Advertisement
Advertisement
Advertisement
Oscar History
Welcome

The Film Experience™ was created by Nathaniel R. Gemini, Cinephile, Actressexual. All material herein is written and copyrighted by Nathaniel or a member of our team as noted.

Powered by Squarespace
What'cha Looking For?
Don't Miss This!
Comment Fun

Comment Du Jour
First Time Oscar Nominees - who will be back first?

"Probably the last nomination for all of them." - Fred

"From this group, I'd say Ruth Negga, Lucas Hedges, and Dev Patel are likely to return again." - Aaron

"Out of all the nominees I think it's a little strange that Garfield was the least deserving but most likely to be nominated again. " - Tom

Keep TFE Strong

We're looking for 500 Patron Saints!

IF YOU READ THE SITE DAILY, PLEASE BE ONE BY DONATING. 
Your suscription dimes make an enormous difference to The Film Experience in terms of stability and budget to dream bigger. Consider...

I ♥ The Film Experience

THANKS IN ADVANCE

INTERVIEWS

Oscar Nominee Interviews
Asghar Farhadi (The Salesman)
Martin Butler & Bentley Dean (Tanna)
Nicole Kidman (Lion)
Denis Villeneuve (Arrival
Krystof Deak (Sing)
Robert Legato (The Jungle Book)
Rich Moore (Zootopia) 

 

Subscribe

Entries in Dark Victory (2)

Thursday
Apr172014

Seasons of Bette: Dark Victory (1939)

Seasons of Bette had a headache last week but is feeling much better now, thank you. Herewith, your catch-up episode on Dark Victory (1939)

it was the ghastliest feeling, everything went fuzzy. 

Fallen out of order, have I. That's awfully dreadful of me given that the great revelation of both Anne Marie's brilliant A Year With Kate and my own intermittent Seasons of Bette series is that you can actually watch a movie star grow in power and nuance and embrace of their own specificity if you watch their films chronologically.

This is true, at least, of the studio system where stars were invested in for the long haul rather than dabbled with for a few months at a time if agents, lawyers, producer, directors and stars could agree on a one-time contract. The old system had its drawbacks of course, giving thespians less agency in their own filmography and less ability to test their range in different genres and with left turn character types. Despite that, and even because of it, it was uniquely ideal soil for the true movie stars to grow like majestic redwoods. You know the kind of superstar I'm talking about: they are emphatically always themselves no matter how well they play any particular character. [more...]

Click to read more ...

Wednesday
Feb272013

Bunheads: They Dreamed A Dream

SusanP here, with thoughts on the season (series?) finale of Bunheads. A lot is at stake in the episode, but as in real life, not much is fully resolved. I’ll be disappointed if this turns out to be the last episode. Not because it was a bad, but it was anticlimactic for a finale. I’m anxious to spend more time in this world with these characters. I’d hate for this to be the last hour I get.

This Week on Bunheads…
A couple of weeks ago, TFE commenter Denny noted  that Bunheads is in many ways a show about what happens when an extremely talented person doesn’t catch a break and make it big. Denny wrote:

I like to think of Michelle as an alternate universe version of Sutton Foster - one in which she's almost exactly the same (except for focusing on dancing more than singing) but somehow always manages to be in the wrong place at the wrong time to make it the way Sutton has. And this feels very true to me. Growing up in the theater world, I cannot tell you how many supremely talented people I know who have just never made it, and not through lack of trying. This thread of "what does a talented person do when they just don't make the big time?" is one of my favorite parts of the show.

Potential can only get a performer (or a person) so far in life. The show tackles this idea head-on in “Next!” [more after the jump]

Click to read more ...