Horror Actressing: Geena Davis in "The Fly"

by Jason Adams

I think it was Roger Ebert who once said about Geena Davis she seemed difficult to cast in the movies as a normal human being because she always looked more like a Valkyrie come down from Valhalla than she ever did a simple waitress. And, Roger Ebert thinking with his hormones aside, he wasn't entirely wrong. For every Thelma there was a pirate, an assassin, a gigantic vampire countess waiting in the wings. Even in a reality-based movie like The Accidental Tourist it was her proto Manic Pixie character that represented a break in the mundane -- Geena Davis sweeping in always feels like an occasion!

That's why I think some of her absolute best work came in films where the reality rose up to meet her on her larger-than-life level. Her six full feet of rosy-cheeked goddessness needed a heightened world to roam most comfortably within, something like the afterlife wackiness of Tim Burton's Beetlejuice, or as with today's subject, the deranged splatter romance of David Cronenberg's 1986 The Fly remake...

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Who should receive an Honorary Oscar?

Liv Ullmann and Max von Sydow in "Shame"Pete Hammond at Deadline revealed this morning that with all the dates moving earlier next Oscar season, the Academy is actually choosing the next Honorary Oscar winners THIS WEEKEND. It's too late then for an FYC but we feel the need to do one anyway. In the past we've made great suggestions like Albert Finney, Doris Day, Neil Simon, Michael Ballhaus, and Marni Nixon but they let all those people die without honoring them which is such bad form. At least they heard us on Maureen O'Hara, Harry Belafonte, and Angela Lansbury!

I have a suspicion that Caleb Deschanel, obviously a well-loved cinematographer given that surprise sixth nomination for the German film Never Look Away last season, will be named this year. He's 74 years old. For some reason I don't think they'll go with Glenn Close quite yet though she's a common prediction. She's 72 but working a lot right now and still in her prime.

TWELVE SUGGESTIONS...

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The New Classics - Eastern Promises

Michael Cusumano here to argue a case for the the best fight scene of the last two decades.

The Scene: The Sauna Fight
It’s no surprise that just about every discussion of the sauna fight from Eastern Promises dwells on the bare skin. If the King of Middle Earth strips down to his tattoos and takes on two goons in a bathhouse brawl it’s gonna dominate the conversation.

And it’s not only gawking. It’s thematically on point. This scene uses nakedness to make you feel a character’s vulnerability as effectively as any film since Psycho, plus all the skin on display reflects the film’s obsession with bodies -- bodies as currency and bodies defaced and disfigured... 

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Bonne Fête, Bujold.

by Seán McGovern

Today we celebrate the 75th birthday of Québécoise actress Genevieve Bujold, one of the lesser-lauded Francophone talents. Apart from having a wonderful name to pronounce (dinner with Geneviève Bujold and René Auberjonois, perhaps?), she has more than 70 films under her belt. Instead of doing a retrospective of an actresses who not all of us might know or appreciate, consider this an introduction to some of her greatest work, including Anne of a Thousand Days, Dead Ringers and of course, not Star Trek: Voyager.

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Unlikely Couple: Robert Pattinson and Claire Denis

Here's Murtada with the week's most interesting casting news.

Robert Pattinson is starring in Claire Denis’ next movie. Are we being punked? No. Actually to judge from his last few choices it's just another day, another auteur. He’s becoming a top director magnet and has been using his bankability to make interesting choices. He’s confirmed as the lead of Denis’ untitled first English language film. The story is set in space in a “future that seems like the present” with Pattinson reportedly playing an astronaut.

 This particular project is intriguing beyond Pattinson. Denis of course is reason enough to be excited. Her last movie Bastards (2013) may have been less heralded than usual but it was a provocative visceral experience. Collaborating with her on the screenplay is novelist Zadie Smith (On Beauty, White Teeth) whose books have always been cinematic and full of fallible compelling characters. Smith writing her first screenplay? Now that’s exciting!

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