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The Film Experience™ was created by Nathaniel R


 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

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Supporting Actress: My Ballot & Yours

"Carrie Coon who in her screen debut steals Gone Girl from the much bigger names. Also can we just talk about how between Nora Durst and Margo Dunne that no one has as impressive a breakout in 2014 then Coon. " - Eion Daly

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Entries in TV (264)

Thursday
Nov132014

AHS: Freakshow "Bullseye"

While Nathaniel catches up with his DVR post-AFI, here's Adam - Editor.

American Horror Story, and in particular this season's "Freak Show," has about as much forward progression as a treadmill. This week's episode trudged ahead with its story by the smallest margin possible that could still be labeled "forward". Miraculously, the episode somehow managed to contain four plotlines: Elsa, further displaying her ruthlessness to survive on her birthday of all days, reveals a dangerous new act for the Freak Show (after surely watching Theo James perform a similar routine in Divergent); Stanley exerts pressure on Maggie to murder the Freaks; Paul indulges in a secret romance with Penny as he juggles his illicit affair with Elsa; and Dandy attempts to woo Bette and Dot much to the chagrin of his mother.

Most Quotable: Elsa dismissing Penny’s entrance into her tent as she consoles a wounded Paul, “Speaking of cheap perfume.”

Best Line Reading: In the midst of Amazon Eve expressing her concern on Ma Petite’s absence from breakfast, she manages to still include her curiosity for her eating habits, “She never misses breakfast – I don’t know where she puts it.”

Best Entrance: A swaddled Ma Petite being opened from her box as Elsa’s birthday gift. 

 

Episode MVP: Jyoti Amge, the world's smallest woman at 2'6", as Ma Petite. Runner up: Costume designer Lou Eyrich for Elsa's Temple Grandin outfit in the opening scene.

Movie/TV References: The chair Elsa sits in while she opens her gifts resembles the Iron Throne from Game of Thrones. How well do you think Elsa would fair in the world of Westeros? My guess is that Cersei would dispense with her with the same ease that Bette ate that spoonful of caviar.

Body Count: None, right? Unless I missed something, but Paul isn't looking too great.

Funniest Moments: At least this episode had a handful to get me through to the end credits, like Elsa cuddling Ma Petite on her throne, Ma Petite's butterfly imitation with her tiny figures inside a specimen jar. And Paul, accused of pickpocketing Dandy wiggling his fingers and dryly countering, “That’s a laugh.” 

Episode Grade: D. As evidence I list for you the following scripted lines in all their subtlety:

  1. Paul articulating his loss of innocence, “Before life stole my innocence.”
  2. When prompted by Ethel to blow out her candle and make a wish, Elsa exclaims through voiceover that all she wants is to be loved by another person by saying, “I just want to be loved.” 

previously... 

Thursday
Nov062014

Tim's Toons: A history of animated Marvels

Tim here. Tomorrow sees the release of Big Hero 6, the 54th feature made by the Walt Disney Animation Studio canon, and the first time that studio has collaborated with its corporate cousins at Marvel Entertainment. The result is certainly the most prestigious animated project ever based on a Marvel comics title, but far, far from the first. In fact, Marvel superheroes have been showing up in cartoons for almost a half of a century now. I give you a tour of some of them.

The Marvel Super-Heroes (1966)
The very first Marvel TV series, airing 65 episodes in syndication. The first time I ever heard of it was about an hour ago, so I can’t begin to say if it has an kind of rabid fanbase or lingering influence on Marvel writers and artists, but it stands out in my eyes for having extraordinarily cheap animation even by ‘60s syndicated TV standards, basically just waggling still drawings underneath the camera. Seriously, watch that video.

Lasting cultural impact: None, but from now on, if I ever meet Mark Ruffalo, I’m going to chant “watch them change their very shape before your nose!” at him till he punches me in the face.

Classics and new shows alike below the jump!

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Thursday
Nov062014

Freakshow: Pink Cupcakes

Nathaniel's in LA for the week so welcome Adam, who previously covered True Blood, for the latest AHS: Freakshow epsiode. Here's the rundown and commentary. How'd you like the episode?  

The Motts. They're the best part of "Freakshow," yes?

Plot: Elsa continues to plot against Bet and Dot since they’re in the position to replace her front-lining status at the Freak Show. Stanley and Maggie conspire to murder the Freaks, choosing money and notoriety over human compassion. Gloria and Dandy each come to terms with his new 'hobby,' she in the way of clean up and him in the embracement of his murderous urges. Desiree realizes she may not be as “freakish” as she once thought, while the Strongmen combats his inner self-loathing for that which he cannot change. 

The Strong Man joins the rest of the planet in lusting after Matt BomerGuest Star of Note: Matt Bomer!  ♥ In what begins as a slightly boring intro, more needed for its revelation of the strongman’s love for a man than anything else, becomes exponentially more interesting when Dandy enters the picture. Also, that hair and those eyes. *swoon* (Gabourey Sidibe makes a brief Horror Story return as Patti Labelle’s inquiring daughter, but that scene was more about revealing Gloria’s inner pain from being an absent mother than announcing the presence of a new character.) 

QUOTABLES & SPOILERS after the jump...

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Saturday
Nov012014

HTGAWM: "We're Not Friends" & "Whack-a-Mole"

It's true.  I didn't quit How To Get Away With Murder as intended. The people have spoken and the last writeup was so popular that I kept watching. But writing about it is harder when it's not being porny and forcing my hand and, um, jaw (see: previously on...)

"We're Not Friends" & "Whack-a-Mole"
It's two episodes in one post, a survival tactic. Manuel will be handling the next while I'm in LA, bless him for his sacrifice.

These latest two eppys huff and puff and cry and scream and the first at least is so (typically) hysteric that it has a jury picking montage with frenzied strobelight-editing set to housemusic from the 90s (I half expected Viola Davis to start pivoting and jacking while shouting "excuse" and "accept" and "dismiss for cause" at each potential juror.) Amidst all the heightened emotion the two rawest expression of feeling came in scenes between Annalise and soon-to-be-dead husband Sam. Their scenes together crackle in a way that little else on the show does which does not bode well for Season 2, unless they go supernatural and keep Tom Verica on as a ghost. Pretty please?! You're always jumping the shark when every character is a shark anyway and it's not like they're concerned with Ivy League or Legal accuracy.

These two scenes with have promising Emmy-seeking character moments, though they're a potentia mine field of regressive gender politics. In 'Not Friends' Annalise implies that she was once like the murdered student, a student her husband picked up "weak, broken ... a mess that he had to clean up" and in 'Whack-a-Mole' she delivers a pathetic but wholly human refrain of "I need you"

So...um... [cue Celine power ballad] she's everything she is because he loved her??? 

What the what now,Viola?

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Wednesday
Oct222014

Threads - New Series!

In order to indulge more of TFE's fetish for costume design, in this new Wednesday series "Threads" we'll discuss (briefly) whichever single costume we're most obsessed with that week, from anywhere in time and any filmed medium. Let's begin with a look from Outlander, currently airing on Starz.

I know this will be very shocking and quite impossible to believe if you haven't yet seen the show, but THIS bandage fetish wear on fantasy-man Jamie (Sam Heughan) is not the best costume on display however enticing it may be...

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Friday
Oct172014

How To Get Away With Turning Your Procedural TV Into Gay Porn.

I was going to quit How To Get Away With Murder with this fourth episode but I may have to keep watching from the sheer ridiculousness as well as the fascinating case study of Anything Goes in contemporary television. If you replace all the female characters on this show with gay men (as you could well do with only 1% of your imagination since all the characters are so broadly drawn) this would be the gayest show that ever existed. Sorry Queer as Folk, Sex & The City and Looking.

ABC had promised jaw-dropping with their promos for last night's episode once you heard 'Viola Davis's last nine words'. Those last nine words included the word "penis". Hey, they're the ones who said "jaw-dropping" not me! Naughty naughty. (For the record my jaw did not drop but it did open wide for a long chortle. It's either really terrible writing or A+ lurid paperback but either way it amounts to the same thing) Viola's quotable send-off turned out to be so gay and so trashy that it exemplifies the young series better than I could ever hope to.

The last nine-words were...

 

Why is your penis on a dead girl's phone?

The most important word in that sentence is penis because How To Get Away With Murder is obsessed with them. Let's recap their communal cock collection after the jump...

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