Review: John Wick 3: Chapter 3 - Parabellum

By Lynn Lee

“Guns.  Lots of guns.”

That line is only one of several of John Wick 3’s nods to its spiritual predecessor, The Matrix, albeit the most overt one.  With the right audience, it draws appreciative laughs.  It also embodies everything that’s both most effective and most lacking in Keanu Reeves’ latest blockbuster franchise.  The action pyrotechnics are dazzling, the callouts to his last blockbuster franchise amusing, but once the last gun stops firing, there’s nothing left.  Nothing to feel, think about, or care about, even as the story ends on yet another cliffhanger that practically ensures the next installment we all knew was coming and was sealed by the movie’s gargantuan opening box office haul.

It wasn’t always this way.  The first John Wick had a simplicity of premise that made for a sharp and clean, if fundamentally goofy, revenge narrative...

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Review: Pokemon Detective Pikachu

by Tony Ruggio

I was already in high school by the time Pokemon became a worldwide phenomenon, and I was in no mood for cute, cuddly anime animals at the moody age of sixteen. For this non-fan, however, Detective Pikachu is a minor delight filled with joy, heart, and giant Pokemon doing battle. It’s a big, bubbly kids movie that grows on you until the inevitably exhausting bombast of a cartoony third act...

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Review: Trial By Fire

by Chris Feil

The first sign of Trial By Fire’s problems is that its title is a pun, and I welcome any and all puns. It's perhaps not the most sensitive way to approach a film that begins with a house fire that takes the lives of multiple children. Maybe don't do that.

But then again, sensitivity isn’t the film’s strong suit. As directed by Edward Zwick (yes that Edward Zwick, primarily known for epics your dad might love like Glory and The Last Samurai), the film is a not-quite-thoughtful look at a true story of Death Row Texas. Jack O’Connell stars as Cameron Todd Willingham, a man convicted of a home arson that took the lives of his three children despite his claims of innocence. His case is doomed by prejudice and a corrupt system until he meets the correspondence of Laura Dern’s good samaritan Elizabeth Gilbert.

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Stage Door: A startling new take on "Oklahoma!"

by Deborah Lipp

Gabrielle Hamilton, nominated for a Chita Rivera award, for a very different take on the dream ballet in "Oklahoma!"

Wow, that was a lot.

Leaving the new Broadway revival of Oklahoma!, a reconceptualization of the show that pulls no punches, I felt a little staggered, like it was too soon to have a celebratory dinner afterwards. (Context: I’m assuming you know the basics of this classic of musical theater, and I won’t consider any of its points “spoilers”. I will hold back potential spoilers, though, for this version.)

Daniel Fish’s unique production changes not one word, either spoken or sung, but it all feels very new...

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Review: "Charlie Says"

Screened at the Tribeca Film Festival. Now in Theaters. This post was originally published in Nathaniel's column at Towleroad. 

Quentin Tarantino’s Once Upon a Time In Hollywood, arriving in July, isn’t the first Manson Family murders / Sharon Tate-related movie hitting theaters during the 50th anniversary year of those abominable crimes. 

The first out was The Haunting of Sharon Tate starring Hillary Duff, which was largely dismissed as exploitative. The second, newly arrived in theaters, is Charlie Says (Sharon Tate, played by Grace van Dien, is a very minor character in the film). Tarantino’s film will feature Margot Robbie as the doomed actress. And still a fourth picture is coming, a biographical drama called Tate starring Kate Bosworth, though its focus will not be on the actress’s murder.  This true crime story is quite obviously all the rage in Hollywood at the moment. 

Whether or not these films are appropriate in their timing and conception will be up to individual viewers to determine. As ever, how creepy or opportunistic true crime stories feel is largely dependent on artistic ambition and execution. 

Marianne Rendón (reclined), Hannah Murray, and Sosie Bacon are always saying "Charlie says..."

But if you’re going to make a picture like this at all, director Mary Harron and screenwriter Guinevere Turner, the women behind Charlie Says, are the filmmakers to choose…

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