Smash: "The Producers"

One might also read that blogpost title as a command, "Smash the producers!" Go ahead. I won't stop you.

Tonight I am deeply in envy of my friend Glenn who took over Smash review duties over a week ago while I was in Nashville and lucked upon the best episode of the season "Opening Night". That episode was so good I even liked Karen Cartwright in it! *gasp*

But beware the fall when you reach a peak! Last week was too good to be true and this week's episode proves that Smash won't really be missed when it's finally put down despite its intermittent and blessedly unique high points. Last season's "hate watching," so widely reported because musicals are favored targets of scorn, seems to have turned into "hate-to-watch" since the ratings fall each week. Did you see Theresa Rebeck's e-mail to Buzzfeed? For all of the problematic agenda and ego that might have prompted her very late reply to their infamous Behind the Scenes expose on the troubled Season 1 show, she may well have a talking-about-herself-in-the-third-person point here:

If in fact Theresa Rebeck was the problem with Smash and the trainwreck it became, wouldn't things have gotten better rather than drastically worse - once she left?

Yeah, yeah, I'm avoiding talking about this episode.

A lot of screaming. Which is what I do whenever the show focuses on "Hit List"

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Mad Men @ the Movies: Having & Holding

Hello! Deborah from Basket of Kisses back for another movie-free week of Mad Men at the Movies. In this week's Mad Men, actors and television figure prominently, so we'll have lots to talk about.

Episode 6.04, To Have and To Hold takes us (among other places) backstage of the soap opera where Megan has a growing role. The episode itself has a frothy, soapy sensibility, full of illicit goings-on and secrets revealed.

Don Draper: Does he look like James Garner to you? 

Soap opera trivia and Broadway Joe Namath after the jump.

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Smash: Opening Night

Glenn here, one of the few remaing Smashites who will be with this dear show until the bitter end. I'm not going to mince words here: "Opening Night" was the best episode of the season so far. This is for a multitude of reasons that we'll get in to briefly, but mostly it's because "Hit List" barely factored. And when it did it was in the shadow of "Bombshell", the musical gets hailed the hit of the season. Too bad they didn't get that "love letter from The Times" that Liza so beautifully sang about a couple of weeks back.

2.12 "Opening Night"

This week is "Bombshell" heavy as opening night occurs and all the anticipation and exhiliration and drama and disappointment that comes with it. This is a good thing, folks, and "Hit List" thankfully takes a sidestep (although the show's writers can't help but force it upon Smash even when there are far more important things to be worrying about).

Ivy is naturally worried about the reviews... [more]

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Mad Men @ the Movies: The Age of Aquarius

Hi all, this is Deborah filling in for Nathaniel for our mutual favorite TV show. It figures that while I'm filling in there are no explicit movie references. However, I think I can keep you engaged with some juicy Broadway and implicit movie references.

Linda Cardellini guest stars on Mad Men

Episode 6.03, The Collaborators, is directed by Jon Hamm to dirty perfection. Make no mistake, this is a very dirty episode, concerned with adultery, broken promises, and things not being what they seem. 

We open with a party at the Campbell home; Pete is offering tickets to "Hair" to two neighbors. It’s a flirtatious conversation, Pete tells the ladies that hair is full of drugs, foul language, and “simulated sex acts.” Flirting is not the subtle art of yore in 1968, we say “sex acts” right out in public! (Spoilers ahead.)

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Mad Men @ the Movies: From Here To Eternity & A Star is Born

In Mad Men at the Movies we explore the cinematic references of television's finest drama. So good to have the SCDP gang back on our small screen dreaming about their big screens. Naturally mild spoilers follow...

6.1 "The Doorway"
Vague Synopsis: The sixth season of Mad Men begins just before New Year's 1968 (?). A client has paid for the Drapers to vacation in Hawaii assuming that the trip will inspire Don to come up with a brilliant ad campaign to sell their hotel. They don't quite get what they were expecting since Don Draper is perpetually gloomy and unknowable even to himself -- 'The Inferno? just a little light reading on the beach!' Later both Peggy & Don run into trouble with their latest individual ad concepts due to uncomfortable associations - Peggy's ad rubs up against the world's worsening Vietnam problems, Don's ad reminds his clients of suicide. Meanwhile, perpetual child Betty Draper Francis obsesses over her daughter's friend (this isn't the first time!) and continues to need more therapy even more frequently than lost playboy Roger Sterling is getting it.

As ever not all of the movie references on Mad Men are spelled out with movie titles. more...

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