Oscar History

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Entries in box office (261)


What did you see this weekend?

With only Krampus as a new wide release this weekend was a repeat of Thanksgiving weekend with The Hunger Games, The Good Dinosaur and Creed leading the way at the multiplex and Oscar hopefuls like Carol doing good business on a miniscule amount of screens. Spotlight and Brooklyn -- which are both looking lockish for Best Picture nominations -- continue to reap the benefits of great word-of-mouth audience response.

"Um, why am I in Krampus?" -Toni Collette to her agent, probably.

(Dec 4th-6th)
01 Hunger Games 4 $18.6 (cum. $227)  Hunger Games & Oscar
02 Krampus $16 *new* 
03 Creed $15.5 (cum. $65.1) Review & Oscar Possibilities
04 Good Dinosaur $15.5 (cum $75.9) Review
05 Spectre  $5.4 (cum. $184.5)  Review
06 The Night Before   $4.9 (cum. $31.9) 
07 The Peanuts Movie  $3.5 (cum. $121.4)
08 Spotlight $2.9 (cum. $16.6) First Impression & SAG Ensemble Predix
09 Brooklyn $2.4 (cum. $11.2) Review, Saoirse & Best Actress
10 Secret in Their Eyes $1.9 (cum. $17.2) 

With BFCA's "Critic's Choice" ballots going out tomorrow and a handful of critics organizations voting this weekend, I've been struggling to catch up / wrap up but in truth I am always quite behind at this point. And I get distracted by my pets... like seeing Carol twice this weekend. Oops. By my count there are 27 titles that I had hoped to see that I still have to squeeze in during the busiest month of the year and of course the rewatches I'd hoped to do before drawing up the top ten list. If I get to half of this by Christmas it'll have to be considered an enormous success. The Glut! The Glut!

What did you see this weekend? Are you struggling to keep up?


What you saw this long holiday weekend. Survey says...

What did you see this weekend? I didn't hit theaters since I was travelling but I finished Jessica Jones (which really improved as it went along) and screeners gave me a second shot at Steve Jobs (Fassy & Kate are just as big a "wow" as they were the first time) and a first go at Straight Outta Compton. In the next 24 hours The Revenant and Joy hit my eyeballs. Here's hoping for the best.

(Nov 27th-29th)
01 Hunger Games 4 (4,175 screens) $51.6 (cum. $198.3)  Hunger Games & Oscar
02 The Good Dinosaur (3,749 screens) $39.1 new (cum. $55.5)
03 Creed (3,404 screens) $30.1 new (cum. $42.6) Review
04 Spectre (2,940 screens) $12.8 (cum $176) Review
05 The Peanuts Movie (3,089 screens) $9.7 (cum. $116.7) 
06 The Night Before (2,960 screens) $8.2 (cum. $24.1) 
07 The Secret in Their Eyes (2,392 screens) $4.5 (cum. $14)
08 Spotlight (897 screens) $4.4 (cum. $12.3) First Impression
09 Brooklyn (845 screens) $3.8 (cum. $7.2) Review, Saoirse & Best Actress
10 The Martian (1,420 screens) $3.3 (cum. $218.6) Podcast 
11 Love the Coopers (1,867 screens) $3 (cum. $20.4)
12 Victor Frankenstein (2,797 screens) $2.3 new (cum. $3.4)

With the dismal opening of Victor Frankenstein (Fox) paired with the muted response to Crimson Peak (Universal) do you think Universal is getting worried about their classic movie monster multiverse plans? Today's audiences maybe don't have a yearning for the gothic flavors of more old school horror?

Apart from Frankenstein and his monster, it was a fairly happy weekend for distributors: Hunger Games 4 held stronger in its second weekend than Hunger Games 3 (I refuse to do this "part 1 and part 2" padding bullshit anymore);  Creed, which was smartly produced on a non gargantuan budget, supposedly made back its budget in its first (holiday) weekend; Spectre is holding well for a Bond film (anyone expecting a repeat of Skyfall's anomalous numbers was insane); even The Good Dinosaur, which opened weak as Pixar films go, shows promise since the audience reaction was very positive and it has no direct competition in the next few weeks.

As for the suspected Oscar contenders things are continuing to look very golden for both Spotlight and Brooklyn which are expanding very well and should be peaking at just the right time for Oscar love. With Carol and The Danish Girl, though, it's probably too early to tell since they're only on four screens each and competition is fierce and will continue to be (as it always is in November/December) for their target demographic.


Box Office: Katniss Reigns (Softly) While Spotlight Gains

[Whistles Katniss theme]

As expected Katniss and her unmerry band of rebels dominated the weekend box office as The Hunger Games franchise finally wrapped up. Though this is the softest opening yet for the franchise it's not soft enough to end Hollywood's love of splitting final chapters into two for no good narrative reason so the trend will obviously continue for now. (sigh). I personally have no real ill will for this franchise  (it's okay but I bowed out after the second film -- just too dull for my personal tastes) but The Film Experience does have official stance ill will for franchise decisions that no reasonable trustworthy person could ever claim were based on anything other than milking more money from fans. "Event" showbiz is fun but the first priority really should be to the generous fan bases of serial cinema -- Hollywood owes fans good storytelling, not padding to take more of their paycheck once you've hooked them. You're not drug dealers, movie studios, you're showmen! Putting on a great show needs to be your priority. Hopefully the upcoming slate of finale splitting franchises fail in much more embarrassing / decisive ways so -- Hollywood deserves the wrist-slapping.

(Nov 20th-22nd)
01 Hunger Games 4 (4,175 screens) $101 new Hunger Games & Oscar
02 Spectre (3,659 screens) $14.6 (cum. $153.7) Review
03 Peanuts Movie (3,671 screens) $12.8 (cum. $98.9)
04 The Night Before (2,960 screens) $10.1 new
05 Secret in Their Eyes (2,392 screens) $6.6 new
06 Love the Coopers (2,603 screens) $3.9 (cum. $14.8) 
07 The Martian (2,086 screens) $3.7 (cum. $213) Podcast
08 Spotlight (598 screens) $3.6 (cum. 5.8) First Impression
09 The 33 (2,452 screens) $2.2 (cum. $9.9)
10 Bridge of Spies (1,532 screens) $1.9 (cum. $65.1) Review, Tom Hanks
11 Goosebumps (1,787 screens) $1.7 (cum. $76) First Impression
12 Brooklyn (113 screens) $1.1 (cum. $2.1) Review, Saoirse & Best Actress
13 Hotel Transylvania 2 (828 screens) $.7 (cum. $166.4) on director Genndy Tartakovsky
14 Prem Ratan Dhan Payo (283 screens) $.6 (cum. $3.9)
15 Suffragette (517 screens) $.5 (cum. $3.5) Carey's Performance, Review

Among the limited releases Spotlight and Brooklyn had the strongest per screen totals. Hopefully they'll stay strong in wider release since at heart they're quite accessible entertainments and it's infinitely depressing that anything non-genre that aims for adult audiences and quality these days is automatically viewed as "specialized" in its appeal. Room, a much trickier sell than either of those premise-wise is having a tougher time expanding but if the A24 Best Picture hopeful can hold out until top ten lists and awards noms give it some extra juice it should do well. It's already gathered a reasonable $2.8 million in its first month or so in release.

In extremely miniscule release Todd Haynes's latest masterpiece Carol earned a robust quarter million on just 4 screens... though in rather frustrating news it seems to be sticking to its originally aborted release date (opposite Star Wars) in terms of when it will show up in a lot of sizeable markets and won't be in some other smaller markets until Christmas day and beyond. In short: we're not sure when to schedule our proposed Carol week since it's going to take forever for many of you to see it. We feel your pain; you don't deserve the torturous wait.

What did you see this weekend? 
I had a homebody weekend looking at screeners for Black Mass (for the first time), Truth (again), and the first half of Jessica Jones (Netflix).


Box Office: Bollywood Hoopla

Amir here, with the weekend’s box office report. As predicted last week, the top two films didn’t change at the high end of the pile. Spectre is doing impressive enough business in the US, but its record-breaking haul in China was the real gain. The total worldwide gross of the film surpassed the half billion-dollar mark. There were four new wide releases, three of which landed in the top ten and, embarrassingly, I hadn’t heard of a single one of them before sitting down for this column, so let’s give each a crack.

Love the Coopers, is a family Christmas comedy, and because all mentions of Christmas in November should be banned, we’ll skip over it—it was right behind The Peanuts Movie in third place. The 33, the Antonio Banderas-led film about Chilean miners did as well as a film about such a dark—literally and figuratively—tragedy can do. The real story, however, is India’s Prem Ratan Dhan Payo. It’s an open secret that Bollywood films do really well without significant advertising, but this one is doing even better than usual. Already having the best opening of all time for a Bollywood film in India in the bag, where it opened on the 4-day Diwali weekend, Salman Khan and Sonam Kapoor’s newest venture has the best opening weekend for an Indian film in the UK and one of the top five best in the US.

The Weekend's Top 5
Spectre $35.4m (cum. $130.7m)
The Peanuts Movie $24.2m (cum. $82.4m)
Love the Coopers $8.4m (new)
The Martian $6.7m (cum. $207.4m)
The 33 $5.8m

On the limited side of things, Angelina Jolie’s By the Sea grossed a dismal $9k per screen—it’s a shame; this film looks gorgeous—and James White, one of the under the radar gems at this year’s TIFF fared slightly better, but it’s hard to gauge its success given it’s only playing on one screen.

What did you see this weekend? Are you excited to see Prem Ratan Dhan Payo?


Box Office: The Winner Is Bond... James Bond

Amir here, with the weekend’s box office numbers. The fourth Bond turn by the sexy but no longer enthusiastic Daniel Craig predictably ruled the weekend, scoring the franchise’s second highest opening weekend gross of all time. The highest number belongs to Skyfall, of course, and there was never any chance, with cooler reviews and less general excitement, that Spectre was going to break the series’ record. All things considered this is a great success for everyone involved.

Box Office Top 5
new Spectre $73m
new The Peanuts Movie $45m
The Martian $9.3m (cum. $197m)
Goosebumps $6.9m (cum. $66.4)
Bridge of Spies $6m (cum. $60)

The Peanuts Movie came second and, again, the numbers can be considered successful when one considers the younger generation’s emotional distance with these characters. Both Spectre and Peanuts have another week to spend at the top before their competitions arrive in the form of The Hunger Games and The Good Dinosaur.

New Limited Releases
Miss You Already
Trumbo $77k
Peggy Guggenheim Art Addict $22k
In Jackson Heights $15k
Theeb $7k

On the limited side of the releases, Oscar hopefuls Spotlight, Brooklyn and Trumbo all entered the fray. Spotlight has the weekend’s highest per theatre average, which certainly isn’t too shabby for a film many are already considering the frontrunner. Whether these numbers can translate to success when the film goes wide remains to be seen. Meanwhile, Steve Jobs continues its lacklustre run. Is it just too soon for people to be interested in a biopic about him?

What did you see this weekend?


The Martian has sturdy legs. Other Oscar contenders are wobbling.

It was a rough box office weekend for any movie that wasn't The Martian or Bridge of Spies, both of which are obviously holding audiences enthralled given their minuscule drops from last weekend (that always equals: word of mouth). In fact, The Martian even got a nifty new poster for its week long run in IMAX theaters. Why it's only getting a week and only now is confusing but it is apparently so? The Martian will be the 8th top grosser of 2015 any second now and then will set its sights on toppling Mission: Impossible - Rogue Nation and Cinderella though the top five of the year will remain well out of reach. The lowest grosser among the curren top five is Minions with over $334 milllion in its US coffers and with Star Wars and The Hunger Games still to come in 2015 this is going to be a very high grossing box office year...  for the top films at least.


Click to read more ...


Bridge of Martian Spies with Crimson Goosebumps

Family movies continue to be a fairly safe bet for box office glory as Goosebumps took the top spot despite an extremely competitive weekend. Perhaps its secret was that it had no direct competition except for the month old animated picture and, vaguely if you're stretching, the new del Toro picture. People are calling Crimson Peak a flop but that's unduly harsh. With a budget of only $55 million he didn't overspend and, despite media's interest in him, and expectations always saying otherwise he's never been a mainstream director. His biggest hit Pacific Rim certainly didn't earn more than double the gross of any of his other pictures globally because it was awash in del Toro idiosyncracies. It was a straight up, giant robots fighting monsters movie and easy to mistake for Transformers vs Godzilla if you squinted.

Box Office charts and more on the new films after the jump...

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