Wednesday, September 23, 2020 at 12:00PM by Nathaniel R
Paul Bettany is "Uncle Frank" in a road trip film from Alan Ball
New York City's leading queer film festival is now in its 32nd year. And this year you don't even need to be in NYC to attend since they've gone virtual...
Sunday, September 20, 2020 at 2:13PM by Nathaniel R
This year's TIFF has wrapped. Normally we cover it extensively, as you know, but they cut out a big swath of press this year including us... *cries*. Hopefully we'll return next year and if not we'll have to find a new favourite festival to obsess over. Herewith the winners and some Oscar stats, and if we've already discussed the movies, there's a link...
AUDIENCE PRIZES
People's Choice: Nomadland dir. Chloé Zhao.
(First runner up: One Night in Miami... dir. Regina King; Second runner up: Beans dir. Tracey Deer.)
People's Choice, Documentary: Inconvenient Indian dir. Michelle Latimer.
People’s Choice, Midnight Madness: Shadow in the Cloud dir. Roseanne Liang.
That's right ALL of the audience prizes this year went to female filmmakers! Even the runners up were directed by women. The People's Choice Award is major bragging rights since it often signals kind Oscar fates down the road. Basically it would be a shock if Nomadland misses the Best Picture nomination at this point afterwinning TIFF and Venice though One Night in Miami has less convincing stats on its side. The stats go like so...
Thursday, September 17, 2020 at 6:00PM By Glenn Dunks
It can be so good to see a filmmaker take a significant leap in their talents. Such a thrilling moment to realize that a director isn’t just capable of making good films, but great ones. I must say, I didn’t expect a film like In My Blood It Runs from Maya Newell. The Japanese-Australian filmmaker had previously made the cutely affecting Gayby Baby about the children of same-sex parents (Newell herself is a ‘gayby baby’), but nothing there would suggest a film of such cultural specificity as this.
It’s the sort of film that makes me so glad I watch Australian cinema more regularly than most (including my fellow nationals). I feel like I can easily say it’s one of the best documentaries this country has produced in recent years. A work of emphatic poignancy that speaks so much to this country’s institutionalized racism and its assimilationist ideals to the societal and cultural issues facing Australia’s indigenous populations.
Sunday, September 13, 2020 at 10:30AM By Glenn Dunks
We're not covering TIFF more broadly this year, but I was lucky to snag a screener or two so we'll be writing about them in a couple of additional Doc Corner columns.
One of my favourite bits of movie trivia is that Werner Herzog is the only filmmaker to have ever directed feature-length films on every single continent. He completed that unique party trick with his 2007 Oscar-nominated documentary Encounters at the End of the World. I’m sure that if he could, he would make a movie in space. For now, however, his latest feature doc about the elements of space will have to suffice.
Fireball: Visitors from Darker Worlds begins in the terrestrial outback of Australia and ends in the shimmering blue plateaus of Antarctica with just about every other continent in between (he just can’t help himself). Herzog traces the history of meteorites with regular collaborator and first-time co-director Clive Oppenheimer...
Wednesday, September 9, 2020 at 4:43PM By Glenn Dunks
Despite what may be happening across the rest of film distribution, the documentary realm has barely had a chance to breathe. Just as there ever was, there are so many titles coming out each and every week that it is impossible to keep up with in a weekly column. This includes not just new releases to streaming, VOD and virtual cinemas (and now, as lockdowns cease around the globe, theatrical), but also festivals.
In fact, I’ve been able to attend more than any before. Whereas I wouldn’t have had the time nor the access to ‘attend’ England’s Sheffield Doc/Fest or the United States’ AFI Docs or Canada’s Hot Docs, I was able to finish my day job in the afternoon and take a quick world tour of some of the finest documentary and non-fiction festivals around. And there’s still more of them to come (like DocNYC) because, folks? There’s just so.many.movies.
I wanted to highlight the best that I saw across each of the three festivals and give a spotlight to movies that took me to a poisoned Martinique, the frontlines of the women’s liberation movement, and the underground dance scene of Baltimore...
