Venice at Home: Day 10 – The Artist Is (Not) Present

by Cláudio Alves

Well, it's time to say goodbye to the Venice at Home project. Maybe it'll return next year as other cinephiles flood the Lido and those of us who don't share in the FOMO.  There are three remaining directors in the official competition. First, Jafar Panahi, incarcerated since earlier this year but no less capable of dazzling cinephiles with his political, profoundly personal work. No Bears sounds like another triumph. Also vying for the honor is Susanna Nicchiarelli, whose Chiara completes an unofficial trilogy about historical women (Miss Marx and Nico, 1988 also screened at Venice). Finally, Roschdy Zem jumps behind the camera after having graced festival audiences with his acting in Other People's Children. For Les Miens he does triple duty as star, director, and screenwriter.

This miniseries was always intended to celebrate great artists, so it's fitting that the last three films are about them as we focus on an Iranian filmmaker (This is Not a Film), a German singer (Nico, 1988), and a French clown (Chocolat) of Afro-Cuban heritage… 

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Links: Death Scenes, Star Salaries, and Filmmaker Arrests

Today's Must Read
• Slate examines the "50 Greatest Fictional Deaths of All Time". For a piece on death it's surprisingly fun and life-affirming. But the best reason to read it is that, unlike 95% of "all time" lists unline, it's genuinely far reaching stretching across all storytelling mediums and time periods. At this point it's a miracle to see an "all time" list that acknowledges that the world existed before the 1990s! Obviously spoilers abound though...

Movie and tv salaries at the moment, Jafar Panahi's prison sentence, Amanda Seyfried's Wicked audition, Bollywood anxiety and more after the jump ...

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Review: 3 Faces

by Murtada Elfadl

In 3 Faces, the latest from Jafar Panahi (The Circle, Taxi) we are plunged right into the story as images of a young woman on a smart phone talking directly to the camera. She is announcing that her life's in jeopardy because her parents have  forbidden her from realizing her dream of acting. She then seemingly kills herself. For the next 90 minutes we follow the recipient of this message, Behnaz Jafari playing herself, a renowned Iranian actress and Panahi himself as they travel to a tiny village near the Turkish border to investigate.

There’s a mystery to solve. What happened to the young woman (Marziyeh Rezaei)? But also a deeper moral mystery; who are the inhabitants of her tiny village? Are they as nice and welcoming as they seem at first blush when Jafari and Panahi meet them? Deeper still is the moral quandary of a society that could drive a woman to take her own life just because she wanted to be actress...

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Chris Gives Thanks

Greetings from Chris! As the newest member of Team Experience, I'm so grateful to be able to share my point of view with you loyal readers in a space for our collective obsessions, unique observations, and global perspectives. Thank you all!

So, I am thankful for

...all of the vibrant and fully-realized women in minor roles that populate Brooklyn. Any one of them could have their own film, and I want Jessica Pare's sales manager to be my bestfriend/life coach.

..."This makes me wish they had been able to find my father's remains" in Trainwreck.

...Jason Robert Brown. We got The Last Five Years on big (but mostly VOD) screens this year, but if his masterpiece "Parade" was getting the big screen treatment, this list would be entirely comprised of that news.

more...

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TIFF: Berlin and Venice Winners, "Taxi" and "Desde Allá"

Amir continues our coverage of TIFF '15 with reviews of this year's Golden Bear and Golden Lion winners.

The studio Celluloid Dreams recorded a remarkable success this year by winning the top prize at all of Europe’s big three festivals. The journey started in Berlin with the Golden Bear for Taxi, continued into Cannes with the Palme d'or for Dheepan (review) and ended just last week with Venice's Golden Lion for Venezuela’s Desde Allá. Jafar Panahi’s Taxi is the film that piqued my interest most, both as an Iranian, and as a fan of the auteur’s complex career, which I have followed in real time since his first film—a children’s movie—back in 1995.

Taxi is filmed digitally with incredibly modest means, borne of the director’s complicated situation with government authorities...

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