AFI Fest: Jafar Panahi’s stark portrait of Iran in “No Bears”

by Eurocheese

Director/Writer Jafar Panahi is currently sitting in an Iranian prison cell. By way of introduction at the AFI Fest, currently taking place in Los Angeles, our audience was reminded of this. That's not all. We were also informed that he has told his wife that this prison stay has been his most difficult – a shocking statement considering his arrest in 2010 led to him to a hunger strike. This set the backdrop perfectly, as the film portrays Panahi’s take on the current state of affairs in his country. 

Within the first few minutes, the fourth wall is broken as we learn Panahi (playing himself) is using a stand-in director to film his new feature, presumably because he is not allowed to direct himself. Meanwhile, he is staying close to his cast and crew in a small town close to Iran's border for a few days...

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Venice Diary #10 - Saints and martyrs

by Elisa Giudici

It's the last full day of Venice with the awards about to be announced as you're reading this... or maybe they've already been announced depending on when you clicked over. Yesterday, I was chatting with some Italian colleagues. Our country's films in competition ranged from distinctive to very good. We were quite proud... but then two more Italian films arrived and some of us had to rethink our position.

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Venice at Home: Day 10 – The Artist Is (Not) Present

by Cláudio Alves

Well, it's time to say goodbye to the Venice at Home project. Maybe it'll return next year as other cinephiles flood the Lido and those of us who don't share in the FOMO.  There are three remaining directors in the official competition. First, Jafar Panahi, incarcerated since earlier this year but no less capable of dazzling cinephiles with his political, profoundly personal work. No Bears sounds like another triumph. Also vying for the honor is Susanna Nicchiarelli, whose Chiara completes an unofficial trilogy about historical women (Miss Marx and Nico, 1988 also screened at Venice). Finally, Roschdy Zem jumps behind the camera after having graced festival audiences with his acting in Other People's Children. For Les Miens he does triple duty as star, director, and screenwriter.

This miniseries was always intended to celebrate great artists, so it's fitting that the last three films are about them as we focus on an Iranian filmmaker (This is Not a Film), a German singer (Nico, 1988), and a French clown (Chocolat) of Afro-Cuban heritage… 

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Links: Death Scenes, Star Salaries, and Filmmaker Arrests

Today's Must Read
• Slate examines the "50 Greatest Fictional Deaths of All Time". For a piece on death it's surprisingly fun and life-affirming. But the best reason to read it is that, unlike 95% of "all time" lists unline, it's genuinely far reaching stretching across all storytelling mediums and time periods. At this point it's a miracle to see an "all time" list that acknowledges that the world existed before the 1990s! Obviously spoilers abound though...

Movie and tv salaries at the moment, Jafar Panahi's prison sentence, Amanda Seyfried's Wicked audition, Bollywood anxiety and more after the jump ...

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Review: 3 Faces

by Murtada Elfadl

In 3 Faces, the latest from Jafar Panahi (The Circle, Taxi) we are plunged right into the story as images of a young woman on a smart phone talking directly to the camera. She is announcing that her life's in jeopardy because her parents have  forbidden her from realizing her dream of acting. She then seemingly kills herself. For the next 90 minutes we follow the recipient of this message, Behnaz Jafari playing herself, a renowned Iranian actress and Panahi himself as they travel to a tiny village near the Turkish border to investigate.

There’s a mystery to solve. What happened to the young woman (Marziyeh Rezaei)? But also a deeper moral mystery; who are the inhabitants of her tiny village? Are they as nice and welcoming as they seem at first blush when Jafari and Panahi meet them? Deeper still is the moral quandary of a society that could drive a woman to take her own life just because she wanted to be actress...

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