Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

Follow TFE on Substackd

Powered by Squarespace
Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe

Entries in box office (547)

Sunday
Nov272011

Box Office: No Turkeys at the Box Office, Unless You Count Gonzo.

...but he's less a bird than bird-like. It was a genuinely happy Thanksgiving chez moi (so much fun and good food) and I hope it was for you, too. Did you hit the movie theater? Most of the newbies and the holdovers did solid business despite abundant competition.

Kings and Queens of the Thanksgiving box office

Box Office (U.S.) Baker's Dozen -Estimates

01 THE TWILIGHT SAGA: BREAKING DAWN PART 1 $42 (cum $221.3)
02 THE MUPPETS new $29.5 (cum $42)
03 HAPPY FEET TWO $13.4 (cum. $43.7)
04 ARTHUR CHRISTMAS new $17
05 HUGO new $11.3 [Scorsese & Team] (cum $15.3)
06 JACK AND JILL $10.3 (cum. $57.4) 
07 THE IMMORTALS $8.8 (cum. $68.6) 
08 PUSS IN BOOTS $7.4 (cum. $135.3)
09 TOWER HEIST $7.3 (cum. $65.3)
10 THE DESCENDANTS $7.2 [Michael's review] (cum. $10.7)
11 J EDGAR  $4.9 [Nathaniel's review] (cum $28.8)
12 MY WEEK WITH MARILYN new $1.7 [Nathaniel's review] (cum. $2.0)
13 A VERY HAROLD AND KUMAR CHRISTMAS $1.6 (cum. $31.6)

Talking Points
The Artist (review) and A Dangerous Method (review) both opened in very limited release on the coasts to strong per theater response, each earning almost a quarter of a million in their first weekend. Both are undoubtedly hoping for year end kudos to boost interest as they expand. The Artist in particular will be an interesting case because  

Martha Marcy May Marlene (review) and The Skin I Live In, two of the year's most provocative films, acquitted themselves well but are sadly already fading after $2 ½ million.. so they didn't quite cross over in a larger way.

•  Arthur Christmas suffered the most from the glut of family film programming but it didn't have the name brand of Scorsese or The Muppets to push it through. Next weekend should tell us more about how it will fare word-of-mouth wise.

Thursday
Nov242011

Happy Turkey (and Muppets) Day

Marilyn Monroe and TurkeyWe've been watching the Macy's Parade while cleaning / cooking and there has literally yet to be a musical number from Broadway that's NOT movie-based as I type this. Should've live-blogged and talked Sister Act, Spider-Man, Priscilla, How To Succeed, Newsies and more... Broadway is basically movies on stage now, with a special emphasis on 1990s comedies.

Meanwhile at the multiplex, it won't just be turkeys slaughtered for today's festivities. In Hollywood's infinite wisdom, three showbiz-centric movies for adults must open simultaneously (The Artist, My Week With Marilyn, Hugo) and three movies children might like (Hugo, The Muppets, Arthur Christmas ...two of which are obviously for adults) must open in direct competition as well. There probably won't be enough dollars to go around which is sad because the same ticket buyer might well like all of those movies. On balance, this is an absurdly high quality crop, not one, well, turkey in the batch [Disclaimer: Arthur Christmas is the only one I haven't seen but I hear good things.] 

If all five of those newly released options weren't enough, Oscar maniacs can also sample The Descendants (expanding) and, in NY & LA, A Dangerous Method and Rampart. In case you haven't been keeping up and since we're hosting a big dinner, here are past thoughts...

THE ARTIST ~ review | all posts | best pic race | interviews soon
MY WEEK WITH MARILYN review | more Marilyn on the way
HUGO  ~ the filmmakers speak | work in progress thoughts |  all 
A DANGEROUS METHOD ~ several reviews from our team
RAMPART - all posts | best actor race 

As for THE MUPPETS... I didn't have time to review the new film before guests started arriving but I'd love to hear your thoughts. I found it quite uneven even within both of the narratives. The Muppet reunion brand relaunch is what I came to see and the nostalgia factor there worked like a charm. But individual scenes didn't always sparkle and I wanted more funny performances and less story beats. Meanwhile the musical comedy factor seemed to fall mostly to the Jason Segel / Amy Adams / "Walter" coming-of-age storyline which I liked much more than I was expecting to -- great sight gags in the beginning and Amy Adams could not be a better fit for the Muppet world -- until I didn't. By the time the three of them met The Muppets I was over it because... THE MUPPETS; stop distracting me from them! So my reaction was all over the place and far more colored by my own childhood fixations rather than the movie itself. But if you grew up loving The Muppets it's a total must-see. I recently rented the DVDs of the original series and it is crazy enjoyable -- like giddy-smile making -- just as we all remember. In fact, after watching three episodes back to back I think TV needs a relaunch of The Muppet Show more than the movies need the muppets. Variety shows are sort of back given the plethora of performance competitions but the variety has gone out of them as they are the same thing over and over again, whether that's contemporary pop karaoke or dancing.

One of the new songs "Life's a Happy Song" (Bret McKenzie --yay!) is a total charmer and should give the felt fuzzy group their fourth music-related Oscar nomination (the first three films all won one nomination in Song or Score categories.)

 

Do your Thanksgiving plans include movies? Have you seen The Muppets yet?

Sunday
Nov202011

Box Office: Bella Marries but We're Totally Team George

Twi-hards RSVP'ed to their beloved franchise's wedding, giving Twilight's fourth film a box office weekend as bloated as its romantic angst and running time. George Clooney's Oscar bid (aka The Descendants) also saw very enthusiastic attendance. It's only in 29 theaters and still managed to crack the top ten (!), suggesting a future all lucrative like the family's in the movie (who happen to own gazillions worth of Hawaiian real estate).

Box Office (U.S.) Top Ten -Estimates

01 THE TWILIGHT SAGA: BREAKING DAWN PART 1 new $139.5
02 HAPPY FEET TWO new $22
03 IMMORTALS $12.2 (cum. $52.9)
04 JACK AND JILL $12 (cum. $41)
05 PUSS IN BOOTS $10.7 (cum. $122.3)
06 TOWER HEIST $7 (cum. $53.4)
07 J EDGAR new $5.9 [review] (cum $20.6)
08 A VERY HAROLD & KUMAR 3D CHRISTMAS new $2.9 (cum $28.3)
09 IN TIME $1.7  (cum. $33.4)
10 THE DESCENDANTS new $1.2  (cum. $1.3)

One Final Talking Point
Remember when we were wondering if The Help (#11 of the year) could overtake Bridesmaids (#10) to land in the US top ten of the year? It's still trying. The Help is still in theaters (under 400) and is now just $900,000 behind the other female driven smash featuring poo jokes. The only similarly intense and weirdly close battle for yearly "rank" bragging rights is between Captain America (#8) and Rise of the Planet of the Apes (#9) with less than $300,000 separating their takes; no poo jokes unite them but they do share super serum injections.

What did you see this weekend? Or are you saving your pennies for the awesome cavalcade of pictures opening for Thanksgiving. So many goodies opening for the holiday.

Sunday
Nov132011

Box Office: Jack and Jill Went Up the Till...

Tarsem Singh's muscley superhero dieties may have topped the box office charts but you could say that the big stars of the weekend were Jack & Jill twice over. Perversely interpreted fairy tale "Jack & Jill" (as voiced by Billy Bob Thornton and Amy Sedaris) from Puss in Boots and twinned Jack and Jill as "acted" by Adam Sandler in Jack and Jill together grossed over $50 million. Jack & Jill is getting the maximum critical bile a movie can get but Sandler remains critic proof; his movies always open. 

Jack & Jack and Jill & Jill

Clint Eastwood's J. Edgar (reviewed) opened fairly well for a long obviously dour drama -- DiCaprio & Eastwood both being bankable draws -- but it's true test will be in the next few weeks. Can it stick a landing after the non-emphatic box office and confusing critical reception, the latter which could be likened to a shakycam... it's all over the place!

Box Office (U.S.) Top Ten -Estimates
01 IMMORTALS new $32 
02 JACK AND JILL new $26
03 PUSS IN BOOTS $25.5 (cum. $108.8)
04 TOWER HEIST $13.2 (cum. $43.9)
05 J EDGAR new $11.4 [review]
06 A VERY HAROLD & KUMAR 3D CHRISTMAS new $5.9 (cum $23.2)
07 IN TIME $4.1  (cum. $30.6)
08 PARANORMAL ACTIVITY 3 $3.6  (cum. $100.8)
09 FOOTLOOSE $2.7  (cum. $48.8)
10 REAL STEEL $2.0  (cum. $81.7)
11 MONEYBALL $1.1 (cum $71.8) [review]
12 COURAGEOUS $1 (cum $31.5)
13 THE IDES OF MARCH $.9 (cum $38.3)

Limited Release
Sundance darlings Martha Marcy May Marlene (which we've been obsessing over and riffing on) and Like Crazy both earned another ½ million each with sizeable expansions. The Brazilian Oscar submission Elite Squad the Enemy Within had the week's third highest per screen average.

The highest per screen average when to Lars von Trier's Melancholia which grossed a quarter of a million in its first real weekend though it's release strategy has been... bizarre (what with the Oscar qualifying -- we understand it had one? -- and then a VOD release preceeding this theatrical release. 

What did you see this weekend?

If you saw Jack and Jill did you feel unclean afterwards?

If you saw Immortals do tell... I didn't get around to it but am curious... given the visuals in Tarsem's The Fall

Sunday
Nov062011

Box Office: Antonio Ascends Again

Puss in Boots is officially a big deal. The seductive cat dropped only 3% in his second weekend which is as miraculous as having nine lives, since 40% drops are far more common. That indicates amazing word of mouth (though Shrek-like totals might be hard to come by since it grossed do much less than those films on opening weekend). Even if Shrek totals are out of reach the orange tabby has successfully managed a spin-off franchise and could be heading for an Oscar nomination.

Antonio Banderas and Friends

Box Office (U.S.) Top Ten -Estimates
01 PUSS IN BOOTS  $33 (cum. $75.5)
02 TOWER HEIST new $25.1
03 A VERY HAROLD & KUMAR 3D CHRISTMAS new $13.1 
04 PARANORMAL ACTIVITY 3 $8.5  (cum. $95.3)
05 IN TIME $7.4  (cum. $24.2)
06 FOOTLOOSE $4.5  (cum. $44.8)
07 REAL STEEL $3.4  (cum. $78.8)
08 THE RUM DIARY $3 (cum. $10.4)
09 IDES OF MARCH [capsule] $2 (cum. $36.8)
10 MONEYBALL [review] $1.9 (cum $70.3)

Talking Points
• In limited release, according to IndieWire, Like Crazy is tracking slightly ahead of Martha Marcy May Marlene at a similar juncture in its limited release but both films have essentially made good on their Sundance promise with solid starts in movie theaters. Martha, which just crossed the million mark, gets a major expansion next weekend, opening in 45 additional markets. "Do not miss it," commandeth Nathaniel!

The Skin I Live In also just crossed the magic million mark making this a very good weekend for Puss himself Antonio Banderas, whether in Boots with sword or in lab coat with scalpels. Banderas has always had a way with sharp instruments (See also: Zorro).

WHAT DID YOU SEE THIS WEEKEND?