It's ZDT for the NBR

And things were looking so super extra competitive this year! Just a few days ago Les Miz, Argo, Lincoln, and Zero Dark Thirty all seemed to be on somewhat equal footing and to a lesser extent Beasts of the Southern Wild, Silver Linings Playbook, and Life of Pi had all received enough warmish embraces from critics, audiences and  Oscared corners of the showbiz culture that we could look forward to a real competition once the Oscar nominations were announced on January 10th. But with the one-two-zero-dark punch of the New York Film Critics Circle and the National Board of Review, the Oscar race suddenly looks a bit less like a clusterfuck and a ltitle more like a done deal. Zero Dark Thirty, Kathryn Bigelow's engrossing account of the hunt for Osama Bin Laden, is suddenly apparently way out front.The NBR generally attempts to spread the wealth but not so this year since they gave ZDT three of their top prizes (Pic, Director, Actress)

Will enough critics groups and precursors disagree or is this just one of those years that seemed competitive and then suddenly wasn't... like, oh, so many years in the past!

Winners and discussion after the jump

Click to read more ...

Review: "Compliance"

Compliance is the kind of film I always hope to love. Ambitious, confrontrational, and very well acted films that rely on theme and character and ideas are jawdroppers for me in a way that explosions, stunts, and visual effects innovations almost never are. But ambitions and soulful actors can only take you so far when fundamental flaws get in their way.

It's best to see Compliance cold (as I did) with no knowledge of its subject matter. Unfortunately it's almost impossible to talk or write about without giving its game away which is why it's a tough sell (it's made $111,000 in limited release) though it's gripping enough should you buy a ticket. So read on at your own risk...

Click to read more ...