Tuesday, January 29, 2019 at 12:44PM Murtada Elfadl reporting from Sundance
Should we react to movies based on content or artistic merit? I struggled with two movies at Sundance this week which had incendiary, important content and tackled either a crucial part of history or provided necessary social commentary. Artistically, however, I found both Clemency and The Report lacking...
Tuesday, January 29, 2019 at 9:30AM Abe Fried-Tanzer reporting from Sundance
Everyone knows the name Ted Bundy, but I’m not sure that everyone knows as much as they think they do about him. I certainly didn’t going into Extremely Wicked, Shockingly Evil and Vile, the Sundance premiere from director Joe Berlinger, an Oscar nominee back in 2011 for the documentary Paradise Lost 3: Purgatory. The key curiousity here is the casting of Zac Efron, onetime star of High School Musical, as the notorious killer...
Sunday, January 27, 2019 at 1:30PM Murtada Elfadl reporting from Sundance
Once in a while, a film comes along where the actual experience of watching it is so enjoyable, it stirs a cozy reaction. A certain contentment, a satisfied smile washes over you as you spend time with the characters and the story. The type of film, the rhytyms, the stories that stir that reaction in me can differ but Rashaad Ernesto Green’s Premature is one of those movies.
The film follows Ayana (played by Zora Howard who co-wrote the screenplay with the director) through her last summer in Harlem before she leaves New York for college...
Saturday, January 26, 2019 at 7:00PM Abe Fried-Tanzer reporting from Sundance
Danish director Susanne Bier won an Oscar for her incredible film In a Better World (2010), her second time contending for Best Foreign Language Film. The first was her equally involving and magnetic After the Wedding (2006). That earlier film is actually one of two popular foreign hits remade for US audiences with Julianne Moore in the lead role this year (recent Oscar winner Sebastián Lelio remade his own 2013 Chilean film Gloria as Gloria Bell, due in March this year). Taking over Bier’s duties on this other do-over is Moore’s husband Bart Freundlich, whose last film was the underrated 2016 Tribeca entry Wolves. In addition to bringing this story back on the screen, this is a reunion for the real-life couple with leading man Billy Crudup after the three of them collaborated on both World Traveler (2001) and Trust the Man (2005).
What’s most changed – of surprisingly few modifications overall – from the Danish original to the 2019 remake that premiered at Sundance are the genders...
Saturday, January 26, 2019 at 12:00PM The Film Experience has two contributors at Sundance this year, Murtada and Abe. Here's Murtada's first missive, on a film that's currently closing a record Sundance deal with Amazon -Editor.
by Murtada Elfadl
Emma Thompson plays legendary late night talk show host Katherine Newbery (think Letterman, 2 decades younger, English and a woman but just as famous and revered and still on TV) in the new comedy Late Night. Early in the film Newbery meets a male employee from the writers room who is asking for a raise because he recently had a baby. In two minutes Thompson eviscerates him, and all of the decades of sexism and inequality in the workplace. She likens having babies to having a drug problem that one can’t shake. The latter is an unexpected and illogical simile until, that is, you hear it coming out of Thompson’s mouth. The writing’s funny and sharp, and Thompson is on full throttle hilarious commitment. Late Night has a few more of these golden moments, but also a few that are clichéd...
