous piece of television. After an equally impressive first season, season 2 found the Gorgeous Ladies of Wrestling coalescing into a tighter ensemble. It was no longer just a vehicle for stars Alison Brie, Betty Gilpin, and Marc Maron. Each gorgeous lady had a rich history waiting to be told. Against the backdrop of grungy L.A., set to a mix of 80’s synth pop, GLOW pulsated with life, energy, and plenty of risks waiting to be taken. 

Season 2 ended with an offer for the ladies to adapt their syndicated show to an act in Las Vegas. Starship’s triumphant “Nothing’s Gonna Stop Us Now” begins to play as they board the bus that will land them in completely uncharted territory. With this notable shift in scenery, does GLOW season 3 pack the same punch? Pun intended...

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Stage Door: "Moulin Rouge!" on Broadway

Stage Door is our intermittent theater review column, which might seem odd for a movie site, but we're headquartered in NYC so...

by Nathaniel R

Do you remember the sensation of watching Moulin Rouge! (2001) for the first time? I remember exactly where I was (the much-missed Zeigfeld theater in NYC)  and exactly how it felt as it washed, no, exploded all over me. Twas a dizzying overwhelming sensory experience from the moment the red curtain appeared. Moulin Rouge! (the movie) eventually calms down… or you acclimate to it (I’ve never known definitively which). The moment I gave in fully, convinced it was something emotionally special and not just a flurry of exciting images, was Ewan McGregor’s spontaneous inspirational belting of “The hills are alive… with the sound of music”. The moment the movie belonged to me, and I to it, was the entrance of the Sparkling Diamond herself, Satine (Nicole Kidman) descending on a trapeze to sing “Diamond’s are a Girl’s Best Friend”. 

These moments are dutifully recreated for the new Broadway incarnation. The experience is not quite the same. Some cinematic bliss cannot be easily transferred to a different medium. Nevertheless there’s still green fairy dust sprinkled on this musical. It just takes a bit longer to lift off...

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