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The Film Experience™ was created by Nathaniel R


 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | instagram | letterboxd | deviantart 

 

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Entries in Compliance (7)

Monday
Jun222015

The Many Faces of Ann Dowd ~ 25 Years in Film & TV

As this new week begins, I need to take a moment to express gratitude for what made last week special. Ann Dowd was gracious with her time and thoughts for a special guest blog day. In case any of you missed it, it was neat to get an insight into her work on The Leftovers, hear about her teenage reaction to Romeo & Juliet, and more. I particularly enjoyed her comments on falling in love with acting and advice for young actors. Regarding the latter, I'm not an actor but it resonated with me strongly and I think it's great advice for any career that requires risk, heart, soul, and the ability to handle considerable peaks and valleys.

Which is quite a few careers if you stop to think about it.

Ann Dowd's film and television career began in earnest 25 years ago in 1990 with a role in the Golden Globe Comedy winner Green Card and guest appearances on two different TV series The Days and Nights of Molly Dodd and The Baby-Sitter's Club.

this is just scratching the surface

Her gallery of characters has been growing ever since but with critical raves and a few prizes for her riveting film-carrying work as a duped fast food manager in Compliance (2012) audiences finally starting putting a name to the face. Ever since we've been blessed with more and more of her. The Leftovers was arguably her greatest showcase yet. If Emmy voters don't notice what casting directors already have, it'll be their loss. 

What's your favorite Ann Dowd character and did her Guest Blog Day make you long for more peeks into your favorite character actors? (I'll take suggestions)

Thursday
Jun182015

Ann Dowd: Quick Notes on Six Roles

The Film Experience is proud to turn today over to the great actress Ann Dowd. Enjoy... 

The cast of "Garden State"

- by Ann Dowd

Nathaniel tells me these are his favorite characters from my filmography and since I've taken over The Film Experience for the day, here are quick notes on each.

"Olivia" in Garden State (2004)
Loved. Zach Braff really had it together- wrote, directed, starred in. He was very clear about what he wanted which is always a pleasure.

"Cookie Kelly" in Freaks and Geeks (2000)
Hysterical. Writers, actors, everybody was talented and young and funny. I love that role - she was delicious and twisted.



 

"Sister Maureen 'Mo' Brody" in Nothing Sacred (1997)
Sister Maureen was a wonderful role, so well written, a lovely cast. I have two aunts who are Catholic Ursuline sisters so I know something about that world – how educated they are, how generous and caring and complicated they are. The way the role was conceived by Bill Cain reflected the truth about that world and it was a pleasure to work on it. 

"Sandra" in Compliance (2012)
Another beautifully written role. I have tremendous empathy for that character, not having a guidance system of her own. How derailed her life became. Great director Craig Zobel.


"Estabrooks Masters" in Masters of Sex (2013)
Oh my gosh, what I remember most about the first season is just the feeling of hitting that ground running. Michelle Ashford's writing is great. A really terrific cast - Michael Sheen, Lizzy Caplan, Caitlin FitzGerald. The stories were very strong and I love the character of Estabrooks. She's clear and unfaltering and also able to admit her mistakes, apologize and then move forward. Loved her.

 

"Patti" in The Leftovers (2014)
We already spoke at length about this role but there was a lot of camarederie on set with Amy, Liv, and Justin. The atmosphere was so surreal -- keep in mind that sometimes we were shooting in the middle of the night in the cul-de-sac somewhere 45 minutes out of the city -- no sense of time or space. On one of the first days of shooting the first A.D. Vebe Borge didn't speak in solidary with the Guilty Remnant. How's that for commitment?

Tuesday
Dec182012

Beasts of the Precursor Wild

New Podcast ~ Part 2 of 2 
[Part 1 Here]
When we left off we were talking about the Globe Comedy and SAG Ensemble nods specifically and now the conversation continues. We turn to two films which could receive several nominations or none: The Master and Beasts of The Southern Wild and explore other Oscar mysteries too. [With Nathaniel, Nick, Katey, and Joe.]

Topics include:

  • The Master and P.T. Anderson's shift from ensemble to two-man dramas
  • Beasts of the Southern Wild, the outsider film
  • Globe categorizations. Why wasn't The Sessions a comedy?
  • Marion Cotillard is so Hollywood
  • Screenplays, Original and Adapted
  • Cinematography is neither Art Direction nor Visual Effects. Discuss
  • Oscar Stats. Will Supporting Actor be the only acting lineup ever that goes in with all previous winners? 
  • Screener piles. Are AMPAS voters more likely to watch The Paperboy or Compliance?

You can download the podcast on iTunes or listen right here at the bottom of the post. But, as always, the podcast isn't complete without you. Join in the conversation by commenting!

 

Beasts of the Precursor Wild

Friday
Dec072012

Interview: Ann Dowd on "Compliance" and Oscar Buzz

Ann Dowd loves the word "delicious". She describes her children this way and actors she admires, too ("Annette Bening! She's delicious and such a good actress"). And what word could possibly be a better fit to fully convey the joy of this moment in her career?

When the tiny indie Compliance debuted to surprisingly robust critical conversation this past August, Ann Dowd won the kind of reviews that Oscar dreams are made of... even from critics who didn't like the film. Her superbly layered work as "Sandra", the prickly overwhelmed fast food manager at the center of the ethically disturbing drama lingers in the memory. Proof of that is a recent well deserved nomination at the Spirit Awards. I spoke to her a few hours after the announcement of her biggest prize yet, The Best Supporting Actress Award from the National Board of Review.

NATHANIEL: Congratulations on winning the NBR Prize!

ANN DOWD: Thank you so much. I have to say I'm beside myself. Really happy.

Have you seen Ann Dowd's riveting work in Compliance yet?

NATHANIEL: Does all of this attention feel like "It's about time!"?

[Oscar buzz, Freaks and Geeks, and red carpet panic after the jump...]

Click to read more ...

Thursday
Sep272012

The Linking

GQ an oral history of the great sitcom Cheers
/Film first looks inside Darren Aronofsky's Noah's Ark via the great cinematographer Matthew Libatique. They should've filmed this under the pseudonym Snakes on a Boat and surprised us all with a Noah's Ark movie.
Indie Wire talks to the director of Room 237. Is the documentary, a compilation of theories and obsessions surrounding Stanley Kubrick's The Shining a celebration or a critique of film critics? I'm dying to see this even though I'm no expert on The Shining.


NY Post the Self Styled Siren takes on Brian de Palma's Passion, a remake of the french thriller Love Crimes which starred Ludivine Sagnier (interviewed).
Oklahoma is excited about the stars of August: Osage County in their midst (reminder: filming has begun!) There's a few blurry pics of stars (as well as some clear ones) and one of Meryl Streep doesn't look much like her but I'll take their word for it given the blur. 
Hollywood.com wonders if audiences want to be challenged at the movies. A question posed through the film Compliance (which you'll remember I wasn't crazy about though I do love a good movie challenge.)
Now Toronto Rian Johnson talking about his fine Looper stars Joseph Gordon-Levitt and Bruce Willis 
The Film Doctor notes on The Master
In Contention wonders if Skyfall could land a best picture nomination 
Hollywood Elsewhere Guillermo Del Toro on Ken Russell's great film The Devils 

Finally...
Do you all follow the Vanity Fair tumblr? It's fun. I love this Bruce Handy quote they recently featured:

“PARKER POSEY IS SCARY AND ANGULAR AND LOOKS LIKE SHE COULD SAY SOMETHING MEAN ABOUT YOU IN BED. SHE’S TWO-THIRDS OF THE WAY TO CATHERINE KEENER. ZOOEY DESCHANEL, ON THE OTHER HAND, IS TWO-THIRDS OF THE WAY TO MY LITTLE PONY.”

and it just begs for a poll...

 

 

 

Saturday
Sep082012

Podcast: I Know What You Saw Last Summer (Pt 1)

The podcast returns for another Oscar season! I'm your host Nathaniel R and my ol' podcast mates Joe Reid & Nick Davis are joining me to discuss Summer Movie Season 2012. That's a wrap on summer so we're tying it off with our idiosyncratic messy multi-colored bows...

This podcast was inspired by our Summer Report Card series. Topics include but are not limited to:

  • What's Wrong With Virginia? (no, really)
  • Compliance
  • Killer Joe 
  • Best Picture Choices, Favorite Scenes, Summer Crushes
  • Beasts of the Southern Wild and Oscar's Music Branch
  • Hope Springs and Steve Carell
  • Steven Soderbergh pros and cons & Magic Mike
  • Sparkle
  • Joe's hilarious ongoing obsession with Oliver Stone's Savages
  • Bachelorette
  • Moonrise Kingdom and  Red Hook Summer Double Feature
  • Lesbian longing in Farewell My Queen
  • Michael Fassbender as the next Ed Norton?

You can download the podcast on iTunes or listen right here at the bottom of the post. There's more coming in Part Two tomorrow!

I Know What You Saw This Summer (Pt. 1)

Monday
Sep032012

Review: "Compliance" 

Compliance is the kind of film I always hope to love. Ambitious, confrontrational, and very well acted films that rely on theme and character and ideas are jawdroppers for me in a way that explosions, stunts, and visual effects innovations almost never are. But ambitions and soulful actors can only take you so far when fundamental flaws get in their way.

It's best to see Compliance cold (as I did) with no knowledge of its subject matter. Unfortunately it's almost impossible to talk or write about without giving its game away which is why it's a tough sell (it's made $111,000 in limited release) though it's gripping enough should you buy a ticket. So read on at your own risk...

Click to read more ...