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Entries in box office (334)

Sunday
Apr302017

Box Office For Those Who Can Read...

by Nathaniel R

Since this weekend's box office results are just too dull to report on (April has been seriously lacking in new mainstream movies of worth) let's swerve over to the arthouse for this weekend's box office chart. And this gives us an excuse to talk about the the underdiscussed auteur François Ozon, too. D'accord? Which foreign language films have been most popular with US moviegoers in the first third of the year?

TOP FOREIGN LANGUAGE FILMS RELEASED IN 2017
(numbers as of April 30th, some of these are still in theaters)

01 Baahubali 2: The Conclusion (India) $10.1
A sequel to the 2015 epic about ancient India. 

02 Your Name (Japan) $4.2
Many people thought this should have been nominated for the animation feature Oscar last year -- from my understanding it's being shown in both English dub and in subtitled versions though I'm not 100% confident about this understanding.

⇱ 03 Raees (India) $3.2
Shah Rukh Khan continues to be a very reliable Bollywood draw. His latest is about a bootlegger in Guajarat...

Click to read more ...

Sunday
Apr232017

What did you see this weekend? I caught a masterpiece!

This weekend saw several new films hitting theaters including the trashy Unforgettable (reviewed), the epic The Promise, and Ben Wheatley's Free Fire (reviewed). Apart from the Disney Nature documentary Born in China and the almost-wide expansion of last week's newbie The Lost City of Z, none made much of an impact with moviegoers, as the holdovers just won't quit filling theaters. Boss Baby and Going in Style, for example, only dropped 20% in their 4th and 3rd weekends respectively.

I spent the weekend hitting the Tribeca Film Festival (our reviews have already begun) but the highlight by far was the rare opportunity to see Lina Wertmüller's Seven Beauties (1975) which is best known to Oscar buffs as the first instance of a woman being nominated for Best Director. The film was more amazing than I was prepared for. We're talking a tonally daring, politically charged, sexually crazed, harrowing and hilarious World War II movie. Most movies don't even have 10% of its verve and personality. I was riveted from the first frame to the last and if you ever have a chance to see it (or live in NYC) you'd be insane to pass it up. I'm going to try to hit at least one or two more Wertmüller movies while the series is running at NYC's newly renovated Quad cinema. 

What did you see this weekend? 

TOP WIDE (800+ theaters)
01 Fate of the Furious $38.6 (cum. $163.5) Ranking the Franchise
02 Boss Baby $12.7 (cum. $136.9) Review
03 Beauty & the Beast $9.9 (cum. $471) Review
04 Born in China $5.1 NEW
05 Going in Style $5 (cum. $31.7) 

TOP LIMITED 
01 The Lost City of Z $2.1 (cum. $2.2) 614 screens Review 
02 Colossal $584k (cum. $1.3) 224 screens Review
03 Their Finest $555k (cum. $1.1) 176 screens
04 Norman $136k (cum. $272k) 18 screens
05 T2 Trainspotting $80k (cum. $2.2) 160 screens

Sunday
Apr162017

Box Office: "Get Out" Won't and "Fate of the Furious" Grows

Get Out, now in its 8th weekend, just refuses to enter the sunken place i.e. the lower echelons of the box office charts. That's a long run already with enormous returns ($183 million worldwide on a $4.5 million budget? It's what all scrappy films dream of!)

But the story of the weekend was the return of the Fast and Furious franchise with film #8 The Fate of the Furious. It grossed an estimated $100 million out of the gate which is significantly lower than its previous Paul Walker farewell entry. But don't cry for it. $100 is still a big big opening weekend and its foreign gross quadruples the American haul so it's already broke a half billion in that first weekend. If the estimates hold it will just barely edge out The Force Awakens as the biggest global opening ever.  I'll just be over hear pretending that that $100 million in the US is audience excitement about Charlize Theron wreaking havoc because we love that badass bitch. The charts are after the jump...

Click to read more ...

Sunday
Apr092017

What did you see or Smurf this weekend? 

The weekend's biggest new film was Smurfs: The Lost Village... which probably says all you need to know about this mini Spring lull between blockbusters (another Fast & Furious is next).

Audiences weren't of one hive mind with people going to see a little of everything, though The Boss Baby and Beauty and the Beast still dominated as they did last weekend. Beauty and the Beast has been so dominant already that it will surely end the year as the second or third highest grosser. For comparisons sake, if you throw it back into last year's calendar, it would be #3 behind Rogue One and Finding Dory and ahead of Captain America: Civil War...

Click to read more ...

Sunday
Apr022017

Bossy Babies & Ghostly Shells at the Box Office

What did you see this weekend?

I caught the three top new titles and we'll share feelings about them over the next few days along with reactions to tonight's forthcoming Feud and Big Little Lies episodes. So much to talk about. It's going to be a big week at The Film Experience, so stay tuned and return often.

TOP WIDE
01 The Boss Baby $49 new
02 Beauty & The Beast $47.5 (cum. $395.4) Review
03 Ghost in the Shell $19 new
04 Power Rangers $14.5 (cum. $65)
05 Kong Skull Island $8.8 (cum. $147.8)  Review

TOP LIMITED 
01 The Zookeeper's Wife $3.3 new 541 screens
02 T2 Trainspotting $400K (cum. $1.1) 140 screens
03 The Devotion of Suspect X $330K new 43 screens
04 The Last Word $212K (cum. $1.4) 289 screens
05 Kedi $165K (cum. $2) 105 screens Review 
06 Personal Shopper $159K (cum. $791K) 150 screens Review

That's a good start for The Zookeeper's Wife which risked a nearly-wide opening despite not being "bankable" in the current ways (i.e. not being an animated comedy or franchise-oriented or effects driven). 

A lot of people online have been gleeful about Ghost in the Shell's lukewarm start (given the controversies over whitewashing Asian stories) but we're rarely gleeful about failure considering Hollywood often learns the wrong lessons from it. We would love casting to be more racially appropriate -- we've been shouting about giving Asian actors more roles forever here at TFE -- but we would also really love ambitious provocative sci-fi pictures and female-driven genre pictures to do well and knowing Hollywood they'll probably blame the failure on "too female" and "not enough action" rather than the more optimistic takeaway that the internet is pushing, i.e. "people want Asian leads in Asian stories"

Sunday
Mar262017

What did you see this weekend?

Beauty & the Beast continues to be a cash machine for Disney Corp, already at nearly $700 million worldwide. Power Rangers fared the best of the new releases with a stronger than expected opening. Was that nostalgia driven or just people in the mood for campy schlock? My friends and I headed to the theater after a few drinks because we figured we shouldn't see it sober...

Click to read more ...

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