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Entries in Reviews (1180)

Thursday
Dec132018

Review: If Beale Street Could Talk

by Murtada Elfadl

 

If Beale Street Could Talk starts with Fonny (Stephan James) asking his girlfriend Tish (Kiki Layne) “Are you ready for this?” I have been ready for a James Baldwin film adaptation for many years. Since I read "Giovanni’s Room" as a young teen and my mind was opened to queer stories. Since I was given "The Fire Next Time" to read as I made the decision to immigrate to the United States, so that I know what I was getting myself into. "Another Country" remains my favorite novel of all time. I am biased for Baldwin, for his writing, for his ideas, for his power, so I was excited for this film. I was also afraid. Will Barry Jenkins be able to interpret Baldwin’s howls of anger and despair as loud as I heard them reading Baldwin’s prose? I needn’t have worried.

Set in early-1970s Harlem, Beale Street is about how Fonny and Tish are separated when he’s arrested for a rape that he did not commit...

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Tuesday
Dec112018

The Sad Relatable Story of "Boy Erased" 

Please welcome guest columnist Eurocheese, who you probably know from the comments section. We realized we hadn't reviewed Boy Erased in full and he wanted to share his own story and how the film affected him. Here's Eurocheese... - Editor

Fifteen years ago, I came out to my conservative religious parents as a gay man. One of their first suggestions was that I voluntarily send myself to a gay conversion camp. Fortunately, I had accepted myself by that time and refused to go. What would have happened if I had been outed sooner, or if I still thought I could somehow change? I have seen several films addressing these so-called conversion camps, but never one that felt more in line with my personal story than Boy Erased...

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Tuesday
Dec112018

Review: Ben is Back

by Eric Blume

In writer-director Peter Hedges’ new film Ben is Back, Julia Roberts and Lucas Hedges perform a heart-rending duet.  They’re so locked into their characters, with their lived-in emotions so close to the skin, that they make the film soar.

Young Ben (Hedges) returns home for Christmas, 77 days clean from sober living from his drug addiction, to the joy and hope of his mom (Roberts), and the skepticism of his family.  While the plot is straightforward, Peter Hedges takes the peace out of the domestic setting in the second half of the film, where he has his two main characters on the road facing various elements from Ben’s past...

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Friday
Dec072018

Review: Vox Lux

by Chris Feil

Vox Lux opens with visceral brief violence and closes with extended musical euphoria that it keeps out of our reach. The sophomore feature of Brady Corbet, the film is most defined by its refusal to allow us to access it even as it monolithically announces its themes. It feels at once like someone screaming into the abyss of an empty stadium with locked doors. But somehow it keeps us banging on its doors that never budge.

The film follows the birth and would-be rebirth of superstar Celeste, played separately in two acts by Raffey Cassidy and Natalie Portman...

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Thursday
Dec062018

Review: Mary Queen of Scots

by Murtada Elfadl

The story is familiar. We’ve seen it many times on both film and TV. The queens are familiar. We’ve seen them being embodied by many actresses we love and admire. Now it’s time for Saoirse Ronan and Margot Robbie to play Mary and Elizabeth I in Mary, Queen of Scots. Familiarity can breed contempt. We’ve seen this before so why do we need another version? But familiarity can also help us absorb a story when we know the beats of its narrative. We can take in the performances, the costumes, the setting and not worry about following the plot. Director Josie Rourke and screenwriter Beau Willimon understand that they need to freshen up the material, give it a new spin. And so they try.

Their story concentrates squarely on Mary and starts with her return to Scotland from exile in France, threatening Elizabeth’s reign because of her strong claim to the crown with Elizabeth being unwed and childless...

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