Interview: Ann Dowd on "Compliance" and Oscar Buzz

Ann Dowd loves the word "delicious". She describes her children this way and actors she admires, too ("Annette Bening! She's delicious and such a good actress"). And what word could possibly be a better fit to fully convey the joy of this moment in her career?

When the tiny indie Compliance debuted to surprisingly robust critical conversation this past August, Ann Dowd won the kind of reviews that Oscar dreams are made of... even from critics who didn't like the film. Her superbly layered work as "Sandra", the prickly overwhelmed fast food manager at the center of the ethically disturbing drama lingers in the memory. Proof of that is a recent well deserved nomination at the Spirit Awards. I spoke to her a few hours after the announcement of her biggest prize yet, The Best Supporting Actress Award from the National Board of Review.

NATHANIEL: Congratulations on winning the NBR Prize!

ANN DOWD: Thank you so much. I have to say I'm beside myself. Really happy.

Have you seen Ann Dowd's riveting work in Compliance yet?

NATHANIEL: Does all of this attention feel like "It's about time!"?

[Oscar buzz, Freaks and Geeks, and red carpet panic after the jump...]

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The Linking

GQ an oral history of the great sitcom Cheers
/Film first looks inside Darren Aronofsky's Noah's Ark via the great cinematographer Matthew Libatique. They should've filmed this under the pseudonym Snakes on a Boat and surprised us all with a Noah's Ark movie.
Indie Wire talks to the director of Room 237. Is the documentary, a compilation of theories and obsessions surrounding Stanley Kubrick's The Shining a celebration or a critique of film critics? I'm dying to see this even though I'm no expert on The Shining.

NY Post the Self Styled Siren takes on Brian de Palma's Passion, a remake of the french thriller Love Crimes which starred Ludivine Sagnier (interviewed).
Oklahoma is excited about the stars of August: Osage County in their midst (reminder: filming has begun!) There's a few blurry pics of stars (as well as some clear ones) and one of Meryl Streep doesn't look much like her but I'll take their word for it given the blur. 
Hollywood.com wonders if audiences want to be challenged at the movies. A question posed through the film Compliance (which you'll remember I wasn't crazy about though I do love a good movie challenge.)
Now Toronto Rian Johnson talking about his fine Looper stars Joseph Gordon-Levitt and Bruce Willis 
The Film Doctor notes on The Master
In Contention wonders if Skyfall could land a best picture nomination 
Hollywood Elsewhere Guillermo Del Toro on Ken Russell's great film The Devils 

Finally...
Do you all follow the Vanity Fair tumblr? It's fun. I love this Bruce Handy quote they recently featured:

“PARKER POSEY IS SCARY AND ANGULAR AND LOOKS LIKE SHE COULD SAY SOMETHING MEAN ABOUT YOU IN BED. SHE’S TWO-THIRDS OF THE WAY TO CATHERINE KEENER. ZOOEY DESCHANEL, ON THE OTHER HAND, IS TWO-THIRDS OF THE WAY TO MY LITTLE PONY.”

and it just begs for a poll...

poll by twiigs.com

Podcast: I Know What You Saw Last Summer (Pt 1)

The podcast returns for another Oscar season! I'm your host Nathaniel R and my ol' podcast mates Joe Reid & Nick Davis are joining me to discuss Summer Movie Season 2012. That's a wrap on summer so we're tying it off with our idiosyncratic messy multi-colored bows...

This podcast was inspired by our Summer Report Card series. Topics include but are not limited to:

• What's Wrong With Virginia? (no, really)
• Compliance
• Killer Joe 
• Best Picture Choices, Favorite Scenes, Summer Crushes
• Beasts of the Southern Wild and Oscar's Music Branch
• Hope Springs and Steve Carell
• Steven Soderbergh pros and cons & Magic Mike
• Sparkle
• Joe's hilarious ongoing obsession with Oliver Stone's Savages
• Bachelorette
• Moonrise Kingdom and  Red Hook Summer Double Feature
• Lesbian longing in Farewell My Queen
• Michael Fassbender as the next Ed Norton?

You can download the podcast on iTunes or listen right here at the bottom of the post. There's more coming in Part Two tomorrow!

I Know What You Saw This Summer (Pt. 1)

Review: "Compliance"

Compliance is the kind of film I always hope to love. Ambitious, confrontrational, and very well acted films that rely on theme and character and ideas are jawdroppers for me in a way that explosions, stunts, and visual effects innovations almost never are. But ambitions and soulful actors can only take you so far when fundamental flaws get in their way.

It's best to see Compliance cold (as I did) with no knowledge of its subject matter. Unfortunately it's almost impossible to talk or write about without giving its game away which is why it's a tough sell (it's made $111,000 in limited release) though it's gripping enough should you buy a ticket. So read on at your own risk...

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