"Better Days" and China & Hong Kong at the Oscars

by Nathaniel

Hong Kong has selected Better Days (available to rent on Amazon), to represent them at the 93rd Oscars. Its director Derek Tsang (also known as Tsang Kwok Cheung) first entered the movies as an actor. But for the last decade the now 41 year old talent has been moving behind the camera. (He's the son of the director Eric Tsang who followed a similar path working both sides of the camera). His film is a contemporary crime drama about a bullied teenage girl and a mysterious thug who protects her. It won 8 prizes at the annnual Hong Kong Film Awards.

The Academy Awards have been notoriously resistant to Asian cinema, apart from a 20th century fixation on Japan. Most Asian countries have somewhere between zero to two Oscar nominations, usually not a number that accurately reflects their status in global cinema. Only in the 1990s when Chinese cinema was all the rage at US arthouses, did Oscar come around and then only for a few short years. After the jump at look at China and Hong Kong's track record with Oscar. We're grouping them together, despite how problematic that is politically, because when it comes to the film industries it can be hard to separate them for us Americans across the ocean. That's because the two countries often share the same directors and movie stars. That's reflected in their Oscar submissions... 

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How had I never seen... "Farewell My Concubine" (1993)

In this new series, members of Team Film Experience watch and share their reactions to classic films they’ve never seen. 

by Tim Brayton

I wish there was a good reason why it took me 26 years to catch up with Chen Kaige's Farewell My Concubine, co-winner of the 1993 Palme d'Or, two-time Oscar nominee for Best Cinematography and Best Foreign-Language Film, and the film that did more than probably any other single title to present Chinese art cinema to international audiences in the 1990s. Instead, I only have a very terrible reason: it's 171 minutes long, and I never quite managed to make it my top priority in those moments when I had three uninterrupted hours.

To the surprise of nobody, including myself, that turns out to have been a terrible mistake. As long as the film is – and I'd be fibbing if I said that I never once felt that running time – it's unquestionably filling every last one of those minutes with a whole lot of immensely appealing stuff. That Best Cinematography nomination wasn't for show: this is an unbelievably lavish epic of 20th Century history, surely one of the most gorgeous motion pictures of its decade...

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