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Entries in Joachim Trier (26)

Monday
Mar072022

'Worst Person...' and the 10 most successful Norwegian films in the US

by Nathaniel R

Talking about weekend box office isn't as much fun as it was pre-pandemic since it matters less and less with more films opting for streaming only. So let's get super niche instead. With the Oscar nominated The Worst Person in the World doing terrific business in the nation's arthouses -- I even heard strangers talking about it on the subway in NYC, always a great sign that an arthouse film has caught on -- let's talk about how Norwegian films fare at the Oscars and with US moviegoers...

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Tuesday
Dec212021

International Oscar Finals: Meet the Directors, Consider the Stats

by Nathaniel R

In some ways the competition for "Best International Feature Film" is the longest of Oscar races. It begins as early as the fall festivals in the previous year when titles that have not yet debuted in their home countries begin showing their faces. By the time Cannes rolls around it's in full swing. The first contest for each buzzy film, within this awards context of course, is to be submitted by its home country. The second big hurdle is making the finalist list of 15 which is where we are right now. The announcement of the 15 Oscar finalists this year has the usual mix of high profile contenders and 'oh, didn't see that one coming!' surprises. A high profile only gets you so far in this race -- notice that French Cannes champ Titane and Romanian Berlinale champ  Bad Luck Banging... are both missing from the finals.

Let's meet the directors behind the 15 films vying for those 5 nomination slots...

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Tuesday
Aug102021

NYFF Reveals 2021's Main Slate

by Jason Adams

Like a kid high on candy canes staring at the boxes under the tree on Christmas morning, wondering what wonders await, so go I, wild-eyed and very very awake now, ogling the just-announced roster of the New York Film Festival's "Main Slate" for 2021 (which runs from September 24 – October 10). Like three bears or bowls of porridge we'd already sized up the spectacular threesome that is Joel Coen's The Tragedy of Macbeth opening the fest, Jane Campion's The Power of the Dog closing it, with Pedro Almodovar's milky-eyed Parallel Mothers sandwiched in the Centerpiece between, but now... now! Now comes all the meat and fixins and I, for one, am full to burst. Droolin' over here, everybody!

NYFF is often framed as an also-ran when it comes to the full Festival Season since it doesn't get a ton of World Premieres -- most of these movies will have played at Toronto or Venice or heck even back to Sundance (I see you, Passing -- no really I already saw you and reviewed you right here) -- but as my much-loved hometown fest I don't care what's first, I care what's best, and the curation these folks do remains to my eye top-notch...

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Saturday
Jul172021

Cannes Closing Ceremony *Live Blog*

by Nathaniel R

7:57 We begin with the awards already in progress. (It's always difficult to find a link that works here in the US. Hence the delay) The jury has arrived with their always amusing individual strut ins. The actors and actresses (Song Kang Ho, Tahar Rahim, Maggie Gyllenhaal, etc...) are always relaxed and practiced at this but the directors often look vaguely mortified that they have to display themselves -- have you ever tried walking while everyone is staring at you or you're aware a camera is on. It's disconcerting! Brazil's brilliant Kleber Mendonça Filho (Aquarius, Bacurau) is visibly uncomfortable but Spike Lee, a "star" director, in a suit of many colors, is an old pro at being in the spotlight. He addresses the crowd but since this is a French live feed you can't actually hear the English being spoken because the translators are always speaking over the English. We'll do our best to understand...

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Saturday
Jul102021

Cannes Diary #3: From Haynes to Trier, a binge-watch kind of day

TFE is thrilled to have a correspondent on the ground in Cannes this year. Thank you to Elisa Giudici.

The Velvet Underground

by Elisa Guidici

It was a really intense day. I was greedy, I could not say no to the majority of the movies screened today so I basically spent the third day inside Palais, running from one screening to another. Six in all (!) With some positive surprises.

The Velvet Underground  (Todd Haynes)
OUT OF COMPETITION

It is perhaps predictable that Todd Haynes would do a fine job in telling the story of Velvet Underground in his newest documentary. He is the man behind Velvet Goldmine and I'm Not There so he has already shown an understanding of the sensibility and the struggle of rock music genre and inner restlessness...

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