Oscar Arrivals Live Blog

6:03  Perhaps a good omen: As soon as I began typing, Honorary Oscar winner Gena Rowlands appeared.

She tried to talk about A Woman Under the Influence (1974) but Ryan Seacrest felt it was more important to discuss The Notebook (2004). Never mind about that omen. Happy thoughts! Who's next?

Lots more to come including Sandy Powell, Bette Midler, Whoopi Goldberg, Alicia Vikander, and the Ghost of Michelle Pfeiffer in Scarface after the jump... 

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We didn't need dialogue. We had FACES (1968)

The Honoraries: Rowlands in Six Dance Lessons

For the next week we'll be celebrating all three of the Honorary Oscar Recipients at TFE. Here's Manuel talking about Gena Rowlands' most recent screen outing.

Whenever we do retrospectives for actresses or directors, I always have the opposite impulse that such an endeavor necessitates. Rather than wanting to go as further back as I can in someone’s filmography, or as higher up as I can in their approved canon, I tend to want to revisit later, more often than not forgotten, works. That’s what I did for our Ingrid Bergman centennial when I watched Cactus Flower and what I did this time around as we celebrate Gena Rowlands, choosing the recent Six Dance Lessons in Six Weeks.

While earlier films bristle with the promise of future success, and classics merely reaffirm those initial inklings, later films can offer a chance to evaluate a performer’s career trajectory. What to make, then, of a film as ineptly if earnestly made as Six Dance Lessons in Six Weeks?

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Links: Jennifer's World, Screenplay Competition, Gena's Glory

Illustration by Jennifer WilliamsActresses Actresses Actresses
<-- If you haven't yet read Jennifer Lawrence's short essay "Why Do I Make Less Than My Male Co-Stars" you should.

Salon on the many stars who are coming out in support of JLaw on Twitter
Teen Vogue Jennifer Lawrence and other stars before they were famous posing for Abercrombie & Fitch
THR Actress Joan Leslie (Yankee Doodle Dandy, Sergeant York) has died at 90 
Tracking Board Yorgos Lanthimos' (The Lobster) next project is about Queen Anne and it's called The Favorite. The female driven film will star Rachel Weisz, Emma Stone and Olivia Colman  
David Poland "20 Weeks To Oscar" he thinks only four movies are locked up in Best Picture: The Martian, Spotlight, Steve Jobs and Room but here's what I found most interesting. He argues that only Brie Larson & Kate Winslet can rest easy in their respective actress fields and I can see that The rest of the fields are fluid.
AV Club Because Ryan Murphy isn't spread thin enough he's pitching an anthology series called "One Hit Wonders" to star Goop herself, Gwyneth Paltrow  

Oscar Chatter
Awards Daily on the Screenplay races. Celebrity writers + Best Picture heat 
In Contention Kris Tapley on the makeup race. Can box office bombs factor in?

General Linkage
Interview talks to Emma Donaghue the novelist who adapted her own work for the screen in Room
Criterion has an amazing conversation with the French director Arnaud Desplechin (Kings & Queen, My Golden Days). They talk Oscars, Lars von Trier (?), male versus female actors, nudity, everything. I like this bit on his relationship to Mathieu Amalric who is in most of his films:

Mathieu is hard with me. He’s really hard. You don’t know all his French films, but I saw all his French films. He always plays the same part in all the films. They’re quite good, but I remember when I proposed Kings & Queen to him, he told me: “Arnaud, the script is great, but I don’t want to play the same character as in My Sex Life. You have to prove to me that this is another character.” I have to prove to you? Come on, you play the same character in five films, why am I obliged to prove that to you? He said, “Because it’s love, so you have to prove it.”

Birth. Movies. Death Thor: Ragnarok will be Marvel's darkest. But will it introduce Valkyrie? (People will be completely be over superheroes by the time the females arrive. sigh) 
Empire NOooo. Now they want to make a Die Hard "origin story". Boo
Playbill two underused fine actors Aaron Tveit & Mary Elizabeth Winstead headlining a new CBS comic thriller BrainDead with a truly bizarre premise
AV Club broke down 22 references in the Hail, Caesar! trailer
MNPP Jason has some thoughts on a possible tv version of Y: The Last Man

Finally...

"I had seen her when I was a teenager in Lonely Are the Brave with Kirk Douglas. I'd never seen anyone that beautiful with a certain gravitas. It was particularly unique in that time, when many women were trying to be girlish, affecting a superficial, 'I'm a pretty girl' attitude. It seemed to be the best way to succeed, but Gena did none of that. There was a directness—not that she wasn't fun and didn't smolder—but it came from a place that was both genuine and deep.

-Mia Farrow on Gena Rowlands"

Elle Magazine's "Women in Hollywood" issue is available digitally now and comes out next week featuring Gena Rowlands, Alicia Vikander, Salma Hayek, Kate Winslet, Carey Mulligan, Ava DuVernay, Amy Schumer, and Dakota Johnson.

And The Honorary Oscars Go To... Debbie Reynolds, Gena Rowlands, and Spike Lee.

No sooner had I published a list of speculation / suggestions for November's Honorary Oscars then the actual awards were announced. (I  must have misread the date on the Academy's meeting about this so we've unpublished and will revisit that topic at a more appropriate time.) For now, a hearty congratulations to a satisfying trio of recipients with very different appeals. We're throwing streamers and popping out of (okay eating) cakes this afternoon to celebrate!

Our Oscar Theme Song

All I do... is dream of you... the whole night through
with the dawn... i still go on... and dream of you
you're every thought... you're every thing
you're every song i ever sing
Summer. Winter.... Autumn and Spring 

DEBBIE REYNOLDS, "America's Sweetheart" back in her heyday (roughly speaking the 50s through the mid 60s), is your populist choice, not unlike Maureen O'Hara last year. Well liked showbiz legends that were never really critics darlings or in the Oscar hunt competitively can win Honorary Oscars if they stick around long enough. So here's to longevity! Reynolds, who is 83, made her first credited movie appearance in 1950, received her sole Best Actress nomination for the musical The Unsinkable Molly Brown (1964)... and has literally never stopped working. This is a true showbiz trouper.

OF NOTE # 1: Carrie Fisher is going to be much in demand for the next several months given a) her mom's Honorary Oscar victory lap, publicity for her new memoir, and her own return to her signature Princess Leia this December in Star Wars Episode VII: The Force Awakens.

OF NOTE # 2: Postcards from the Edge, the thinly veiled Carrie Fisher/Debbie Reynolds comic biopic starring Meryl Streep and Shirley Maclaine hits its 25th anniversary in a couple of weeks and we'll be celebrating that too.

GENA ROWLANDS was a regular Oscar player in her heyday (roughly speaking the late 60s through the early 80s) and is easily your aesthete's choice this year. She's a hugely influential actor and cinephiles have been bemoaning her Oscar losses for years, due in large part to her groundbreaking early indie work with her husband John Cassavettes. She's also worshipped by discerning film buff actors. Consider Tilda Swinton's quote on her film Julia, which was a loose remake of Gena's earlier film Gloria.

One's always downloading one's heroes, I suppose, all the time.  I remember being asked whether I thought about Gena Rowlands for "Julia" and thinking 'well, I think about Gena Rowlands all the time!' Not just for 'Julia'.

SPIKE LEE you could safely and cynically call this point in the 2015 honorary triangle their diversity choice but he's also entirely deserving so bless the media for putting so much pressure on Oscar voters to diversify! There's more to cinema than old white men (many of them are worth celebrating, too, but Oscar amply covers that without prodding). What's more, unlike Debbie Reynolds and Gena Rowlands, who couldn't really be called mistreated by the Academy for various reasons, AMPAS truly owes this maverick auteur. His indisputable classic Do The Right Thing (1989), his biopic epic Malcolm X (1992), his late career best 25th Hour (2002), and his biggest hit Inside Man (2006) have a measly 4 Oscar nominations between them with no wins. His only nominations to date were for his documentary 4 Little Girls (1997) and the screenplay of Do The Right Thing which, insane as it may sound, both lost. 

AND HERE'S WHERE YOU COME IN DEAR READER...

Last year we did mini-retrospectives on the Honorary winners when we noticed a dearth of coverage on movie sites (for shame) beyond obligatory news posts of the names and the later ceremony. Which films from each of their filmographies would you most like to revisit or discover for the first time with us before the ceremony on November 14th?