IDA Cites the usual suspects as "Best Documentary"...

Though yours truly (Nathaniel) owns and operates this site, I am not really part of its growing documentary beat (thanks Glenn!). But as a known stickler for rules (without rules, games and competitions and awards ceremonies are useless, truly) I plead to the cosmos "Won't anyone join me in being enormously troubled that documentary associations see no trouble in nominated O.J. Simpson: Made in America in both TV and Feature categories?" Shouldn't these organizations have rules on such things. Shouldn't they have executive committees for situations in which rules are challenged or unclear.

The IDA Feature Nominees -- all but "I Am Not Your Negro" are also nominated in the BFCA's feature category

And if there is truly no distinction between TV and Film anymore (something we're willing to entertain even if we don't like it) than shouldn't we have an abrupt end to their separation in category/awards forms? In the past week or two we've had three announcements that effect or reflect the oncoming Oscar race for Best Documentary Film. In all three (BFCA Doc nominees, AMPAS long list, and now IDA) O.J. Simpson: Made in America is included among the features but in two of the three -- the two with TV awards --its parent series is nominated for television prizes. O.J. Simpson Made in America is part of ESPN's 30 for 30 series, if we understand correctly (do we?). Can anyone explain or justify what is happening? The full list of IDA nominations is after the jump...

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Now Streaming (Netflix): A Slim Selection But Jude (!) and Gillian (!!)

Netflix, which initially looked like the 21st Century Blockbuster is well on its way to being the new HBO, so they're cutting back severely on movies now. But there's still a few titles of interest each month. Here are streaming options as of November. We'll randomly freeze frame a handful of titles and share the results. Okay? Okay!

Shop till you drop, girls

Alfie (2004)
The Year Jude Law Was in Every Movie. Also, arguably, the peak of his gorgeousity.

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Doc Corner: Revisiting 'The Loving Story'

For this weeks edition of Doc Corner we are celebrating the release of Jeff Nichols' Loving by looking back at the documentary that was quite clearly a heavy inspiration on it.

That Richard and Mildred Loving often got overlooked for their unwilling but necessary part in the civil rights movement is hardly surprising when you watch The Loving Story, Nancy Buiski’s sober and low-key documentary from 2011. The pair, quiet and dignified, do not make for the sort of protagonists that make traditional narratives – a comment that has come up throughout the festival release of Jeff Nichols’ feature adaptation. Theirs is a story of quiet suffering; their victory an almost anticlimactic ‘duh’ moment that it’s easy to see why it has taken so long to get films made about them.

But it is that very reserved nature that makes their story equally compelling. Mildred, especially, is a woman whose soft-spoken nature so often goes unseen by storytellers throughout moments of great historical upheaval. Buiski’s film doesn’t try to pad it out with flash and narrative diversions. Instead it lets the humanity of its story and the relevance of its themes permeate across wisely assembled talking heads (including the couple’s only surviving child, Peggy) and a treasure trove of fascinating archival footage, newsreels, and family photographs that makes up the bulk of the film’s short yet resourceful runtime.

The entire story of the Loving v Virginia case holds relevance today in the face of race and same-sex marriage. Their story is one of barbaric cruelty where they were subjected to being woken up in the middle of night with flashlights in their faces, their relationship opened up to the inspection and scrutiny of hate-filled bigots in positions of power.

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Oscar: 145 Documentaries to Compete

Glenn here. Despite writing about (at least) one documentary a week since March, it feels like we've barely made a dint in covering the mammoth list of 145 titles that will be competing for the five coveted nominations in Best Documentary Feature category at the upcoming Oscars. Collectively, The Film Experience has reviewed 30 of the list, and we hope to cover a bunch more as we get closer to nominations.

There are a lot of noteworthy titles on this list so even making it to the 15-strong shortlist will be tough. And it's worth remembering that big titles are left off and smaller little-known titles get elevated every year. I have never heard of quite a few of these - and many others only have/had qualifying runs with releases planned for 2017 so it's impossible to really gauge some of them. What big titles will be left off? Will the recent scandals help or hinder Weiner, the year's most zeitgeisty doc hit. Will too many films about race cancel out one of the bigger titles? Will Herzog and Alex Gibney give the race some behind-the-scenes star power?

If I had to take a complete stab in the dark guess of what those 15 titles would be based on what I have seen, what we know of this branch, and the buzz on certain titles, I would probably go with the following:

Audrey & Daisy - Fire at Sea - Gleason - Hooligan Sparrow
I Am Not Your Negro - Into the Inferno - The Ivory Game - Life Animated
Newtown - O.J. Made in America - 13th - Tower - Trapped - Weiner - Zero Days

The only real big names missing seem to be ones we already suspected wouldn't be on the list like Andrew Dominik's One More Time with Feeling, Sergei Loznitsa's found footage doc The Event, Chantal Akerman's swansong No Home Movie, Morgan Spurlock's Rats, the duelling queer festival hits Strike a Pose and Kiki and Albert Maysles' final project, In Transit. Although if someone can explain the absence of Gillian Armstrong's Women He's Undressed that would be nice. And I bemoan the loss of one of my absolutely favourite docs of the year, Here Come the Videofreex, a tiny analogue-doc about the early days of underground political news reporting. I do see, however, that O.J.: Made in America is indeed on the list, but whether the branch chooses to recognise an eight-hour made-for-television episodic documentary remains to be seen. My thoughts on this are known, but we'll wait and see if the branch take the bait before examining it much further.

For now you can read the full list after the break (with links to reviews).

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Academy's Documentary Shorts Shortlist - Watch Them!

When you’re trying to be seen as a short film, it can be difficult to step outside the feature-length shadow. If you’re Oscar-nominated, you’ll eventually be packaged into a multi-film program and play a handful of theaters across the country. Perhaps you’ll be purchased by HBO and find yourself showcased for a premium cable audience – like last year’s Academy Award winner A Girl in the River. Or you may screen at an infinite variety of regional festivals, submitted and curated for a different niche audience. Bottom line: unless you’re being actively scouted, many beautiful short films go unnoticed by moviegoers who would likely be eager to absorb the material if they knew it existed.

So, without further ado, here is the Academy’s ten-wide, recently released shortlist for Best Documentary, Short Subject. You can even watch half of the titles online now. While only half of this list will compete for the gold once nominations are announced in January, here’s hoping the whole group finds a lasting reception that goes beyond the jokes of its category’s presenters at the Oscars.

• Brillo Box (3¢ Off) Reviewed
• Close Ties
• Extremis Now Streaming
• 4.1 Miles Now Streaming
• Frame 394 Now Streaming
• Joe’s Violin Now Streaming
• The Mute’s House Trailer
• The Other Side of Home Trailer
• Watani: My Homeland Trailer
• The White Helmets Now Streaming

Oscar-nominated or not, what are some of your favorite short films you’ve checked out recently?