Doc Corner: 'Vision Portraits' and 'Raise Hell: The Life & Times of Molly Ivins'
By Glenn Dunks
Aware that people with vision impairments may likely read this review, I have included accessable captions underneath the images. In my day job I regularly have to work to accessibility guidelines and I think it's something we should all think about.
I’m not going to lie. There really isn’t all that much connecting the two films I’m going to talk about today other than they’re both being released around the same time and I wanted to give them some attention. And, truly, what are we even doing here if we can’t throw a wee bit of love to movies that would otherwise go completely under the radar?
I have no doubt that Raise Hell: The Life & Times of Molly Ivins will find an appreciative audience. She was, after all, a famous writer with dedicated fans right up to her death in 2007. I am less convinced that Rodney Evans’ delicate and partly autobiographic Vision Portraits would manage the same. It’s small, you see. Small in the sense that it doesn’t call attention to itself. Small in the sense that it tells its story with grace and humanism and allows its audience to depart with a mind full of contemplation. It is a morsel of a documentary (it is 78 minutes long), but one that should open its viewers to ideas that it would otherwise likely have little reason to consider.
Evans’ film is certainly the most interesting of the pair thematically and stylistically...