FYC: 20 People Who'd Make Great Honorary Oscar Recipients!

by Nathaniel R

Over the years The Film Experience has provided the Academy with brilliant ideas for Honorary Oscars that they've ignored until it was too late and the worthy recipient died. We're talking luminaries like movie stars Max Von Sydow, Albert Finney, and Doris Day, cinematographer Michael Ballhaus, and voice artist Marni Nixon. (At least they heard us on Maureen O'Hara, Harry Belafonte, Liv Ullman, David Lynch, and Angela Lansbury in time!). So here we are again trying to sway them. They make such strange decisions. Why did Sophia Loren who was already a (deserving) Oscar winner, need an Honorary when she was only in her fifties? Why did they refuse to honor Doris Day because (the rumor is) they knew she wouldn't show but then went ahead and honored Jean Luc Godard who they also knew would never show? 

For our suggestions we're limiting ourselves to people over 70... though you could make valid cases for several late 50something or 60somethings if you wanted to like Michelle Pfeiffer, Eddie Murphy, Jim Carrey, Antonio Banderas, Willem Dafoe, Hugh Grant, directors Sam Raimi and Todd Haynes, producer Christine Vachon, or craftspeople like costume designer Sharen Davis or composer Marc Shaiman.

20 RECOMMENDATIONS FOR THE HONORARY OSCAR...

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Oscar History: The Evolution of Acceptance of Openly Queer Actors

by Eurocheese

Stewart and DeBose at the world premieres of their movies in 2021

This year, we saw two openly queer women receive first time nominations in the Academy’s acting categories. Famously, the Academy rarely nominates openly LGBTQ performers while often honoring straight actors for playing queer roles, something that was considered “brave” until shockingly recently. But how have out queer performers fared in the past?

Let’s take a look at the previous nominees… 

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Would you rather?

This little polling game is just our excuse to share new Instagram photos we like of various celebrities. So, Would you rather... 

•  eat croissants with Orlando Bloom?
•  visit the boys room with supermodel Kristen McNemany?
•  get rid of the grey hairs with Jason Momoa?
•  meditate in the desert with Michelle Pfeiffer?
•  celebrate Juliette Lewis' bday... with Juliette?
•  attend tap dance training with Hugh Jackman?
•  help Paul Bettany with his sunscreen?
•  visit the leaning tower of Pisa with Aubrey Plaza & Alison Brie?
•  dance to Taylor Swift with Evangeline Lily?
•  take a swim with Oabnithi Wiwattanawarang?
•  work on your abs with Tom Mercier?
•  get back to work with Sir Ian McKellen?

Pictures are after the jump to help you decide... (if there is a gif, the link takes you to the video)

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Vintage '81

We're having a little 1981 party for the first week of May so let's give the year some overall context before the Supporting Actress Smackdown hits on the weekend of May 8th. 

The year's two biggest blockbusters competed for Best Picture

Great Big Box Office Hits:
Raiders of the Lost Ark was the year's true behemoth, grossing twice as much as its nearest rival On Golden Pond. The Best Picture winner Chariots of Fire was a sleeper hit and that year's James Bond picture  For Your Eyes Only was also hugely popular (though that's no surprise with 007). But otherwise audiences were mostly drawn to comedies in 1981: Arthur (with Dudley Moore), Stripes (with Bill Murray) The Four Seasons (with Carol Burnett) and Cannonball Run (with Burt Reynolds) were all the rage.

Oscar favourites / theories and other cultural touchstones of 1981 after the jump...

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Review: The Good Liar

by Scott Thomson

Two Grand High thesps of the most esteemed order playing against each other in a cunning game of deceit. A surefire winning recipe, right? Maybe not.

Sir Ian McKellen and Dame Helen Mirren are most certainly having a gay old time together, practically purring in each calculated exchange with one another. It is not often enough that we get to see the screen shared by a pair of Britain’s most beloved (capital ‘A’) Actors but this is far from enough to lift The Good Liar from the escalating preposterousness that clouds the fun within. It reads like an “oh my God what if we did this thing...” kind of idea conjured by a drunken playwright after too many Merlots round Sir Ian’s pub on a Saturday evening. The result is a film perhaps best enjoyed in a similar state... 

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