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Entries in box office (166)

Sunday
Jun152014

Box Office: Lord & Miller Slay the Dragon

Amir here with the weekend’s box office report. There was a huge surprise as How to Train Your Dragon 2, a critically acclaimed sequel to a massive box office success started at second place, a full $10m behind. Who’s the dragon slayer? Another critically acclaimed sequel to a massive box office success, 22 Jump Street. Still, despite the popularity of the first film and both Channing Tatum and Jonah Hill, few imagined the animated family option would fall behind the raunchy comedy, but so it is. This is all the more impressive considering the screen count of Dragon was one of the highest ever.

WEEKEND BOX OFFICE
01 22 JUMP STREET $60 NEW
02 HOW TO TRAIN YOUR DRAGON 2 $50 NEW
03 MALEFICENT $19 (cum. $163.5) Podcast
04 EDGE OF TOMORROW $16.1 (cum. $56.6) Capsule
05 THE FAULT IN OUR STARS $15.7 (cum. $81.7) Review

Still, despite the early receipts, I think the animated film will come out on top in the end, both because family films have better staying power and because competition in the next few weeks is non-existent. Of course, Lord & Miller, the filmmaking team behind the Jump Street franchise are no strangers to animation success. Earlier in the year, they opened The LEGO Movie to a $60m-plus opening as well; a double achievement that I believe is unique for any director in one calendar year. Correct me if I’m wrong on that count.

The top five list is rounded out with Maleficent, the unfortunately underselling Edge of Tomorrow and The Fault in Our Stars. Further down the list, The Rover, which played Cannes in May opened to respectable numbers on five screens – it had the second best per screen average of the weekend after Jump Street. (Glenn reviewed The Rover here.)

I haven’t yet seen any of the above films, because, Football people! Football! It’s the World Cup and the World Cup trumps all. What have you watched this weekend?

Sunday
Jun082014

Box Office Haiku: The Fault in Cruise's Budget

Cancer romance tops
Critics loved expensive "Edge"
Maleficent's legs!

Mutants or Monsters - 
What did you see this weekend?
Time for Tonys. Bye!  

WEEKEND BOX OFFICE
01 THE FAULT IN OUR STARS $48.2 NEW Review
02 MALEFICENT $33.5 (cum. $127.3) Podcast
03 EDGE OF TOMORROW $29.1 NEW
04 X-MEN: DAYS OF FUTURE PAST $14.7 (cum. $189.1) Review
05 A MILLION WAYS TO DIE IN THE WEST $7.1 (cum. $30) Guest Review
06 GODZILLA $5.9 (cum. $185) Review & Podcast
07 NEIGHBORS $5.2 (cum. $137.8)  Review & Podcast
08 BLENDED $4 (cum. $36.5)
09 CHEF $2.6 (cum. $10.3)
10 MILLION DOLLAR ARM $1.8 (cum. $31.3)

P.S. Good Captain
Finally lapped those Legos
Champion of the year

 

Sunday
Jun012014

Box Office: Jolie's Star Continues to Shine

Amir with the weekend’s box office report. One of the things that has always fascinated me about Angelina Jolie is how she ranks among the greatest film stars in the world – possibly the biggest female star of this century? – without having ever been in a great film. Her off-screen life makes it really hard not to love her, but on screen, she’s mostly been better than her films, none of which are memorable in any way. Maleficent won’t change that at all, but it has become her biggest debut by a wide margin. Make of that what you will, but it is clear that four years away from the silver screen hasn’t taken the shine off . Will this financial success lend a hand to Unbroken in its chase for Oscars? My guess is that the answer is a yes.

WEEKEND BOX OFFICE
01 MALEFICENT $70 *new* 
02 X-MEN: DAYS OF FUTURE PAST $32.6 (cum. $162) Review
03 A MILLION WAYS TO DIE IN THE WEST $17 *new* 
04 GODZILLA $12.2 (cum. $174.6) Review & Podcast
05 BLENDED $8.4 (cum. $29.6)
06 NEIGHBORS $7.7 (cum. $128.6) Review & Podcast
07 THE AMAZING SPIDER-MAN 2 $3.7 (cum. $192.7)
08 MILLION DOLLAR ARM $3.7 (cum. $28)
09 CHEF $2 new (cum. $6.9)
10 THE OTHER WOMAN $1.4 (cum. $81.1)  

The weekend’s other big opening also had an Oscar connection with the pairing of former host Seth MacFarlane and former winner Charlize Theron at its centre. A Million Ways to Die in the West seemed to be targeting MacFarlane’s demographic though, and it was hard to find anything appealing for the crowd that doesn’t find his brand of crude humour appealing. The promotional material did nothing to prove the opposite and the film crashed with a disappointing $17m at third place behind X-Men. I’m interested to see where he takes his career from here.

On the limited front, Kelly Reichardt’s Night Moves opened in select cities this weekend. Despite the presence of three recognizable faces, distributor Cinedigm Entertainment has decided against opening the film on more than two screens. It’s a baffling strategy to me, given that the genre elements of the film could have been emphasized in advertising leading to a much bigger opening than $24k but a slower rollout seems to be the plan. Critics are comparing this to Reichardt’s previous films and calling it her weakest. I seem to be in the minority on this one, but I resolutely believe this is the director’s most accomplished work. It made my top ten list of 2013 after I saw it at TIFF. Take my word - watch it!

What did you see this weekend?

Tuesday
May272014

Box Office Holiday: Mutants, Reunited Stars, and Immigrants

Amir here, with the long weekend’s box office actuals. All was well in America (and all other markets in the world) as audiences stormed to see X-Men: Days of Future Past. The film’s haul was impressive, even though it fell short of the series’ best (The Last Stand) despite the inflation of 3D tickets, but it’s safe to say fatigue hasn’t yet kicked in with this group of superheroes. In the process, X-Men knocked Godzilla off the top spot perch. Nathaniel quite liked the film, despite its limitations. I haven’t yet seen it, and with the news that Edgar Wright has been kicked off the director’s chair of Ant Man, have vowed never to see another superhero film, but that’s a gripe for another article.

X-Men: Weekend of Godzilla Past

MEMORIAL DAY WEEKEND BOX OFFICE
01 X-MEN: DAYS OF FUTURE PAST $110.5 *new* Review
02 GODZILLA $38.4 (cum. $155.7) Review & Podcast
03 BLENDED $17.7 *new*
04 NEIGHBORS $17.1 (cum. $116.8) Review & Podcast
05 THE AMAZING SPIDER-MAN 2 $10 (cum. $187.1)

06 MILLION DOLLAR ARM $9.1 (cum. $22.7)
07 THE OTHER WOMAN $4.5 (cum. $78.6)  
08 RIO 2 $3.4 (cum. $122.5)
09 CHEF $2.9 new (cum. $4.2)
10 HEAVEN IS FOR REAL $2.7 (cum. $86.5)
11 CAPTAIN AMERICA: THE WINTER SOLDIER $2.2 (cum. $254.1) Review
12 BELLE $2.1 (cum. $4.3) Review

The other big opening of the weekend was Blended, for which the $18m dollar sales is being branded a flop but this isn’t true when you stop to consider just how unappealing everything about this film is. The title sounds like a youtube compilation of mishaps to people who are making smoothies. The trailer sucked the life out of every single theatre I saw it in, and a lot has changed for the leading duo since they starred together in their hit 50 First Dates and The Wedding Singer, most notably the fact that they weren’t has-beens then.

Marion Cotillard in The ImmigrantOn the limited side, the Sundance critical hit Cold in July was the most significant release, but without much advertising muscle or star power, it managed a modest $4k per screen average. James Gray’s The Immigrant pulled in similar averages but on a much larger scale as it expanded to 147 theatres. If you live in the vicinity of any of those 147 screens, you Must. Go. Now! It is one of the best of the year.

Nathaniel was on a viewing/reviewing spree this weekend with X-Men, The Normal Heart, Mad Men, and some 1941 pictures (vote!) but I didn’t watch a film. Instead I had the pleasure of talking to Godfrey Cheshire for a few hours! Amazing, right? It was a hoot!

How did you spend the weekend?  

Sunday
May182014

Box Office: Jon Hamm Swings & Misses (And, No, We're Not Talking About That Threesome On "Mad Men")

Amir is on holiday so I've reclaimed my number-sharing duty for tonight. It wasn't a fair fight but Godzilla squashed Jon Hamm (in his first big screen leading man gig) at the box office. Godzilla had the second biggest opening of the year.

01 GODZILLA $93.2 *new* Review
02 NEIGHBORS $25.9 (cum. $91.5) Review
03 THE AMAZING SPIDER-MAN 2 $16.8 (cum. $172.1) 
04 MILLION DOLLAR ARM $10.5 *new* 
05 THE OTHER WOMAN $6.3 (cum. 71.6)

In other box office news: Belle (reviewed) which is now in its third weekend added over 100 screens and is nearing a 2 million dollar gross... not bad at all considering its low profile;  Noah finally crawled past the $100 million mark as it heads out of theaters; Captain America: The Winter Soldier will topple The Lego Movie to become the year's top domestic grosser sometime next weekend; and the week's best per screen average outside of radioactive monsters was for Marion Cotillard as The Immigrant which is sadly only on 3 screens.

What did you see this weekend?

I only caught Godzilla in theaters and opted for my Jon Hamm fix via Mad Men (another fine episode that made me so angry they're splitting the season in half but more on that in the next episode of Mad Men at the Movies).

I also tried out Penny Dreadful's first two episodes and I am... intrigued but unconvinced. It's handsome enough to look at and some of the peripheral players are super vivid and amusing, particularly Billie Piper as a consumptive prostitute and Simon Russell Beale as an Egyptologist who is like what would happen if you made Harold Zidler gayer, fussier and yet more over the top.  Among the three headliners which include Josh Hartnett (nice to see him again actually) and Timothy Dalton, Eva Green is the clear standout. She understands stylization and is so autoerotic and self-sufficient a performer in every way that she doesn't even need her co-stars or surroundings to be any good - I think largely of how completely brilliant she was in the otherwise lacking Dark Shadows - and she gets the big title centerpiece of the second episode, a seance, all to herself. But I'm still not sure about the show. Individual scenes range from meh to marvelous (the best being an unexpectedly tender frankenstein creation sequence) but it feels like it's trying way too hard for self-mythology even though its borrowed most of its mythology and we can obviously meet it halfway. I got a Carnivale vibe (and I don't mean that as a compliment). I'll give it one or two more episode before I make the DVR or skip call.