Linker, Donor, Oscar, Bye

By now you've heard the rumor, which some sources say is closer to actual fact, that Eddie Murphy will be hosting next February's Oscar ceremony. That's a major get if true since Murphy hasn't performed live in years and years and is the kind of Household Name that Oscar always prefers. I'm sure we'll talk more about this if it pans out. 

Lorell and Jimmy are through-oooooooooh 

No matter how great Eddie is -- should he host -- I know I won't be fully satisfied because what are the chances he'd invite Anika Noni Rose (who you know we love) onstage for something. TRUE STORY: Every single time I hear "Eddie Murphy" since 2008 I hear Anika Noni Rose's glorious voice in my ear. I included the sound clip that plays in my head every time in the post. You better listen!

MEANWHILE...
Have you seen Paul Smith's limited edition beautiful posters for Tinker Tailor Soldier Spy? They're minimalism and its most gorgeous and they're charitable too. All proceeds go to cancer.

This is my favorite from the batch.

I keep staring at it. But then I love minimalistic art. I think I must need room for my own projections of what an image, movie, or thing might be.

Ashley Judd & Michael Shannon & the aphidslinks!
Sunset Gun revisits Bug, mincing no words: "a masterpiece". I like this movie too but if you ever have a chance to see it on stage, that's where it really wows. So claustrophic and crazy and weirdly expectant of your co-dependency.
In Contention on George Clooney's tribute at Telluride. What a star that man is.
Awards Daily Sasha thinks Glenn Close has a real shot at the Best Actress Oscar with Albert Nobbs as career capper. She also likes The Descendants.
Super Punch stop motion recreation of the Johnny Quest opening credits. "WOW" and also: "What on earth for?" 
Terry Richardson has been shooting Jared Leto again. Those two. 
Movie|Line Stephanie Zacharek with a beautiful ode to Michael Fassbender in Shame and a funny jab at Al Pacino in Wilde Salome.

Today's Must Read
The Sheila Variations on Mia Wasikowska in Jane Eyre. Can we just cut and paste this whole write-up into her Best Actress FYC ads? Hopefully Focus Features takes a look at it.

Even if you haven't seen Jane Eyre (2011) it's an expansive essay taking on various schools (and limitations) of acting and it even has two beautiful shout outs to two of Nathaniel's all time favorite characterizations: Meryl Streep in Silkwood and Kathleen Turner in Who's Afraid of Virginia Woolf? So I'm sensing that Sheila is a kindred spirit.

Oh and... uh... Happy Labor Day Weekend! 
I tried to take a vacation from blogging this week -- as i hinted in the "best of august" post -- and have now realized that I am unable. Constitutionally unable. Which is why you should all sign on as "subscribers" (in sidebar -- i've added a cheaper option for the brokest among you) so that I can keep blogging from here to eternity. I'm not suited for other types of work because I spend too much time dreaming about the movies.

I'm broke but here's... : $1.00USD - monthly Coffee on me! : $2.50USD - monthly I'll get the popcorn : $5.00USD - monthly

I'm not sure what I'll do next weekend when I will actually not have an internet connection and must stare at actual friends all day...and not through a computer screen? GROSS.

Diesel Sweeties designed the perfect t-shirt for people like me -- and maybe you -- who can't stop working.

HAVE A GREAT HOLIDAY IF YOU'RE CELEBRATING!

ANIKA DREAMGIRL

Notes From Venice: "The Ides of March"

Editor's Note: Please welcome Ferdi from Italy (pictured below) who has been a Film Experience reader for many years. He's also a critic for LoudVision so please visit them if you speak Italian. We're very happy to have him sending us bite-sized notes from Venice this year for The Film Experience. - Nathaniel R.

Ferdi reporting from the opening day of the 68th Venice Film Festival. 

TFE Correspondent Ferdinando Schiavone shot by Fabrizio Spinetta

The Ides Of March is exactly what we've come to expect from Clooney: a solid, classically made, political contemporary drama. It's got a subtle shakespearian twist, a sharp screenplay and a strong cast. (OK, Evan Rachel Wood is always Evans Rachel Wood but, dammit! she's always good). Ryan Gosling is undoubtedly best in show with a perfectly nuanced character arc. He sparkles most in a couple of tasty scenes with Wood. But poor Marisa Tomei is soooo underused (again!) and Clooney plays a character working up to a big speech in front of a live audience (again!). Nothing new or revolutionary here, but quite everything in the right place.

Hollywood glamour aside, it's quite a shy opening film for a festival this big. (Last year things were very different with the incendiary opener Black Swan.)

Photo via Zimbio

Everyone has been saying that The Ides of March is a good movie (perhaps because it's talking about the right things in a serious way) but where are the emotions? Press reaction at the very first screening ranged from good to tepid, but it took the arrival of the stars at the press conference (all present but for Gosling) before you could feel warmth of unconditional love. How will the public react tonight when it opens the festival?

Editor's Note: Now check out these starry photos that Ferdi sent along from his photographer Fabrizio Spinetta from tonight's big event. 

George Clooney in Venice © Fabrizio Spinetta

Two more fun photos after the jump! 

Click to read more ...

The Ides of March Poster Splits the Difference

Robert here (Distant Relatives) with a look at The Ides of March poster which gives us half of Ryan and half of George staring out at us. What do we call this being? The Cloosling?

Still, it give us a look at both featured actors, throws in some political intrigue with the "is this man our next president?" line and is sure to get a few double takes hanging in a movie theater lobby. In that sense it's a well done poster. Then again, it's just about the only way to get George Clooney and Ryan Gosling together on a poster and make it somewhat aesthetically offputting.

It also reminds me of three similar face-mashing images in politics and movies.

• A famous magazine cover from 2000 that it might be intentionally referencing much in the way that Clooney's campaign posters reference Obama's.
• Ingmar Bergman's unsettling imagery from his film suggesting two people combining to build a bigger Persona.
• Or perhaps it's a more blunt assessment of a quality often found in politicians or operatives.

Newsweek 2000, Liv Ullman & Bibi Andersson in Persona, Two-Face

Toronto & Venice Lineups: Full of Contenders & Sleepers

Robert here (of Distant Relatives) with some thoughts on the lineups for the Toronto and Venice International Film Festivals which were announced Wednesday morning. And Oh Canada (and Viva Italia!) are they impressive.

Let's begin with Venice since it's up first.

VENICE
First up, the many films that will be vying for awards and spots on prestigious top 10 lists at the end of the year. I mention them first because while there's much to anticipate about them all, there's not too much left to say. They've staked their claim and now we must wait for word to start rolling in. So we can see if Roman Polanski's late career semi-resurgence can continue with the impressive cast of Carnage, or whether Steven Soderberg's Contagion can live up to that buzzy trailer. Meanwhile David Cronenberg's A Dangerous Method sets out to prove that just because he doesn't make movies with gynelogical tools that look like alien lifeforms anymore, he's still a master of psychosexual pathos. George Clooney's The Ides of March will try to be more than Primary Colors redux and Tinker, Tailor, Soldier, Spy (from Let the Right One In's Tomas Alfredson) may finally get Gary Oldman some recognition in the form of little statues. And of course Madonna reinvents herself yet again, this time as feature film director with W.E.

Meanwhile I feel like the lineup has reminded me of how many films have fallen under the radar so far this year. Did you know Jonathan Demme has made a post-Katrina documentary entitled I'm Carolyn Parker? Underachiever James Franco has found time to direct a film about Sal Mineo called Sal. Todd Solondz is back at it with the romance Dark Horse, which I'm sure will be more fun for the whole family. Further representing the ladies are Marry Harron who jumps into the vampire fray with The Moth Diaries, Andrea Arnold who gives us a new version of Wuthering Heights, and Marjane Satrapi of Persepolis fame who, with co-director Vincent Paronnaud presents her sophomore effort Chicken With Plums.

If that weren't enough there's Shame, Steve McQueen's follow up to 2008's Hunger which pairs Michael Fassbender with Cary Mulligan. If you liked 2007's sweetly sad The Band's Visit, director Eran Kolirin presents The Exchange. And if you liked last years not-so-sweetly sad Dogtooth, Giorgios Lanthimos is back with Alps. Plus new films from Philippe Garrel, Abel Ferrera, William Friedkin and more. Exhausting. The full list is available for your perusal at The Guardian.

TORONTO
Now on to TIFF, the official unofficial start of award season. Along with some films from Venice that will be here too (The Ides of March, The Dangerous Method, W.E.), we'll get our first look at "Sad Clooney" in Alexander Payne's The Descendants, "Angry Woody" in Oren Moverman's Rampart, and "Mathy Brad" in Bennett Miller's Moneyball. Rodrigo Garcia's Albert Nobbs rings the bell on the Glenn Close/Meryl Streep steel cage Oscar match we're all looking forward to and/or feeling conflicted about. Meanwhile Francis Ford Coppola continues the "we hope this one will be his big comeback" era of his career with Twixt.

Of course, Toronto could be comeback central. Fernando Meirelles is premeiring 360 in an attempt to put Blindness out of sight. Lasse Hallstrom is back (actually I can't remember if he went anywhere or if we all stopped paying attention). Anyway if he has his way the title Salmon Fishing in the Yemen will be on all of our lips. Also did you know that Roland Emmerich has apparently grown tired of destroying the world and made a film about Shakespeare called Anonymous... seriously. And his subtler and more stylish French counterpart Luc Besson has maybe put thrillers on hold for The Lady.

The list seemingly never ends, but I must. So I'll finish off with two films you might be anticipating if you enjoyed 2004's My Summer of Love and 2007's Away From Her. Pawel Pawlikoski is back with The Woman in the Fifth and Sarah Polley returns to the director's chair for Take This Waltz. As usual there's still plenty more and The Guardian has that list too.

Once your head has stopped spinning with the promise of a busy end of the year sound off. Which of these are you looking most forward to? Which are you having trouble getting worked up for?

Yes, No, Maybe So: "The Descendants"

Robert (author of Distant Relatives) here, taking a look at the trailer for the new Alexander Payne film The Descendants, and pondeing Yes, No, Maybe So.

Do you remember what you were doing in 2004? Perhaps sometime around when Massachusetts was performing its first legal gay marriage, Friends was going off the air for good, and George W. Bush was being elected to his second term as President you watched Sideways and thought that this Alexander Payne fellow was really hitting his stride as a director of intelligent comedies. If you, like me, were a fan, you didn't expect to have to wait seven years for another dose.

While Payne has been out of the director's chair for that long time, his influence has been undeniable. Darkly comedic slice-of-life films about men living lives of quiet desperation, while always present in the cinematic landscape, are starting to feel more and more like Payne knockoffs. Films like The Weather Man, Dan in Real Life, Lars and the Real Girl, or Smart People have attempted to capture some of that magic with varying results.

Now that we have our first look at the trailer for his latest, which teams the director with George Clooney as a man who must spread the word about his wife's recent accident, reconnect with his daughters, and come to terms with a revelation of infidelity.

YES. Alexander Payne's name was always going to be selling point enough for me. But there's also something here about George Clooney that's intriguing. Maybe it's the constant sadness behind those eyes, or that head full of gray hair. The knock against him has alway been that he only plays variations on the same character (an acting style I've never minded, if it's good enough for Bogart and Cary Grant). But comedically Clooney has always been in the realm of over the top. Here, he's doing something more subtle and my immediate sense from this trailer is that I'm watching what could be a very good, very awarded performance.

NO. Then again, Alexander Payne's name is one of the few things in the trailer that suggests you're not watching one of those many Payne copy cats. All the standard genre tropes are here. Single parent (sort of). Check. Mid-life crisis mode. Check. Relationship with kids he doesn't understand. check. There doesn't seem to be much new ground. What this could be is a good but minor work from Payne, expelling some leftover ideas, and cleansing his palate for the future. Unfortunately that's the sort of artisic luxury we only allow directors who are a bit more prolific. If you're waiting seven years between pictures, sorry we're going to demand another masterpiece.

MAYBE SO. Removed from any preconcieved expectations, there are some really nice moments here. While Robert Forster (it's always great to see him) punching an annoying kid in the face is guaranteed to please an audience, my favorite human moment is Clooney's inability to audibly say that his wife was sleeping with someone, quickly morphing the word "sleeping" into "seeing." It's small things like that which separate Payne's films from the pack, and the presence of even one in this trailer suggests that at least he hasn't forgotten it.

Your Turn: Yes, No or Maybe So? I sense that this isn't the type of trailer that sets the web ablaze with buzz. How do you feel? If you're not a Payne/Clooney fan is there anything here to stoke your interest? If you are does the trailer whet your appetite?