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Entries in DVD (120)

Wednesday
Aug292012

Melanie Lynskey: DVDs I Had To Own

[Editor's Note: The Film Experience is very pleased to announce that  the lovely actress Melanie Lynskey is our super extra special duper final guest blogger this week. Take it away, Melanie - Nathaniel R]

Hello everyone!

I could not be more honoured that Nathaniel asked me to do this little guest spot on my beloved Film Experience. I read this blog so much and it's always thoughtful, funny, and enlightening. I hope I do a good job guest blogging and I desperately wish I could use a word other than blogging, because ugh it is a horrible word. Okay. Remember, I'm a college dropout, so please forgive bad grammar and clunky sentences. (Dearest Nathaniel I hope you're having a great time with your mom.)

"picture of myself drinking a scotch as I blogged to go with your banner xo"

 

Somebody wrote to me on twitter and suggested that I write a piece about the movies I consider to be the ten best movies of all time. They said they'd be interested to see how the movies stacked up against the Sight and Sound poll. Well, the truth is, I honestly feel like I haven't seen enough movies to be able to compile a list of The Best Movies. My knowledge of pre-70s cinema is embarrassingly limited. I'm also super indecisive. So, I thought that instead, I could take a picture of a bunch of random DVDs from my collection and give a brief explanation of why I love these particular movies.

I don't buy a lot of DVDs so every one of these picks is because I said to myself "Yes. I must own this. It's important."

 

in photo order...

1) Terms Of Endearment- I remember one summer this was on TV when we were on a family vacation. I watched it with my mother and my grandmother (!!) I think I was nine or ten. I already knew, at that point, that I loved acting, I loved becoming a different person. But this was the first time I remember thinking, "oh, you can make people cry their eyes out from acting?" I couldn't believe how the performances made me feel, and I understood that even though the story was so moving, the thing that was making my heart ache was what these actors were doing. I knew it was magical. Shirley MacLaine, man. Wow.

2) The Piano- Oh Jane Campion I love you so much. I love the women in her movies. I love the sexuality. I love the light and the composition. I feel like I can smell the earth under the character's feet and feel the air around them watching a Jane Campion movie.

3) Gigli- yes. Gigli. [More Melanie Picks after the jump]

Click to read more ...

Monday
Jul302012

"Vito" and Jeffrey

If you didn't get a chance to see the premiere of VITO last week, make sure to tune in to one of its final airings [July 31st: 12:45 p.m.; Aug. 4th: 3:00 p.m.; Aug 8th: 9:15 a.m.] or find it on alternate HBO channels or HBOGO. The documentary is about the life and activism of Vito Russo (1946-1990) who was the author of the seminal non-fiction book "The Celluloid Closet" the definitive kick off point to the now robust commonplace conversation about the depiction of LGBT people in filmed entertainment. 

VITO RUSSO (1946-1990), Author, Activist, Cinephile

I spoke with Jeffrey Schwarz, Vito's director, for Towleroad last weekend. I'd previously seen Schwarz's documentary about B movie showman William Castle (Spine Tingler! The William Castle Story) and we talked for an hour about a wide range of things beyond Vito including his work as the producer of "added value content" for DVDs. He's worked for a who's who of auteurs (Lynch, Scorsese, the Coens, and many many more) on bonus features and "making of" projects. It's not a subject one hears much about in terms of what goes on behind the curtain -- The Making of The Making of! -- perhaps that's diving too deep down the DVD/Bluray rabbit hole?

But I thought I'd share a few notes that didn't make it into my Towleroad interview for lack of space as well as being slightly off the Vito doc topic.

NATHANIEL R: You run this company Automat Pictures that does DVD extras. You've worked with these legends, almost mythically famous directors.

JEFFREY SCHWARZ: If you love movies, what I do for a living is a like a dream come true. I started doing this in 1998 when I got a job editing and shooting behind the scenes on Gus Van Sant's Psycho. That's how I got into this business. I didn't even have a DVD player yet! The format was first emerging and the studios were hiring independent producers to make added value content. I got lucky because I was in the right place at the right time. I'd actually pitched my William Castle movie to Sony because they own all the William Castle movies. I was a little bit naive thinking that this big studio would want to produce my documentary but they did end up hiring me to produce the DVD extras for The Tingler!

That's really what got me started -- first it was Psycho, then it was The Tingler! and that led to other jobs for other studios. 

Jeffrey Schwarz at screening of SPINE TINGLER! (image via Gay of the Dead)

more after the jump including oscar protests, evil lesbians, and staying angry

Click to read more ...

Wednesday
Jul252012

Boss Me Around With DVDs. What Must I Watch Next?

Last time y'all voted to make me watch Jeff Who Lives at Home which I have even though my post is running late. Soon it'll be time to seize my queue again. Which of these newish DVD releases must I watch and write about after Jeff?

 

  • LOCKOUT in which Guy Pearce has a very big gun in outer space and presumably shoots people with it.
  • SALMON FISHING IN THE YEMEN in which Ewan and Emily are presumably adorable whilst falling in lvoe
  • FRIENDS WITH KIDS in which a fine cast presumably illustrates the comic differences between the childless and the childful in marriages.
  • FOOTNOTE in which the great Lior Ashkenazi presumably argues with his daddy alot in an Oscar nominated foreign film about two Talmud professors
  • THE DEEP BLUE SEA in which Rachel Weisz and Tom Hiddleston couple it up in this presumably beautiful movie because that's the only kind of movie the non-prolific Terence Davies (House of Mirth) makes. 
  • WANDERLUST in which Paul Rudd and Jennifer Aniston presuming get all frisky when they visit a.

 

Vote now or forever hold your piece... peace? Stop holding things and start clicking is what I mean. Make a stand for your choice in the comments to sway the voting.

 

 

Monday
Jul162012

Burning Questions: The Best of Bonus Features

Hey everybody. Michael C here to rifle through your video collections like a guy at a garage sale.

All of us probably have enough material residing in the bonus features of our DVD collections to fill a respectable film studies course for a semester or two.

The first time I was introduced to a bonus feature was a double VHS box set of Scream with a second cassette featuring a Wes Craven commentary. Since then, like most cinephiles, I’ve spent countless hours wading through commentaries, behind the scenes featurettes, deleted scenes, and other supplemental material, much of it interesting, some of it entertaining, a good chunk of it filler.

Since so many of us have amassed movies collections over the years to rival the Library of Congress, it stands to reasons there should be some gems buried in there. So it is with genuine curiosity that I put this question to the floor: Which Bluray/DVD extra features do you treasure for their own sake, apart from the films to which they are attached?


The bonus feature I most often return to is Magnolia Diary: the documentary chronicling the creation of PT Anderson’s ’99 opus of dysfunctional parents, children and frogs.

Behind the scenes cinematic chronicles are a sub-genre of documentaries that have produced masterpieces such as Heart of Darkness: A Filmmaker’s Apocalypse and Burden of Dreams. Magnolia Diary doesn’t quite belong in that distinguished company but I would easily rank it the equal of Lost in La Mancha, the doc recording the painful death of Terry Gilliam’s long-in-the-works Don Quixote movie.

What sets it apart from the thousands of other making of docs is the stunning amount of access, going so far as to wander through the orchestra during the recording of the score. There are numerous moments where we eavesdrop on the most sensitive moments in the process, as when Anderson runs lines with Melinda Dillon and Philip Baker Hall for their dramatic confrontation.

It plays like a documentary companion to Making Movies, Sidney Lumet’s essential book on the filmmaking process. It's packed with goodies like Julianne Moore explaining how she pitched her performance to the operatic tone of the script, or the director and Philip Seymour Hoffman having a friendly argument about just how much actorly "business" he adds to the simplest of actions. There is much ado about transforming the climactic plague of frogs from a screenwriter's flight of fancy to a filmable reality.

So that is my favorite bonus feature. What’s yours? Is there a commentary you return to often? Let's hear about it in the comments.

You can follow Michael C. on Twitter at @SeriousFilm or read his blog Serious Film.

Tuesday
Jul102012

DVD. You Choose. I Watch. We Talk.

Last year or a bit further back (?) I tried to give you the choice of which DVDs I would review from the weekly crop released but we didn't get very far on account of Netflix's month-long delays with some studios and my policies of mandatory procrastination. So irritating! Given that the bulk of readers and, indeed, the bulk of everyone watches their movies at home now (sigh), let's try again! I'll figure it out on my end.  We'll skip the newish releases we've already discussed like 21 Jump Street (review) and Mirror Mirror (review) and the one's I have no interest in. 

Let's start simple with 2012 movies fairly fresh on DVD that I haven't seen. though perhaps I'll speak out if there's a great commentary. If there is I trust someone will let me know. 

 

  • THE FLOWERS OF WAR Zhang Yimou's historical epic starring Christian Bale that was submitted for foreign film last year but didn't make it.
  • THIS MEANS WAR Reese Witherspoon's terribly reviewed slutty* action comedy in which she can't choose between Chris Pine & Tom Hardy. Her friend suggests a sex off (*I'm guessing? hoping?)
  • JEFF WHO LIVES AT HOME An indie from the Duplass brothers co-starring the always welcome Judy Greer and Susan Sarandon.
  • THE PERFECT FAMILY Kathleen Turner returns to the screen as the mother of a dysfunctional Catholic family. 

 

 

You choose for me and I'll cover it somehow next week.
Make your case in the comments if you'd like other people to vote your way.