Review: The Secret Life of Pets 2

by Ben Miller (who has small children)

What do we want from a film when it is obviously not for us? If I'm watching an indie about a life experience that's in no way relatable to my own, I can still admire the artistry and the humanity. If I’m watching a film about talking pets specifically aimed at children, I can enjoy it... but what am I supposed to get out of it? Films like The Incredibles, WALL-E or Wreck-It Ralph are “for” kids, but non-children can enjoy them on a number of levels beyond the bright colors, fart jokes or action sequences.  Those films dug deep into issues about family, loneliness and friendship and had an overarching theme to bring everything together in a coherent way.

The Secret Life of Pets 2 is not one of those films and doesn't try to be...

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Now Playing: "Late Night" and "Last Black Man in San Francisco"

Lots of new movies this weekend. Dark Phoenix and The Secret Life of Pets 2 are nationwide. The two highest profile limited releases were both reviewed by Murtada at Sundance earlier this year. They've finally arrived for the rest of us, so go see 'em!

Last Black Man in San Francisco (A24, platform release)
While watching The Last Black Man in San Francisco - a gorgeous, specific, and fantastical fable of a film with a decidedly assured tone - I kept thinking of Oprah Winfrey’s introduction of Precious  star Gabourey Sidibe at the Oscars. “Where did that come from?”, “Where did you learn how to do that?” I was asking these questions of writer/director Joe Talbot and writer/actor Jimmie Fails. They had collaborated on a short film before, but this is their feature debut... READ THE FULL REVIEW

Late Night (Amazon Studios, select cities this weekend... nationwide next week)
Emma Thompson plays legendary talk show host Katherine Newbery (think Letterman, 2 decades younger, English and a woman but just as famous and revered) in the new comedy Late Night. Early in the film Newbery meets a male employee from the writers room who is asking for a raise because he recently had a baby. In two minutes Thompson eviscerates him, and all of the decades of sexism and inequality in the workplace. She likens having babies to having a drug problem that one can’t shake. The latter is an unexpected and illogical simile until, that is, you hear it coming out of Thompson’s mouth. The writing’s funny and sharp, and Thompson is on full-throttle hilarious commitment... READ THE FULL REVIEW

Review: "Rocketman" blasts off

This review was originally published in Nathaniel's column at Towleroad

Pop stardom is a notoriously fickle thing. For every “legacy” artist out there, there are thousands of one-hit wonders, and hundreds of sort-of famous B listers. One imagines that anyone in the center of the hurricane of New Fame imagines it will last forever. If you find yourself engineering your own biopic in your golden years, congratulations, it did. Which brings us to Reginald Dwight… better known as Elton John.

In the first frames of Rocketman, Elton John (Taron Egerton) strolls into focus, cheekily dressed as a horned devil to confront his own demons in a therapy session framing device...

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Review: Octavia Spencer lets loose with "Ma"

by Sean Donovan

In an age where critics praise a generation of thoughtful, innovative, and dazzlingly styled horror films, a deceptively basic package like Ma --unconcerned with winning good reviews, elevating the genre, or acquiring a fancy boutique label like A24 -- is uniquely refreshing. Ma’s jump scares are familiar, its plotting is predictably iffy, its logic and emotional contexts for its supporting characters even more so- but goddamn it, it’s fun.

The ‘fun’ comes from feeding off the joy of Octavia Spencer inhabiting domestic horror-thriller, Hand That Rocks the Cradle realness. No longer is Spencer smiling on a gilded stage, frozen while Peter Farrelly and Nick Vallelonga accept prizes for socially regressive trash to which she’s somehow attached. Octavia’s back baby, and this time she’s got hell to raise and teens to terrify....

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Review: Booksmart

by Chris Feil

Booksmart feels like a gift from the comedy gods - it’s firmly built in the teen buddy comedy traditions yet with its own unique diversions, representationally rewarding without the condescension of pandering, and a gaspingly funny look at female friendship that is also authentically moving. An impressive first feature from actress Olivia Wilde, Booksmart is joyous and it is here to fucking own the summer movie season.

Kaitlyn Dever and Beanie Feldstein star as Amy and Molly, two best friends who prioritized their studies all throughout high school in the hopes of landing in the elite colleges of their dreams. On the eve of graduation, they shockingly discover that all the hard-partying kids also managed to nail their SATs and get accepted into top schools despite appearances. In a comically foiled and app-assisted evening, the two young women try to make up for lost time by finding a way into the most epic pre-graduation party.

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