Review: 21 Jump Street (The Movie)

This review was originally published in my column at Towleroad

"High concept" was the hot showbiz term of the 1980s. The thinking went that if you couldn't describe your movie/tv show in one sentence, it wouldn't sell. That popular marketing wisdom stuck and High Concept itself shrank. First it devolved into This meets That, each new pitch being a mashup of preexisting hits. Today instead of one sentence pitches or previous hit fusions most new potential blockbusters are required to rely on a simple colon. It works like so… "Title of That Thing You Already Know: The Movie!"

The 1987 cast of "21 Jump Street"

This has led to all sorts of unfortunate movies based on books, games, plays and tv shows (and vice versa) many of them big hits. The danger is obvious. When you don't even have to try to make your entertainment memorable because the audience brings half the affection with them, creative laziness can often follow. But every once in awhile the audience gets lucky and Title of That Thing You Already Know: The Movie is surprisingly fun on its own terms.

Chan & Jonah in High School21 Jump Street began its life as a high concept television series...

Young-looking cops go back to high school… undercover!"

And now it's a 21 JUMP STREET: THE MOVIE (the last half of that title is silent/implied) The twist is that rather than the earnest though light-hearted procedural drama it was in its infancy when it introduced us to Johnny Depp, it's now a full fledged buddy comedy starring Channing Tatum and Jonah Hill. Continued after the jump...

Click to read more ...

Review: "Rampart"

originally published in my column at Towleroad

Woody Harrelson hits movie screens with such galvanizing force in Rampart, you might be surprised that Hollywood didn't cower and hand him an Oscar nomination, trembling. It's getting harder and harder to remember that he first came to fame as lovable naive "Woody" on Cheers. His turn in Rampart is closer to that worldly carnality from The People Vs. Larry Flynt but drained of any subversive joy.

Woody is playing an obstinate corrupt cop named Dave Brown. Brown's moniker within the precinct is the not-so-charming "Date Rape" which he supposedly garnered from the killing of a rapist years earlier. It's a piece of street justice that he will neither confirm nor deny but it sounds entirely plausible given his disdain for legality.

When Brown is caught on tape beating a suspect, he's put on probation. The Rampart Precinct has abundant PR problems and Brown, who is loudly homophobic, xenophobic and racist ("I hate all people equally," as he explains it) is one of their largest ones. So begins his downward spiral. It's not just his dirty cop behavior. His personal life is even messier. Brown is an unrepentant womanizer and in addition to one night stands (Broadway wonder Audra McDonald in a memorable cameo) and randy lawyers (Robin Wright, sensational) he's still living with and sleeping with his two ex-wives (Anne Heche and Cynthia Nixon), who are sisters. The women he's not sleeping he's either purposely or accidentally antagonizing like his lesbian daughter Helen (Brie Larson from United States of Tara).
 
"How's school?" he asks her, remembering to play Dad.

"It sucks," she replies more exhausted than angry. "It's full of candy-ass future fags and dykes like me. Those are your words not mine."

more after the jump

Click to read more ...