Meryl Streep, Collecting Our Hearts For Decades

It's always staggering to really stop and breathe in the whole of her career, how long this screen giant has wowed and wooed us. Consider that in 1980 (I nabbed this old pic to the left from the wondrous Simply Streep site), she already had an Oscar and the world was already in love with her! And that was just the very beginning.

There have been bumpy patches in the marriage between audience and star, as there are in all relationships, but for the most part we've all lived happily ever after with Mary Louise Streep (Gummer). The moviegoing public, both domestic and international -- and probably even intergalactic if alien cultures have been observing our screens and stages -- has remained hopelessly besotted with Meryl since the late 1970s when she first sprang up, fully formed, an instant movie star.

Today is Meryl's 62nd birthday and she's been famous for just over half of those! We ♥ her.

Many movie stars peak just as they ascend (sad but true) and are defined by one to three (if they're lucky) signature roles. The beauty of Meryl's career is that she simply refused to peak. It's like she wasn't climbing any mountains of stardom but just floating above us all, serenely. Ironically, given her chameleon reputation, the world's most acclaimed actress's signature role is actually MERYL STREEP.

Here's a video The Film Experience crafted for her 60th birthday... time to share it again!

The eighth wonder of the world.

Haiku for Nicole

For Nicole Kidman on her 44th birthday...

Oh Sparkling Diamond
bewitching bohemians and
moviegoers, too.

Your breakthrough triumph
"She sings! She dances! She dies!"
Still thrills us. But then...

Grace with figurines
Anna at the opera
Suzanne on TV

Margot's chilled wine
Virginia's "violent jolt"
Becca with her grief...

These conjured women!
We would give you ten Oscars
Were they ours to give.

Your turn. If that 5/7/5 rhythm is too much effort this morning... feel free to compose a limerick or a simple rhyme.

Moulin Rouge! (2001), The Hours (2002), Birth and Dogville (2004), To Die For (1995), Margot at the Wedding (1997), Rabbit Hole (2010)

Twins

Lets get together yeahyeahyeah ♫ think of all that we could sha-areI had such a great birthday yesterday. Thanks to everyone who sent virtual or telepathic happy day wishes. And thanks to all of you who liven things up here everyday with your presence and comments. Today I was thinking about twins, as its a Gemini thing. (Happy birthday to all Gemini readers!) I always wanted a twin and my favorite movie as a little kid was The Parent Trap.

Which movie star do you most wish had a twin?
Why? I mean besides the obvious reason: There'd be twice their wonderfulness around.

I Dream Of Dali

May Flowers In Bloom

JA from MNPP here. Today would've been the 107th birthday of the flower man-child seen above, Salvador Dali. While he's best known as a painter - the melting clocks, the over-abundance of inappropriately-placed eyeballs - he of course made several well-known and loved contributions to the cinema too. And no, not just that movie with Robert Pattinson doing the gay stuff uncomfortably. Where would we be without Un Chien Andalou's edit from a razor at a woman's face to a cloud slicing through a moon?

He and Luis Buñuel wrote that script in a cafe in 1929 while Buñuel directed; they would go on to work together on L’Âge d’Or the next year, where they supposedly had a falling out over some of the anti-clerical content in the film, which was an attack on religion and politics alike. And so a pattern was set - it seems every time Dali tried to jump into film-making, difficulties would follow. In 1945 he was brought on board the contentious set of Alfred Hitchcock's film Spellbound by producer David O. Selznick; Hitch and Selznick were not getting along. Hitch had nothing to do with its shooting at all, but Dali shot a twenty-minute dream sequence for the film. It eventually got edited down to under three minutes, and you can see it here.

It's easily the most interesting part of one of Hitch's least interesting films. Then in 1945 Dali and Walt Disney attempted to work together on an animated film called Destino, but budget concerns canned that effort before it even got off the ground. 17 seconds were made. That effort did have a somewhat happy ending though, because Roy Disney picked up the project 58 years later and finished it as best as they could using Dali's storyboards. It was released for the first time as an extra on the Fantasia BluRay just last year. You can watch it over here.

Ryan O'Neal 70th's Birthday

Alex aka BBats here. It’s Ryan O’Neal’s 70^th birthday today! He’s always been one of my favorite actors. In a few great movies, he showed incredible range and unbelieveable charisma.  After a few years of doing guest roles on television, O’Neal became a bankable star after Peyton Place's popular run. The Big Bounce (1969) was his first starring role in a film, but he’ll be remembered as bursting through to superstardom for Love Story (1970). 

Everyone’s seen Paper Moon (1973) and everyone should watch it again. (Its streaming on Instant Netflix, so no excuses!)  His collaborations with Peter Bogdonavich coincide with the peak of his career.  Look at his filmography in the 1970’s. It is an amazing assembly of films!  

I must confess that I still haven’t seen Stanley Kubrick's Barry Lyndon (1975).  I have a firm belief that one day some repertoire movie theater will screen it in 70mm (a man can dream, can’t he?). 

poll by twiigs.com

Go watch The Big Bounce, The Driver, What’s up Doc?, Nickelodeon, Wild Rovers, or any of his films.