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The Film Experience™ was created by Nathaniel R

 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | instagram | letterboxd | deviantart 

 

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Which screenplays are most quotable?

"Inside out FTW. 'I loved you in Fairy Dream Adventure Part 7. Okay bye. I love you!'" - Teppo

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Entries in moonrise kingdom (20)

Saturday
Dec262015

Interview: The Discipline and Humanity of "Bridge of Spies" Costume Design

Mark Rylance and Spielberg on the set of "Bridge of Spies"Costume Designers are among the great unsung heroes of the cinema, regularly helping actors to define their characters and directors to create those images audiences get lost in. The latter achievement comes in tandem with the other creatives most connected to the mise-en-scène, the cinematographers and the production designers. It's perhaps not surprising that when you sit down with the behind-the-scenes professional they are often disarmingly modest, used to serving and enhancing the vision of the director. General moviegoers might not know their names but cinephiles, critics, and industry professionals are wise to learn and love them for the unique contributions they make to fine movies. 

I recently had the opportunity to speak with the Polish designer Kasia Walicka-Maimone, who designed two high profile projects this year: Scott Cooper's gangster drama Black Mass and Steven Spielberg's cold war drama Bridge of Spies. The latter was her first collaboration with Spielberg but the designer is no stranger to auteurs. She's worked with Wes Anderson (Moonrise Kingdom) and Mira Nair (Amelia) and is best known for her work with Oscar fixture Bennett Miller having costumed all three of his narrative features (Capote, Moneyball, Foxcatcher).

It's perhaps unsurprising, given the temperament of Miller's filmography, to find her disarmingly modest and low key and not all that excited about the more glamorous aspects of costume design. At one point she even gave your host, a self-confessed costume nut, a coronary with a casually dropped "I don't care about the costumes" though she quickly revived me with an interesting explanation of what she really meant.

See for yourself in our interview after the jump...

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Monday
Feb182013

Interview: Alexandre Desplat on Composing for "Argo" & "Zero Dark Thirty"

Matt here! Knowing my music background, Nathaniel asked me to speak with Alexandre Desplat for his fifth Oscar nomination. Desplat has composed scores for over 100 films including Fantastic Mr. Fox, The Curious Case of Benjamin Button, The King’s Speech, and The Tree of Life. This year alone, he wrote for Moonrise Kingdom, Rust and Bone, Rise of the Guardians, Zero Dark Thirty, and earned his latest Academy Award nomination for his work on Argo.

Desplat conducting his Rise of the Guardians score

Not only is Desplat impossibly prolific but he produces music of unprecedented diversity. Who could have guessed that the same man behind the jaunty storybook sounds of Fantastic Mr. Fox also wrote the cloudy chords at the end of Zero Dark Thirty? [more...]

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Friday
Feb082013

Dear AMPAS... Love, Team Experience

With the final Oscar voting commencing today -- can we still say "ballots going out" when this season has been so dramatically electronic? -- I asked Team Experience to write very brief notes to Oscar voters.

I'll start us off...

❝Dear AMPAS, Two Words: Emmanuelle Riva. Respect your elders and wish her a happy 86th birthday on February 24th (your 85th!). In your 85 years you've had plenty of impossible dreamgirls like Lawrence, rapidly ascending versatile stars like Jessica, and resilient fierce mamas like Naomi. But you've never given the prize to anyone like Emmanuelle. Do your own Best Actress legacy proud by switching it up and proving you're still free thinkers in your 80s! 
Yours always, for better & worse, Nathaniel

pleas for The Master, Zero Dark Thirty, Moonrise Kingdom and more after the jump...

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Friday
Jan182013

Best of the Year: Nathaniel's Top Ten

Previously: The Honorable Mentions

Often during the calendar-straddling list-making frenzy of "top ten season" a scene or a line of dialogue or even a whole film will refuse to dislodge itself from any internal conversation you may have with oneself about the year. That moment for me this year was Kylie Minogue's cameo late in Holy Motors when she arrives in a trenchcoat, like some lost Casablanca love, to sing:

Who were we. When we were. Who we were back then?

It'd be ineloquent bathos, too crudely and redundantly stated, if it weren't sung. But this heightened musical longing for a lost identity, lifts and soars with pathos instead. The year's best films kept reinforcing this most interior of questions as they wrestled with their past selves towards an uncertain future.

Nathaniel's Top Ten of 2012
From all movies screened that received US theatrical releases...

ZERO DARK THIRTY (Kathryn Bigelow)
Sony/Columbia. December 21st 

[SPOILERS FOLLOW] My favorite exchange in Mark Boal's dense script occurs between a government official and a CIA operative. "What the fuck does that mean?" "It's a tautology". I laughed at the wordplay in the film but wasn't expecting the widespread tautological eruptions that followed the film's premiere as everyone bent themselves into self-affirming pretzels to debate its portrayal of torture in the film's opening scenes as if there were only one way to look at the damn movie... as if torture were the only thing worth discussing about the film! To Zero Dark Thirty's credit, though I too was discomfited by its suggestion that torture yielded useful intel, there's nary a comfortable or pandering moment in the film. Like The Hurt Locker before it, ZDT attempts something like an apolitical stance though how successful that is (or ever can be) will be left to each viewer to decide. In my mind, Bigelow doesn't suggest that you're meant to enjoy torture or even embrace the mission's success, exactly...

more on Zero Dark and 9 more triumphs after the jump...

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Tuesday
Jan152013

Tues Top Ten: The Year in Dance Scenes

Michael C. here. Over at Serious Film I've been handing out awards for 2012, but when I tried to name the dance scene of the year I realized 2012 was too packed with great contenders to choose only a single champion. So here is a more comprehensive list of the best scenes where characters couldn't fight their dancing feet.

Honorable Mentions

I consider Holy Motor's accordion scene more parade than dance otherwise it would surely top this list. Likewise I don't know quite how to classify Philip Seymour Hoffman's disturbing performance during The Master's nude party fantasy although it certainly impossible to forget. As for Magic Mike all the movie's dance scenes blended together in my memory, so maybe some Ladies of Tampa can enlighten me in the comments as to which one was the standout. 

 Top 10 Dance Scenes of 2012 

10. Take This Waltz 
I wasn’t as in love with this infidelity drama as many were, but it had a handful of great scenes where I could see what everybody else was so excited about. The finest was a house party where the secret life of Michelle Williams’ character threatens to spill out into public view on the dance floor to the tune of Feist’s terrific cover of Leonard Cohen’s Closing Time. 


9. Silver Linings Playbook (and 8 more films after the jump)

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