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 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | instagram | letterboxd | deviantart 


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Which screenplays are most quotable?

"Inside out FTW. 'I loved you in Fairy Dream Adventure Part 7. Okay bye. I love you!'" - Teppo

"My number one that I now say whenever the occasion is delivered by Carol: 'It will get ugly. And we are not ugly people...'"- Jones

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Entries in Bernadette Peters (8)


Red Carpet Lineup: The Tony Awards

Nathaniel R: HELLO Margaret and Jose. Ready for our fashion lineups?
Margaret: Hello!
Jose: Hello!
Margaret: Harmonizing anyone? 
Jose: Actually I was changing into the gown from The King and I to get in the mood

Nathaniel: You guys. I am so discombobulated right now. Emmy ballots. Oscar trailers. Tony Results. my brain is like red carpet mush. Where should we start?

Margaret: Why not start with the adorably mismatched hosts? If someone had warned me we'd be seeing formal shorts on the red carpet I would have been thoroughly disapproving, and yet looking at Alan Cumming's cheeky little mug I can't help but enjoy it.


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Brandy. Whitney. Bernadette. It's Cinderella... Again

Cinderella Week continues with Andrew Kendall on a true event in showbiz history...

On our journey through Cinderellas we take a stop in 1997 for an unlikely entry in the canon. Unlike the animated version it did not change a cinematic form, nor like the Julie Andrews version did it launch a star. When the 1997 TV production of Rodgers and Hammerstein’s Cinderella premiered in 1997 it was hailed as one of the most successful TV musicals in years and audiences did, love it, 60 million of them. But, it has endured as little more than a footnote on the résumé of its fêted cast and crew.

This would be the second remake of the Rodger and Hammerstein’s Cinderella written for Julie Andrews in 1957 (the first remake a Lesley Ann Warren version in 1965). And, still, I’d swear on the altar of all things magical that this is the finest adaptation of the Cinderella story. Myriad reasons, but principally because this Cinderella has more on its mind than just the girl at the centre…

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Smash: "The Phenomenon" & "The Transfer"

Dancin’ Dan here, wishing I could say that I was coming here not to bury Smash, but to praise it. Truly. I have been a huge Smash apologist ever since that (amazingly, awesomely) ridiculous Bollywood number last season, but the show’s two most recent episodes, “The Phenomenon” and “The Transfer”, are just awful. I can't defend them. Any goodwill I had left for the show has gone pretty much completely out the window. Which is all the sadder considering we will soon be laying eyes on the series's final episodes.


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Smash: "The Bells and Whistles" & "The Parents"

I'm short on time and Smash is trying to burn off its episodes given that two will air this very week. But we've got two to catch up on as well so let's rush through like we're running out of breath on a big note.

Ivy is back to being Marilyn in "Bombshell"


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Stage Door: Tony Award Nominations

They're here. The 2012 Tony Award nominations. For your perusal and discussion the nominee list. Unfortunately this year I saw relatively few shows: Follies (genius), Porgy & Bess (strong), Bonnie & Clyde (errrr). The stage adaptation of the film musical Once (2007) led the nominations with 11. I still haven't seen it (sniffle) but I love the film. Porgy & Bess is close behind with 10 nominations including a possible record-tying fifth win from the one and only Audra McDonald.

Audra McDonald & Norm Lewis (sensational) in Porgy & Bess

Best Play

  • Clybourne Park
  • Other Desert Cities
  • Peter and the Starcatcher
  • Venus in Fur

 Best Musical

  • Leap of Faith
  • Newsies
  • Nice Work If You Can Get It
  • Once

Yes, three movie adaptations out of four. 75% which is about right given what gets produced these days.

Best Revival of a Play

  • Arthur Miller’s Death of a Salesman
  • Gore Vidal’s The Best Man
  • Master Class
  • Wit

Best Revival of a Musical

  •  Evita
  • Follies
  • The Gershwins’ Porgy and Bess
  • Jesus Christ Superstar

 Bernadette Peters Loses Her Mind -- she's the only lead Follies player without a nomination

Three of the four have had movie adaptations made of them.

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Smash: "The Workshop"

We cover Smash each week. Are you watching?

Bernadette dreams of stardom for Megan Hilty... sort of.

In last night's episode Eileen (Anjelica Huston) presented her workshop of "Marilyn The Musical" to potential investors but though no one literally broke a leg, things went wrong. The building had major heat problems souring the mood. Ivy (Megan Hilty) was plagued by her insecurity and distracted by her legendary showbiz mother Lee Conroy (very special guest star Bernadette Peters. Yes!), Karen (Katharine McPhee) fell during a big number distracting focus from Ivy. Julia (Debra Messing) and Michael's (Will Chase) affair came to a tearful end after Julia realized her son knew. 

The building heat made the investors uncomfortable and immediately we're smelling blood. Who gets blamed? The show dangled more "star" rivals for Hilty (Uma Thurman will appear in 5 upcoming episodes) including Sutton Foster and Scarlett Johansson. And in a sharply acted gutpunch moment, the episode's most interesting beat, unspoken discomfort with Julia's affair resulted in Michael being blamed for the workshop's failure. Overall an uneven episode that felt more like a pivot point than a peak. What comes next? Besides new love affairs for Eileen and Tom, that is, which are being super-telegraphed in advance for some reason.

Set List: Originals - Medley of all the tunes we've heard thus far (company), "Lexington and 52nd Street" (Chase); Jukebox Tunes - "Brighter than the Sun" (McPhee); Showtunes: "Everything's Coming Up Roses" (Bernadette Peters), 
Best ? Moment: Bernadette's uncomfortable exit. This showbiz mom has trouble with feelings but gives it a go anyway. Someone is gunning for a Best Guest Actress Emmy. 
Gay Gay Gay: The chorus boys total delight watching Bernadette Peters perform. I relate.
Anjelica Awesomeness: "That's enough. I won't pretend this isn't useful information but if I hear that you've repeated this..." Eileen is willing to use sneaky evil Ellis, but she knows when to show him who's boss. 
Curtain Call: I've already forgotten exactly how this episode ended. It petered out? But speaking of curtains... Loved that bit when Sam moved the curtain to show the ensemble that Ivy could hear them. Ouch. 
Grade: B

-Guys you wanna maybe shut up? She can hear you."

Previous Episodes
1 Pilot 2-3 The Callback and Enter Joe DiMaggio 4-6 The Cost of Art, Let's Be Bad, and Chemistry