Horror Actressing: Greta Gerwig in "The House of the Devil"

by Jason Adams

When I wrote up last week's entry in our "Great Moments in Horror Actressing" series, about the latest greatest entry in what I dubbed the "Horror Movie Funny Friend Hall of Fame," I didn't intend to make a series-within-series out of it... even though I did name-check several other favorite performances that fit within this kind of role, up to and including today's entry. I didn't intend it but why fight it when today is the great Greta Gerwig's birthday, and her work in Ti West's 2009 low-key Satanic Panic shocker The House of the Devil is one of its finest examples...

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Horror Actressing: Marissa Anita in "Impetigore"

by Jason Adams

Impetigore's Tara Basro (L) as "Maya" and Marissa Anita (R) as "Dini"

The concept of the "Funny Best Friend" is nothing new, but I always tend to think of the role in the context of the Romantic Comedy. Think Laura San Giacomo in Pretty Woman, who gets to be so hysterically vulgar and dumb, all the better to make Julia Roberts seem in turn like the classy and smart one. That's what these roles are there in the script for -- these Falstaffian sidekicks, who throw our lead characters' highs and lows into contrast.

But Horror Films have a storied history with these roles as well and this week Shudder premiered one of the best I've seen in awhile -- Marissa Anita playing "Dini" in Indonesian director Joko Anwar's latest fright flick Impetigore. You can drop Anita right down alongside Rose McGowan in Scream, Greta Gerwig in House of the Devil, Paula Prentiss in The Stepford Wives -- she's that terrific.

We meet Dini right at the start...

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Horror Actressing: Sheila Vand in "A Girl Walks Home Alone at Night"

by Jason Adams

Watching A Girl Walks Home Alone at Night one's immediate thought might be of a shark, of a Jaws fin splitting the surface, as The Girl (Sheila Vand) skateboards down the inky Iranian streets of Bad Town, her chador trailing behind her like a nighttime tidal-wave no one can escape. A bit of Mephisto in Murnau's Faust too, whose sky-wide wings blot out the sun above that small smoky German village, rooftops only ankle-high, cartoonish and akimbo. There's Caligari brushed over this Bad Town -- the smokestacks and power stations, train cars, flat as a painted flap of cardboard. Sin City Expressionism against which our ageless hunter swerves, preys on all manner of beast, man, fat cat alike. 

But there's so much more to The Girl and how Vand brilliantly paints her -- she might be an Instant Icon of Neo-Western Horror but she's also kind of just a girl, standing in front of a boy...

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Horror Actressing: Jodie Foster in "The Silence of the Lambs"

by Jason Adams

When I think back on Jodie Foster's Oscar-winning turn playing Clarice Starling in The Silence of the Lambs in 1991 I tend to think of a overwhelmed young woman -- Demme is constantly framing Foster as the smallest person in the room -- but one who musters up unimaginable courage. She pushes deeper into that blacked-out basement as another young woman and an injured dog shriek from the bottom of a blood-streaked pit. And I tend to think of that same small and overwhelmed young woman standing in room after room after room of big dope-faced men staring down at her, eyes narrowed, disbelieving. 

What I don't particularly tend to think of first is Clarice Starling smiling. And yet she does... Often and broadly!

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Horror Actressing: Eva Green in "Dark Shadows"

by Jason Adams

I don't think before today that I've written of a terrific performance trapped inside a truly terrible movie for our "Great Moments in Horror Actressing" series. (No Frankenhooker is actually a terrific movie, don't you dare.) But we do what we have to in order to bow down to a stellar queen like Eva Green here on the occasion of her 40th birthday, and unfortunately for me that meant suffering through for a second time Tim Burton's 2012 big-screen flop of a reboot of the Dark Shadows television soap opera. Oh the exquisite agony, but she really is that good...

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