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Ashley Judd, Pulp Queen

"Double Jeopardy is my jam!!! I ain't mad at cha, Miss Ashley! " - Dorian

"Ashley reminds me of Ida Lupino, who in the '40s had a lot of talent but was undervalued because of her association with genre potboilers." -Brookesboy

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Entries in Dark Victory (3)

Wednesday
Nov012017

123 days until Oscar... we've got Bette Davis eyes

by Nathaniel R

It's time for your morning dose of highly unneccessary Oscar-mad trivia.

Did you know that Bette Davis, Oscar's third favorite actress of all time (after Hepburn & Streep), had exactly 123 screen credits to her name?! Her debut film The Bad Sister (1931) was released a week before her 23rd birthday and her 123rd and final project, Wicked Stepmother (1989), was released eight months before her death of breast cancer at 81. That's 58 years of big-eyed, inimitably voiced, ferocious performances.  

Two Bette-inspired questions for the day...

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Thursday
Apr172014

Seasons of Bette: Dark Victory (1939)

Seasons of Bette had a headache last week but is feeling much better now, thank you. Herewith, your catch-up episode on Dark Victory (1939)

it was the ghastliest feeling, everything went fuzzy. 

Fallen out of order, have I. That's awfully dreadful of me given that the great revelation of both Anne Marie's brilliant A Year With Kate and my own intermittent Seasons of Bette series is that you can actually watch a movie star grow in power and nuance and embrace of their own specificity if you watch their films chronologically.

This is true, at least, of the studio system where stars were invested in for the long haul rather than dabbled with for a few months at a time if agents, lawyers, producer, directors and stars could agree on a one-time contract. The old system had its drawbacks of course, giving thespians less agency in their own filmography and less ability to test their range in different genres and with left turn character types. Despite that, and even because of it, it was uniquely ideal soil for the true movie stars to grow like majestic redwoods. You know the kind of superstar I'm talking about: they are emphatically always themselves no matter how well they play any particular character. [more...]

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Wednesday
Feb272013

Bunheads: They Dreamed A Dream

SusanP here, with thoughts on the season (series?) finale of Bunheads. A lot is at stake in the episode, but as in real life, not much is fully resolved. I’ll be disappointed if this turns out to be the last episode. Not because it was a bad, but it was anticlimactic for a finale. I’m anxious to spend more time in this world with these characters. I’d hate for this to be the last hour I get.

This Week on Bunheads…
A couple of weeks ago, TFE commenter Denny noted  that Bunheads is in many ways a show about what happens when an extremely talented person doesn’t catch a break and make it big. Denny wrote:

I like to think of Michelle as an alternate universe version of Sutton Foster - one in which she's almost exactly the same (except for focusing on dancing more than singing) but somehow always manages to be in the wrong place at the wrong time to make it the way Sutton has. And this feels very true to me. Growing up in the theater world, I cannot tell you how many supremely talented people I know who have just never made it, and not through lack of trying. This thread of "what does a talented person do when they just don't make the big time?" is one of my favorite parts of the show.

Potential can only get a performer (or a person) so far in life. The show tackles this idea head-on in “Next!” [more after the jump]

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