Review: Brittany Runs a Marathon

by Lynn Lee

A surprise breakout and audience favorite at Sundance earlier this year, Brittany Runs a Marathon now faces a challenge nearly as daunting as that of the title character’s – namely, overcoming the late summer movie doldrums and getting the attention of potential viewers who are already turning their thoughts to school, football, Oscar contenders, and other harbingers of fall.  Can this tiny indie picture – with a newbie director and no big names attached – become the sleeper hit it’s clearly angling to be through word of mouth and savvy social media marketing?  Having seen the movie, which I found quite charming if predictable and a bit lightweight, I’ll volunteer a cautious “maybe.”

Brittany’s chief assets are a winning star turn from Jillian Bell (most familiar to mainstream audiences as the acerbic scene-stealer of 22 Jump Street), who moves confidently from comic sidekick to funny Everywoman lead, and a narrative arc that’s just as humorous and relatable...

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Review: Jennifer Kent's "The Nightingale"

by Ben Miller 

In the world of Jennifer Kent’s The Nightingale, no one is safe unless they've won the lottery.  If you lucked into being born as a white English male in 19th century Tasmania, you can rest easy in the knowledge you are powerful.  If you are a woman, of another race, or from another country, that same luxury is not afforded to you.  Death and misery looms around every corner.

The titular Nightingale comes in the form of Clare (Game of Thrones Aisling Franciosi) as she serves as a maid and singer for a group of British officers.  She is held there as penance for her crimes of thievery, being Irish and being a woman. She is overseen by Lieutenant Hawkins (Sam Claflin), who is procrastinating processing her release, due to his infatuation with her.  Clare’s husband Aidan (a wonderfully warm Michael Sheasby) tries to persuade Hawkins to release her, but to no avail.  Things spiral violently out of control.  When Clare survives the unthinkable, she seeks revenge on those who have wronged her.

This might read like a simple rape and revenge film on paper, but it is much more nuanced and realistic than that in execution...

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Review: Ready Or Not

by Chris Feil

There’s something almost luxurious in store for horror fans in Ready or Not, this week’s late summer horror film du jour that is nevertheless indispensable for genre fans. Like an oasis for those seeking something along the lines of Kevin Williamson’s wit and Tobe Hooper’s sense of straightforward menace, the film feels like both a throwback and the freshest, crispest antidote to the more brooding mainstream horror trends of late. It gives us the genre’s benchposts and in mighty form: laughter and jolts in equal measure, a distinct iconography, and a brand new scream queen.

The film succeeds largely on its clarity of vision, a simple concept that becomes a playground for its psychological interests. Here director duo Matt Bettinelli-Olpin and Tyler Gillett (billed together as Radio Silence) look to skewer the dogma of rich people, delivering a delightful horror farce that’s a little bit like a roided Agatha Christie in the best way...

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Review: Where'd You Go, Bernadette

by Murtada Elfadl

What if that one thing that you cared about and that you built your life’s work around was gutted away from you violently? Can you recover? How do you cope in the days and years that follow? These are some of the questions that Richard Linklater is trying to answer with his adaptation of the Maria Semple novel, Where’d You Go, Bernadette?

Bernadette (Cate Blanchett) is a harried mom (to Emma Nelson’s 15 year old Bee) and wife (to Billy Crudup’s Elgie) in Seattle. She spends her days in her big semi-rundown house trying to manage the small details of her family’s life, but mostly running away from facing the minutiae and drudgery of those tasks by composing long email and text messages to her virtual assistant Manjula. But Bernadette’s life wasn’t always so banal and she wasn’t in perpetual war with everyone she meets (Kristin Wiig plays her nemesis and next door neighbor). She used to be a genius architect with lots of promise until she suffered a major career setback that she couldn’t recover from. 

If you are a fan of the novel you might not recognize what you liked about it from this adaptation...

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Review: "Good Boys"

by Tony Ruggio

Sixth grade, and middle school generally, is a confusing time. It’s a big transition for boys, from children who play to little teens who wannabe a playa, and not everybody’s in sync on the maturity scale. Good Boys is not merely a comedy about eleven year-olds cursing and thirsting for girls, it’s a mico-coming-of-age story about kids outgrowing each other, and trying desperately to stick together as a unit, as the “bean bag boys.” 

Max (Jacob Tremblay), Thor (Brady Noon), and Lucas (Keith Williams) are the only members, and they’ve been friends throughout grade school...

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