D.A. Pennebaker

by Glenn Dunks

D.A. Pennebaker, aka Donn Alan, the legend of documentary who famously captured the growing counter culture music scene, American presidents and a particularly memorable Original Cast Recording, died this weekend at age 94.

Like many of his contemporaries who are today regarded as among the most influential of the form like Albert Maysles and Frederick Wiseman, Pennebaker was never really embraced by the Academy. He was nominated alongside his wife and frequent collaborator Chris Hegedus in 1994 for The War Room about the 1992 presidential campaign for Bill Clinton, but was eventually awarded an honorary statue in 2013 for his undeniably immense contribution to film...

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Doc Corner: 'Honeyland'

By Glenn Dunks

You know a movie is going to give you something when within the first two minutes, it makes you bolt upright and exclaim “Oh wow!” to an empty room. The eyes pop and the eyebrows raise as you marvel at the sheer unexpectedness of what is on screen. In Tamara Kotevska and Ljubomir Stefanov’s Honeyland, the image in question is that of an aging beekeeper straddling precariously along a cliff-face to a hive hidden among the rocks. Surrounded by grey and brown, Hatidze Mutatova (who I assume is in her 50s?) reveals a wedge of golden honeycomb. The gold in the rocks.

It’s a startling way to open a film from a purely logistical standpoint. It’s also a visual that really clues the viewer into its subject's tenacity and sheer force of nature abilities as a cultivator and protector of bees – an animal, after all, that is vital to the existence on Earth of everyone from those of us in major metropolises to those, like Hatidze, in isolated, wind-swept, mountainous regions of Macedonia...

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"Kathy Griffin: One Hell of a Story" and "The Great Hack"

by Eurocheese

Kathy Griffin: A Hell of a Story’s one night only theatrical event (Wednesday, July 31st) and Netflix’s disturbing expose on digital exploitation The Great Hack couldn’t be more different in tone, but they would make an interesting double feature. I couldn’t have imagined either film would exist just a few years ago. In a decade, I wonder what we’ll be saying about both of them...

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Doc Corner: Oscar-nominated 'Streetwise' and its 35-years-later sequel

By Glenn Dunks

For a film about teenagers living rough, squatting in dilapidated and abandoned hotels or homeless on the streets, there is a remarkable amount of poetic beauty in Streetwise. The work of director Martin Bell (American Heart) was born out of a Life exposé called “Streets of the Lost” by his photographer wife (also noted as a film still photographer) Mary Ellen Mark and journalist Cheryl McCall and it is the latter pair’s continued relationship with the runaway teenagers who populate its intimate yet sprawling narrative that was so essential to Bell being given the remarkable access that Streetwise offers.

Originally released in 1984 and now restored for its 35th anniversary, Bell’s documentary was nominated for an Academy Award. And it probably would have won, too, had it not been for The Times of Harvey Milk. So not quite as egregious of a loss as I had assumed as I sat stunned through the end credits of the 35th anniversary restoration. Re-released in tandem with a belated sequel, Tiny: The Life of Erin Blackwell that is also directed by Bell, the power of Streetwise remains with its all too relevant story of teenagers on the streets of Seattle known at the time as the most liveable city in the world...

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Doc Corner: 50th Anniversary of the moon landing inspires multiple documentaries

By Glenn Dunks

It’s amazing to think that there can still be so much previously unseen footage from the biggest television event in history, and yet here we are at the 50th anniversary of the moon landing with a bus-load of new documentaries claiming new takes, new interviews and, yes, new footage. Don’t ask me what exactly is new to us, though. I watched three such films within days of each other and I, at times, felt like I was going nuts: the subject of one is a talking head in another who happens to be in different footage in the other movie, which is probably just a different angle to footage a few feet to the left in the first movie!

And on top of that, if you’ve watched even just one or two other works about the American space program – whether that be documentaries like For All Mankind, or dramatic features like Apollo 13 – then you will already be familiar with a lot, not to mention the moon landing itself. It’s exhausting. I even saw another moon landing documentary on the tele while I was at the gym the other night. And then there is the six-hour PBS documentary that I, quite frankly, just don’t know if I have the patience for after this triple-play. The three films I have watched all do have something in them that is ultimately worth the time. Especially if you’re in a particularly lunar mood on this landmark date. The best of the three, the most cinematic and effectively rousing, is Todd Douglas Williams’ Apollo 11…

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