Review Catch-Up

by Nathaniel R

A confession: After an alarm mishap I accidentally slept right through my Lion King critics screening earlier in the week. Upon waking I was angry with myself because there is no way I wanted to actually pay to see photorealistic animals singing. After perusing the early reviews both pro and con, I became convinced that the sleep was no accident but a divine intervention from the cinematic gods. My new stance is that I can wait for the screener to arrive during awards season... as no movie has ever struck me (from afar) as less necessary than this one. In truth I don't even love the 1994 picture (as Disney renaissance movies go, it's low on my personal list). Anyway, on to movies we have caught up with recently that we either haven't reviewed or talked at length about on the podcast...

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Review: Stuber

by Dancin' Dan

Stu is a nice guy. Far too much of a nice guy, in fact. After he clocks out from his job working a big-box sports store, he cleans his car and clocks in to Uber, enduring all the assholes and drunks that use the car service in and around Los Angeles. He does this to get the money to help his best friend Becca open an all-women spin center, because he's also hopelessly in love with her. So after a rash of particularly bad (and mostly unfair) Uber reviews puts his precious star rating in jeopardy, and taciturn cop Vic Manning gets in his car, Stu is willing to do just about anything to make sure he gets a five-star rating. The problem is, Vic is reeling from the death of his partner, has just gotten a lead on his killer, and just had Lasik eye surgery. He can't see, and needs someone to drive him. Let the sparks - and laughs - fly.

Yes, the plot of Stuber is pretty boilerplate buddy comedy stuff. But it gains a lot from its casting...

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New this weekend: "The Farewell" and "The Art of Self Defense"

The alligator thriller Crawl and the buddy comedy Stuber are the new wide releases this weekend but let us now direct your attention to the new films in limited release today, as we reviewed both during their festival runs...

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Big Little Lies MVPS: Episode 2.5 "Kill Me"

Previously: Episode 1 (Nathaniel) Episode 2 (Spencer) Episode 3 (Lynn) Episode 4 (Nathaniel) 

by Eric Blume

I’m onboard with most of the TFE staff that season two of Big Little Lies isn’t quite up to the level of its first season, but that it’s filled with fun, exciting, and interesting things.  Last week, Nathaniel noted that David Kelley’s writing is weaker this season, and I agree (especially in those therapy scenes), but it’s also about the directing: Andrea Arnold has talent, but she lacks Jean-Marc Vallee’s lush lyricism and ability to keep everything jangled and on-edge. She also doesn’t have Vallee’s gift for framing:  the images aren’t as memorable as what Vallee put together, and she’s shot too many in-the-car sequences from the backseat so the scenes feel repetitive rather than intimate and revealing. 

 But each episode holds wonderful surprises and treats for those invested in the show...

Top Ten MVPs of Big Little Lies, Episode 2.5 "Kill Me"

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Review: MidSommar

by Chris Feil

Ari Aster’s sunbleached hellscape MidSommar opens with a horrific tragedy, a shocking act that has nevertheless long been grimly foretold for Dani, a depressed collegiate played by Florence Pugh. What unfolds for her in the rest of the film feels as projected by the warning signs around her and as cataclysmic. No, not the ominous surroundings of her European countryside getaway. She’s in a relationship doomed to collapse.

Though Dani’s imminent breakup with Christian (Jack Reynor) gets stalled by this horrible event, she suddenly finds herself slipping into his vacation plans with his begrudging friends. Promised a once-in-a-lifetime folk traditions in the isolated home village of one of his bros, the group descends upon the Hårga of Hälsingland looking to get a little stoned and enjoy some cultural tourism. Once there, Dani’s already established isolation in the group (and her relationship) intensifies from her grief and the increasingly strange rituals in which they participate. Lines are crossed early, but for reasons that feel insignificant in the end, they still stick around.

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